Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

If Kit Larson believes one thing, it’s that the cards never lie. She’s seen it proven time and time again as a tarot reader and mystic influencer. But unfortunately the cards didn’t warn her about her most recent breakup or her parents’ divorce, so when Kit is offered a gig at another influencer’s boho-chic Joshua Tree wedding she accepts for the distraction. And distract it does when she finds out her high school crush, Julia, is the wedding planner.

When Vicky Cogburn’s Mafia boyfriend enters the witness protection program, she enlists a law firm to set her up with a fake wife and fake life far away from the city. Ambitious, no-nonsense attorney Rachel Huntington would do anything to secure a partnership in her New York City law firm—even if it means hiding out and playing house with a seductive Mafia mistress.

Orphia dreams of something more than the warrior crafts she's been forced to learn. Hidden away on a far-flung island, her blood sings with poetry, and her words can move flowers to bloom and forests to grow... but her father, the sun god Apollo, has forbidden her this art. A chance meeting with a young shield-maker, Eurydicius, gives her the courage to use her voice. After wielding all her gifts to defeat one final champion, Orphia draws the scrutiny of the gods. Performing her poetry, she wins the protection of the goddesses of the arts.

Lorel has always dreamed of becoming a witch—learning magic, fighting monsters, and exploring the world beyond the small town where she and her mother run the stables. Even though a strange plague is killing the trees in the Kingdom of Cekon and witches are being blamed for it, Lorel wants nothing more than to join them. There’s only one problem: all witches are women, and she was born a boy. When the coven comes to claim her best friend, Lorel disguises herself in a dress and joins in her friend’s place, leaving home and her old self behind.

After being fired from her job and faced with a dwindling bank account, Jennifer Harris finds herself at a crossroads, uncertain of her next move. When her best friend suggests that she stay at a cabin on the edge of her family's property for a few weeks, Jennifer reluctantly agrees. While escaping the chaos is enticing, Jennifer grapples with her fear of change and the unknown. Before she can change her mind, she leaves her dreary apartment behind and drives toward the coast, bracing herself for the unfamiliar challenges ahead.