Despite the dismal Broadway season, Gunplay continues to draw crowds. A gangland spectacle, it's packed to the gills with action, explosions, and gunfire. In fact, Gunplay is so loud that no one notices the killing of Monte Field. In a sold-out theater, Field is found dead partway through the second act, surrounded by empty seats. The police hold the crowd and call for the one man who can untangle this daring murder: Inspector Richard Queen.

It's 1943, the war is raging, and sleuthing scribe Ellery Queen wants to do his bit. After a tortuous cross-country drive, he takes a job writing scripts for a Hollywood propaganda house - twelve hours a day of hack work that quickly turns his mind to jelly. After a few weeks, he is so worn down that he can type nothing but gibberish, and he decides to drive home. The trouble starts as soon as he reaches the desert.

You are invited to a murder. That was how the invitations should have read when aged millionaire Hendrik Brass sent out his messages to six oddly assorted men and women who knew neither him nor each other. All arrived at the isolated Brass mansion, lured by the tantalizing promise of fabulous wealth. But from the moment the shining brass doors of the grotesquely constructed house swung shut behind them, they began to realize they had been enticed into playing parts in a monstrous joke - the joke of a twisted, brilliant mind…

Who killed Cox, the robber? Was it Ruth Tully, who visited Crandall Cox on the night of his death and who might have decided to quench a torrid past with a spray of bullets? What about Sandra Jean, the knock-'em-dead beauty who knew more than she was telling about the sudden demise of blackmailer Cox? Or had some past scandal driven lawyer Ollie Hurst and his wife, Norma, to claim the blackmailer's life? Dave Tully didn't know who the killer was, but if he didn't find out fast, the price of failure could be death....

Queen's Bureau of Investigation is now open for business - and in each department of this new enterprise Ellery finds ample opportunity to exercise the brilliant, ingenious, and at times startling talents of his crime-lab mind. For to the bureau come some of the most plaguey cases in Queen's career.

The nine-word clue was one of nine cryptic notes that had been sent to taunt Inspector Queen and his son Ellery nine days after the murder. Nino Importuna had been obsessed with the number. He had lived by it. Now the killer who brought a trio of gory deaths to Nino's ninth-floor penthouse at Number 99 East was camouflaging his identity in a jungle of nines - and daring Ellery to find him. The case was destined to be a dazzling contest of wits - to the ninth degree!

Madman or murderer? That was the question, and it was Police Inspector Omar Collins who had come up with the answer. All he had to go on was: the victim - Earl Genneman, wealthy president of Genneman Labs; the scene - right in the middle of a busy state park; the murder weapon - a shotgun that was still missing; the witnesses - Myron Retwig, Red Kershaw, Bob Vega, and Buck James, all friends or employees of the deceased; the motive - unknown; the suspects - everyone!

The four of them had only two things in common - their name and a love for the ladies. John Boce was a no-account accountant who lusted after food, drink, cars, and women. John Thompson was a secretive librarian who liked his books and his women well-stacked. John Viviano was a fashion photographer with a great feel for a body - any body! And John Pilgrim was a poetic bum who had the girls hanging on his every stanza. All of them wanted the same woman, but which one wanted her enough to kill?

In New York City in the early 1930s, a man is poisoned on a crowded streetcar during rush hour. Everyone sees Longstreet die - but no one sees the killer. Inspector Thumm's few clues all lead up a blind alley. He finally seeks the aid of Drury Lane - retired Shakespearean actor, master of disguise, and amateur sleuth. Seated amid the splendor of the vast medieval halls of his castle on the Hudson, Drury Lane hears the story from the inspector.

Gloria Guild is the singing "glory" of the thirties and the millionairess wife of Count Carlos Armando, renowned only for his succession of wealthy wives. When she is murdered, her husband is the obvious suspect, but he has a perfect alibi. So who could he have got to do it for him? The only clue is the word "face," penned in her dying scrawl. But whose face? And why? Ellery Queen pursues the glory riddle from the Bowery to a way-out wedding - and a surprise climax that will jolt you into cold shock. Anyone whonails this killer before Queen is either a genius or a cheat.

The Tragedy of Errors is the lengthy and detailed plot outline for the final but never published Ellery Queen novel, containing all the hallmarks of the greatest Queen mysteries - the dying message, the succession of false solutions before the astonishing truth is revealed, and scrupulous fair play to the listener. And the theme is one that Queen had been developing for many years: the manipulation of events in a world going mad by people who aspire to the power of gods.

How could a man have been murdered when he was found alone in his study, a gun in his hand, and the door locked from the inside? It had to be suicide, the police figured. Although there was no suicide note, there was a letter proving conclusively that Roland Nelson, over the last several months, was being blackmailed. But to his daughter, Ann, whom he had seen only spasmodically since he had left her mother when Ann was a baby, there were unanswered questions.

Ever since disgraced associate Orrie Cather’s suicide, armchair detective Nero Wolfe has relished retirement in his Manhattan brownstone on West 35th Street. Two years after Cather’s death, only a visit from Maria Radovich - and the urging of Wolfe’s prize assistant, Archie Goodwin - could draw the eccentric and reclusive genius back into business. Maria’s uncle, New York Symphony Orchestra conductor Milan Stevens, formerly known as Milos Stefanovic, spent his youth alongside Wolfe as a fellow freedom fighter in the mountains of Montenegro.

December 1927. Mystery-writer Marius Quin has one previous bestseller, endless looming mortgage payments, and no idea how to write his next book. When his childhood friend Lady Isabella Montague invites him to an intimate New Year’s Eve party hosted by a narcissistic actor, Marius seizes upon the distraction. With his perpetually glum Basset hound along for the ride, he navigates the snowy lanes to the opulent estate of Everham Hall. As the celebrations begin, fireworks light up the sky, champagne corks pop, and then the host is murdered…

Four chiller novellas set to keep listeners awake long after bedtime. One Past Midnight: "The Langoliers" takes a red-eye flight from LA to Boston into a most unfriendly sky. Only 11 passengers survive, but landing in an eerily empty world makes them wish they hadn't. Something's waiting for them, you see.

Paul Madvig was a cheerfully corrupt ward-heeler who aspired to something better: the daughter of Senator Ralph Bancroft Henry, the heiress to a dynasty of political purebreds. Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett’s tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness. A one-time detective and a master of deft understatement, Hammett invented the noir crime novel.

The profoundly original and wildly entertaining short stories of a legendary Twilight Zone writer. It is only natural that Charles Beaumont would make a name for himself crafting scripts for The Twilight Zone - for his was an imagination so limitless it must have emerged from some other dimension. Perchance to Dream contains a selection of Beaumont's finest stories, including five that he later adapted for Twilight Zone episodes.

When Sam Spade gets drawn into the Maltese Falcon case, we know what to expect: straight talk, hard questions, no favors, and no way for anyone to get underneath the protective shell he wears like a second skin. We know that his late partner, Miles Archer, was a son of a bitch; that Spade is sleeping with Archer's wife, Iva; that his tomboyish secretary, Effie Perine, is the only innocent in his life. What we don't know is how Spade became who he is. Spade & Archer completes the picture.

Demobilised officer, finding peace incredibly tedious, would welcome diversion. Legitimate if possible; excitement essential. When Captain Hugh Drummond, DSO, MC placed that advertisement, he was looking for adventure. What he finds is an international plot headed by the greatest criminal mastermind in the world.

Dany Ashton is invited to vacation at her stepfather's house in Zanzibar, but even before her airplane takes off there is a stolen passport, a midnight intruder - and murder. In Zanizbar, the family house is Kivulimi, the mysterious "House of Shade", where Dany and the rest of the guests learn that one of them is a desperate killer. The air of freedom and nonchalance that opened the house party fades into growing terror, as the threat of futher violence flowers in the scented air of Zanzibar.

The fiction world of today needs a “Saint” more than it ever did. For years now that scene has been dominated by the “anti-heroes"—those grim gray operators in a sunless sub-culture where global issues are worked out with totally unemotional pragmatism, those hapless uninspired puppets manipulated and expended by ruthlessly dedicated little brothers of Big Brother. It made morbidly fascinating narrative, but it never gave anyone a lift until it climaxed in the hyper-gadgeted parodies of 007 extravaganzas.

Welcome to the Monkey House is a collection of Kurt Vonnegut's shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, what these superb stories share is Vonnegut's audacious sense of humor and extraordinary range of creative vision.

Sherlock Holmes is an unparalleled genius who uses the gift of deduction and reason to solve the most vexing of crimes. Warlock Holmes, however, is an idiot. A good man, perhaps; a font of arcane power, certainly. But he’s brilliantly dim. Frankly, he couldn’t deduce his way out of a paper bag. The only things he has really got going for him are the might of a thousand demons and his stalwart flatmate. Thankfully, Dr. Watson is always there to aid him through the treacherous shoals of Victorian propriety...

From the tip of his black Homburg to the crease in his cheviot trousers, Drew Farthering is the epitome of a stylish 1930s English gentleman. His only problem? The body he just discovered. With the help of beautiful and whip-smart Madeline Parker, a guest from America, Drew proposes to use the lessons he’s learned reading his mysteries to solve the crime. Trying hard to remain one step ahead of the killer - and trying harder to impress Madeline - Drew must decide how far to take this dangerous game.

This remarkable, newly revised collection of Ayn Rand's early fiction ranges from beginner's exercises to excerpts from early versions of We the Living and The Fountainhead. Arranged chronologically, from 1926 through 1940, these works allow readers to follow the extraordinary trajectory of Rand's literary and intellectual growth, from a 21-year-old Russian immigrant struggling to master English to the brilliant prose stylist and sophisticated philosopher she was to become in her mature work.

Young widow Penelope Thornton-McClure and her old Aunt Sadie are making ends meet by managing a mystery book shop - a quaint Rhode Island landmark rumored to be haunted. Pen may not believe in ghosts, but she does believe in good publicity - like nabbing Timothy Brennan for a book signing. But soon after the bestselling thriller writer reveals a secret about the store's link to a 1940s murder, he keels over dead - and right in the middle of the store's new community events space. Who gives Mrs. McClure the first clue that it was murder?

A lawyer from the London finance house of Single & Single is shot dead on a Turkish hillside by people with whom he thought he was in business. A children's magician is asked by his bank to explain the unsolicited arrival of more than five million pounds sterling in his young daughter's modest trust. A freighter bound for Liverpool is boarded by Russian coast guards in the Black Sea. The celebrated London merchant venturer "Tiger" Single disappears into thin air.

Mad scientists have never had it so tough. In super-hero comics, graphic novels, films, TV series, video games, and even works of what may be fiction, they are besieged by those who stand against them, devoid of sympathy for their irrational, megalomaniacal impulses to rule, destroy, or otherwise dominate the world as we know it. It’s just not fair. So those of us who are so twisted and sick that we love mad scientists have created this guide.

Set against the colorful tumult of events that gave rise to our fledgling nation, this novel of romance and adventure introduces Phillipe Charboneau. The illegitimate son of an English nobleman, Phillipe flees Europe and, as Philip Kent, joins the men who set our course for freedom. The Bastard is the first volume in the Kent Family Chronicles, a series of novels that details one family's journey in the early years of the American nation.

For a new kind of killer roams the streets of the Arab ghetto, a madman whose bootlegged personality cartridges range from a sinister James Bond to a sadistic disemboweler named Khan. And Marid Audrian has been made an offer he can't refuse.The 200-year-old godfather of the Budayeen's underworld has enlisted Marid as his instrument of vengeance. But first Marid must undergo the most sophisticated of surgical implants before he dares to confront a killer who carries the power of every psychopath since the beginning of time.