Best friends and worst enemies, Christy and PJ are destined to spend their lives together over the next 20 years in prison. Reflecting on the events and experiences that led them to the present day, this slow-burning tale explores hope, acceptance and forbidden love. Directed by Jim Culleton with music by Denis Clohessy, On Blueberry Hill is a powerful exploration of freedom, friendship and forgiveness. With outstanding performances from Irish Times Theatre Award and Olivier Award winner, Niall Buggy (Christy) and West End and Broadway star David Ganly (PJ).

When 38-year-old Conner O’Rourke returns to Ireland, he’s running from his past. His advertising agency in Sydney is going broke, the bank is foreclosing on his mortgage, and he’s hearing voices in his mind urging him to return to Inis Mór. His grandmother, whom he hasn’t seen in years, has contacted him saying she's critically ill and must speak with him, but when he arrives on Inis Mór, a wild, windswept, rocky little island some 30 miles off the West Coast of Ireland, she’s already passed, leaving him a cottage and a dilapidated sailing boat.

Spanning Gaiman’s career to date, The Neil Gaiman Reader: Selected Fiction is a captivating collection from one of the world’s most beloved writers, chosen by those who know his work best: his devoted fans. A brilliant representation of Gaiman's groundbreaking, entrancing, endlessly imaginative fiction, this captivating volume includes excerpts from each of his five novels for adults—Neverwhere, Stardust, American Gods, Anansi Boys, and The Ocean at the End of the Lane—and nearly fifty of his short stories.

Seventeen-year-old Noel Crowe is idling in the unexpected sunshine when Christy makes his first entrance into Faha, bringing secrets he needs to atone for. Though he can't explain it, Noel knows right then: something has changed. As the people of Faha anticipate the endlessly procrastinated advent of the electricity, and Noel navigates his own coming-of-age and his fallings in and out of love, Christy's past gradually comes to light, casting a new glow on a small world.

Willa Cather renders the tough inner terrain of a man in mid-life crisis. Bartley Alexander is a master bridge engineer. At 43 he is at the height of his power, comfortable with success and all it brings. Yet he yearns for the lost vibrancy of his youth. He leads a double life, veering between his beautiful, accomplished wife and his mistress, an actress he knew as a student in Paris. The conflict creates a crack in the structure of his life that ultimately undermines him.

When award-winning actor, producer, and international icon Gabriel Byrne was a young boy, his grandmother brought him to the cinema for the first time. There, Byrne fell in love with the transporting power of the big screen. Growing up in 1950s and 60s Dublin within a family of eight, Byrne's formative childhood years were both carefree and challenging, spent between home, the church, school, and the streets of his ever-changing city.

Ireland, 1924. For 13-year-old Nora Doyle every day is a fight for survival in Ballybun, the rural Irish village she calls home. Each night, as she feels the cold wind blowing through the cracks of her family’s cramped cottage, Nora longs to escape the poverty surrounding her and find her place in the world. When she meets Edward, from the grand house that looms over her tiny village, she feels an unlikely kinship that is impossible to explain, and as she grows from an impulsive child into a beautiful woman, Nora spends every moment she can with him.

Tuscany, 1944: As Allied troops advance and bombs fall around deserted villages, a young English soldier, Ulysses Temper, finds himself in the wine cellar of a deserted villa. There, he has a chance encounter with Evelyn Skinner, a middle-aged art historian who has come to Italy to salvage paintings from the ruins and recall long-forgotten memories of her own youth. In each other, Ulysses and Evelyn find a kindred spirit amidst the rubble of war-torn Italy, and set off on a course of events that will shape Ulysses's life for the next four decades.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

When a grisly murder occurs on the Isle of Lewis that bears similarities to a brutal killing on the mainland, Edinburgh detective Fin Macleod is dispatched to the Outer Hebrides to investigate, embarking at the same time on a voyage into his own troubled past. As Fin reconnects with the people and places of his tortured childhood, the beautiful island and its ancient customs once again begin to assert their grip on his psyche. Every step toward solving the case brings Fin closer to a confrontation with the dark events of the past that shaped - and nearly destroyed - his life.

In the dark waiting room of the ferry terminal in the sketchy Spanish port of Algeciras, two aging Irishmen - Maurice Hearne and Charlie Redmond, longtime partners in the lucrative and dangerous enterprise of smuggling drugs - sit at night, none too patiently. It is October 23, 2018, and they are expecting Maurice's estranged daughter, Dilly, to either arrive on a boat coming from Tangier or depart on one heading there. This nocturnal vigil will initiate an extraordinary journey back in time to excavate their shared history of violence, romance, mutual betrayals, and serial exiles.

Ballymor, Ireland, 1847. As famine grips the country, Kitty McCarthy is left widowed and alone. Fighting to keep her two remaining children alive against all odds, Kitty must decide how far she will go to save her family. Present day. Arriving in Ballymor, Maria is researching her ancestor - Victorian artist Michael McCarthy - and his beloved mother, the mysterious Kitty who disappeared without a trace.

With three novels and two short story collections published, Kevin Barry has steadily established his stature as one of the finest writers not just in Ireland but in the English language. All of his prodigious gifts of language, character, and setting in these 11 exquisite stories transport the listener to an Ireland both timeless and recognizably modern. Shot through with dark humor and the uncanny power of the primal and unchanging Irish landscape, the stories in That Old Country Music represent some of the finest fiction being written today.

Based in part on Cheever's adolescence in New England, the novel follows the destinies of the impecunious and wildly eccentric Wapshots of St. Botolphs, a quintessential Massachusetts fishing village. Here are the stories of Captain Leander Wapshot, venerable sea dog and would-be suicide; of his licentious older son, Moses; and of Moses' adoring and errant younger brother, Coverly.

It's New Year's Eve, 1972, when a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets them. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper's weather log describes a storm raging round the tower, but the skies have been clear. And the clocks have all stopped at 8:45.

Based in part on Cheever's adolescence in New England, the novel follows the destinies of the impecunious and wildly eccentric Wapshots of St. Botolphs, a quintessential Massachusetts fishing village. Here are the stories of Captain Leander Wapshot, venerable sea dog and would-be suicide; of his licentious older son, Moses; and of Moses' adoring and errant younger brother, Coverly.

Here is the exciting culmination of Ali Smith's celebrated Seasonal Quartet, a series of stand-alone novels, separate but interconnected (as the seasons are), wide-ranging in timescale and light-footed through histories.

American-born Paul Theroux had lived in England for 11 years when he realized he'd explored dozens of exotic locations without discovering anything about his adopted home. So, with a knapsack on his back, he set out to explore by walking and by short train trips. The result is a witty, observant and often acerbic look at an ever eccentric assortments of Brits in all shapes and sizes.

Brodmaw Bay seems to be the perfect refuge for James Greer and his family. When his son is the victim of a brutal mugging, Greer wants to leave London - the sooner the better - for the charming old-fashioned fishing port he has just discovered. But was finding Brodmaw Bay more than a happy accident? What is the connection between the village and his beautiful wife? When his friendly new neighbours say they'd welcome some new blood - in a village where the same families seem to have lived for generations - are they telling the whole truth?

It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.

Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendence. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendence.

Jacob's Room was the first of Virginia Woolf's novels to be published by the Hogarth Press, founded with her husband, Leonard Woolf, in their home at Hogarth House in Richmond in 1917. It is an episodic tale that attempts to evoke the inner life of Jacob Flanders and his social milieu during the first decade-and-a-half of the 20th century.

A farmhouse is being reproduced a dozen times, with slight variations, throughout a valley. Three small graves have been dug in the front garden, the middle one lying empty. A woman in a wheelchair sorts through boxes while her husband clambers around the old demolished buildings, wondering where the animals have gone. A young woman – called ‘the barren one’ behind her back – dreams of love, while an ageing headmaster contemplates the end of his life.

Come on Shore and We Will Kill and Eat You All is the story of the cultural collision between Westerners and the Maoris of New Zealand, told partly as a history of the complex and bloody period of contact between Europeans and the Maoris in the late 18th and early 19th centuries, and partly as the story of Christina Thompson's marriage to a Maori man.

For as long as she can remember, Jane Stuart and her mother have lived with her controlling grandmother in a dreary mansion in Toronto. Jane always believed her father was dead, so she was shocked to receive an invitation to stay with him for the summer on Prince Edward Island. But from their very first meeting, Jane fell in love with her charming father and his whimsical cottage. During her stay with him, she even found herself daring to dream that there could be such a house back in Toronto.

In The First Man, Albert Camus tells the story of Jacques Cormery, a boy who lived a life much like his own. Camus summons up the sights, sounds, and textures of a childhood circumscribed by poverty and a father's death yet redeemed by the austere beauty of Algeria and the boy's attachment to his nearly deaf-mute mother. The result is a moving journey through the lost landscape of youth that also discloses the wellsprings of Camus's aesthetic powers and moral vision.

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy, and the color hit of Pop Art, Autumn is a witty excavation of the present by the past. The novel is a stripped-branches take on popular culture and a meditation, in a world growing ever more bordered and exclusive, on what richness and worth are, what harvest means.

It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end.

In 1889, satirist Jerome K. Jerome fully intended to write a serious travel guide when he and his two best friends embarked on a boating trip up the river Thames to Oxford. But his musings on landmarks and local history were soon hijacked by his own digressive, waggish voice. And so, what began as a peaceful and edifying two-week exploration soon floated upriver into farce - aided, quite naturally, by a portly ration of cheese, some very bad weather, and a dog named Montmorency.

It is 1968 in rural Australia and lonely Tom Hope can't make heads or tails of Hannah Babel. Newly arrived from Hungary, Hannah is unlike anyone he's ever met - she's passionate, artistic, and fiercely determined to open sleepy Hometown's first bookshop. Despite the fact that Tom has only read only one book in his life, the two soon discover an astonishing spark. Recently abandoned by an unfaithful wife - and still missing her sweet son, Peter - Tom dares to believe that he might make Hannah happy.