A beautiful, wealthy heiress finds herself daydreaming of meeting her prince charming. One day, there is a knock on the door of her lonely mansion - a gentleman caller at long last. She loves to play hostess; she is very old-fashioned in her tastes, serving sherry and cookies as her parents had. The handsome young man seems to enjoy them very much and gets quite tipsy. He is always intoxicated by the diamonds she wears. The afternoon passes as she shares tales of her family’s tragic history that left her orphaned at a young age.

Thea Knight loves a spot of mischief. She especially loves her current mischief: masquerading as her sister, while finalizing her scheme to expose the dastardly knaves whose lies ruined her life. Then big, bad-tempered Lord Luxborough upends her game by maneuvering her into marriage. But it's her sister’s name on the license, so the marriage won’t be valid. Thea’s idea? Keep pretending to be her sister until she can run away.

Destroyed by the death of his former schoolmate yet unable to show it publicly, Giles Fullerton has taken to walking the streets of London in the middle of the night, the only time he can safely mourn the only person he's ever loved - until one chance meeting with a lamplighter changes everything.... Widower John Banks knows a thing or two about grief, and immediately recognizes a kindred spirit when he finally meets the gentleman he's admired from afar. And in fact, the two men discover shared passions and the possibility of a forever love - if they can overcome social taboos.

Seeing an ad for a position at a Yorkshire estate, typesetter Graham Cowrie decides to make an upward career move by passing himself off as a tutor. How hard can it be to teach a few subjects to a pair of nine-year-old boys? But on his arrival at the ancient house, he finds the staff creepy, the twins odd, and the widowed master temporarily absent. His first meeting with brooding, stern, but oh-so-attractive Sir Richard doesn't go well, but with no other prospects vying for the teaching position, Graham manages to keep it.

Lieutenant Tom Donald envies everything about fellow officer Frank Foden - his confidence, his easy manner with the men in the trenches, the affectionate letters from his wife. Frank shares these letters happily, drawing Tom into a vicarious friendship with a woman he's never met. Although the bonds of friendship forged under fire are strong, Tom can't be so open with Frank - he's attracted to men and could never confess that to anyone.

Gareth Fitzallen is celebrated for four things: his handsome face, his notable charm, his aristocratic connections, and an ability to give the kind of pleasure that has women begging for more. Normally he bestows his talents on experienced, worldly women. But when he heads to Langdon's End to restore a property he inherited - and to investigate a massive art theft - he lays plans to seduce a most unlikely lady.

Ruling a kingdom is challenging under any circumstances. But Aurora - queen of Perceforest and queen of the Moors - is reigning under the weight of two crowns. Caught between the prejudices that divide her kingdom and eager to establish lasting peace, Aurora is determined to sign a treaty to unify the humans and the Fair Folk. But as spiky dark flowers grow fiercely around Perceforest’s borders and a stable boy mysteriously disappears, tensions between humans and faeries are at a dangerous high.

With a modest inheritance and the three gowns that comprise her entire wardrobe, Theodora leaves Edinburgh—and a disappointed suitor—far behind. She is bound for Romania, where tales of vampires are still whispered, to visit an old friend and write the book that will bring her true independence. She arrives at a magnificent, decaying castle in the Carpathians, replete with eccentric inhabitants, including the castle’s master, Count Andrei Dragulescu.

Fleeing a cruel stepfather, Harriet Russell escapes into a stormy night, relying only on the mercy of servants to help her. Her coach overturns, leaving her and her driver injured. Seeking help from whoever lives nearby, she stumbles between a set of gates guarded by fierce demonic gargoyle statues. As she enters the shadowy, haunted lands belonging to the duke of Frostmore, she’s afraid of meeting with him, but she must in order to help her driver.

In a time when women have few options for their futures, bluestocking wallflower Llysa Hamilton has aged out of the marriage mart. With offers for her hand unlikely, she enlists Madame Eve's 1Night Stand service to find the perfect man for one passionate night. Wolfe Thane, Duke of Foxhaven, has never lacked for anything, but he's bored with his entitled life. Winning a 1Night Stand voucher in a poker game appears to offer a perfect, commitment-free opportunity to add spice to his sex life.

Monday, December 20, 1897. Mr. Benedict Hannan, the owner of Hannan’s Auction House in Fitzrovia, receives a letter inviting him to attend the sale of a private collection of fine art and antiquities belonging to the late Lord Percival Ardmillan. Ardmillan is known to Benedict, or rather, his son Euan is, and so, Benedict hurriedly travels to the West Highlands to fulfill his dream of owning a particular item from the Lord’s collection - something that he has coveted for 30 years.

A Libertine... Jeremy Greymont certainly qualifies. "Sex rough and women loose" is his credo - one he's always taken very seriously, with no deference whatsoever to the society into which he's been born. He's been perfectly content milling along through life on an existence of courtesans and fine Scotch whisky...that is until his grandfather lets him know he's out of time, and his station in life comes with duties attached. Jeremy must produce an heir - posthaste.

Miss Eliza Cade is a lady in waiting. And waiting. Because of a foolish mistake in her youth, she's not allowed "out" in Society until her three older sisters are wed. But while she's trying to be good, she keeps bumping elbows—and, more distressingly, lips—with notorious rake Harry Wright. Every moment she spends with him, she risks complete ruin. The sensual passions he stirs in her are so wrong . . . but Eliza just can't resist Mr. Wright.

When he is thrust into a carriage heading for London to meet his future bride, his way out comes in the form of an imposing highwayman, riding a horse as black as night. Julian makes a deal with the criminal, but what he doesn’t expect is that despite the title of baronet, the robber turns out to be no gentleman. Sir Evan Penhart is pushed into crime out of desperation, but the pact with a young merchant’s son turns out to have disastrous consequences. Not only is Evan left broke, but worse, Julian opens up a Pandora’s box of passions that are dark, needy, and too wild to tame.

Lady India Rochester, an intrepid archaeologist, possesses a sharp blade and an even sharper knack for uncovering history’s forgotten women. Unfortunately, she has one annoying weakness: the dangerously handsome duke of Ravenwood. Former best friend. Current enemy. And the man who dared to break her heart. Daniel Bonds, the duke of Ravenwood, is a thrill-seeking antiquities hunter who only plays by one rule: Never fall in love. He’s in it for the fortune and glory. But when a priceless relic is stolen from the British Museum, the rivals must align forces.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

Thea Knight loves a spot of mischief. She especially loves her current mischief: masquerading as her sister, while finalizing her scheme to expose the dastardly knaves whose lies ruined her life. Then big, bad-tempered Lord Luxborough upends her game by maneuvering her into marriage. But it's her sister’s name on the license, so the marriage won’t be valid. Thea’s idea? Keep pretending to be her sister until she can run away.

Catherine "C.C." Calhoun is determined to keep her family's estate, known affectionately as the Towers, in the family. She admits the cost of keeping up the crumbling mansion might be quickly exceeding what C.C., her sisters and her aunt can afford, but the only way to save the house can't be to sell it. Especially not to arrogant and handsome hotel magnate Trenton St. James III.

With a modest inheritance and the three gowns that comprise her entire wardrobe, Theodora leaves Edinburgh—and a disappointed suitor—far behind. She is bound for Romania, where tales of vampires are still whispered, to visit an old friend and write the book that will bring her true independence. She arrives at a magnificent, decaying castle in the Carpathians, replete with eccentric inhabitants, including the castle’s master, Count Andrei Dragulescu.

Gareth Fitzallen is celebrated for four things: his handsome face, his notable charm, his aristocratic connections, and an ability to give the kind of pleasure that has women begging for more. Normally he bestows his talents on experienced, worldly women. But when he heads to Langdon's End to restore a property he inherited - and to investigate a massive art theft - he lays plans to seduce a most unlikely lady.