Throckmorton P. Gildersleeve was a popular character appearing regularly on The Fibber McGee & Molly Show. On August 31, 1941, the character landed his own situation comedy show, The Great Gildersleeve, becoming radio’s first spin-off. Gildy moved from the town of Wistful Vista to Summerfield, where he raised his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley). The household also included a cook named Birdie (Lillian Randolph).

Throckmorton P. Gildersleeve was a popular character appearing regularly on The Fibber McGee & Molly Show. On August 31, 1941, the character landed his own situation comedy show, The Great Gildersleeve, becoming radio’s first spin-off. Gildy moved from the town of Wistful Vista to Summerfield, where he raised his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley). The household also included a cook named Birdie (Lillian Randolph).

Created by Irving Brecher, The Life of Riley starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as a wing riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, where Riley would cheerfully disrupt life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate became a popular catchphrase: "What a revoltin' development this is!"

Fibber McGee & Molly had a long and successful run on radio from 1935 to 1959, featuring its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern city of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife, Molly, who tried to keep him out of trouble.

Let’s all visit 79 Wistful Vista, the home of Fibber McGee and Molly, who each week invited millions of listeners to tune in to their comedic, family-friendly radio adventures. Few radio programs were more beloved than Fibber McGee and Molly, and even fewer play as well more than a half century later.

Get out the vote! It's no-holds-barred, winner-take-all small town politics at its best as Throckmorton P. Gildersleeve sets his sights on high office! But can Gildy's mayoral aspirations stand up against the competition? And can he balance his campaign against his developing romance with the local school principal? All's fair in love and at the polls in 16 fun-filled 1944 episodes starring Harold Peary as Throckmorton P. Gildersleeve!

From 1947 to 1954, CBS' Escape was radio's leading high-adventure anthology series. The show's famous opening, delivered by Paul Frees and William Conrad, asked: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" This was followed by another announcer adding, " Escape! Designed to free you from the four walls of today for a half hour of high adventure!" Many of the episodes, which included both original stories and adaptations, centered on a protagonist facing a life-or-death situation.

Radio westerns were aimed at kids until 1952 when Gunsmoke hit the radio airwaves. Produced for adult listeners, the stories were grim, the deaths brutal, and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke, and they made it the number one Western on radio. It soon made a successful transition to television, becoming the longest-running dramatic series in TV history.

During the height of its popularity, almost the entire country listened to the fifteen-minute, Monday-through-Friday adventures of Amos and Andy. Department stores open in the evening piped in the broadcasts so shoppers wouldn't miss an episode; movie theaters scheduled their features to end just prior to the start of Amos 'n' Andy so they too could pipe it in. The characters were members of the Mystic Knights of the Sea Lodge, of which George Stevens was "the Kingfish."

Radio westerns were strictly for kids until 1952, when Gunsmoke hit the radio airwaves. The stories were grim, the deaths brutal, and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke, and they made it the number one western on the radio.

In Wistful Vista, there's never a dull moment - not when Fibber McGee's around to make trouble, get in trouble, or completely misunderstand the very nature of trouble! Whether down at the bowling alley, at the Elk's Club dance, or just hanging around at the corner of 14th and Oak, you'll always find plenty of laughs. Here are 20 classic radio romps with everyone's favorite couple, in broadcasts from 1948-1950. Bill Thompson, Gale Gordon, Arthur Q. Bryan, Richard LeGrand, and salesman supreme Harlow Wilcox are heard along with Jim and Marian Jordan as Fibber McGee and Molly!

He's settling in with his new life and his new family in Summerfield U. S. A.—and now Throckmorton P. Gildersleeve has a new job! How does a man whose only experience with plumbing is turning on the faucet end up as the new Water Commissioner? These 16 digitally restored and remastered episodes feature Walter Tetley as Leroy, Lurene Tuttle as Marjorie, Lillian Randolph as Birdie, Earle Ross as Judge Hooker, Dick LeGrand as Mr. Peavey, Shirley Mitchell as Leila Ransom…and Harold Peary as Gildy.

Throckmorton P. Gildersleeve was a popular character,appearing each week on the Fibber McGee & Molly radio show. On August 31, 1941, Gildersleeve landed his own situation comedy show, The Great Gildersleeve, which was radio’s first spin-off. Gildersleeve moved from the town of Wistful Vista to Summerfield, where he oversaw his late brother-in-law’s estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley).

Pat Novak, for Hire began in 1946 as a regional radio show produced at KGO in San Francisco and starred Jack Webb in the title role, with scripts by Webb's friend Richard L. Breen. When Webb moved to Los Angeles in 1947, Ben Morris replaced Webb as Novak. In a later network version, Jack Webb resumed the role along with Breen as scriptwriter. Pat Novak, for Hire lasted until 1949, when Jack Webb turned his attention to the series that would make him a star, Dragnet.

Born in Chicago, February 14, 1894, Benjamin Kubelsky would later become known as Jack Benny. As a boy, he was encouraged by his Jewish immigrant parents from Poland to become a concert violinist. He learned to play quite well and hit the vaudeville stage, where he played popular songs and honed a suave-but-fragile personality, telling self-deprecating jokes. Benny guested on the "Ed Sullivan" radio show March 19, 1932 and was an instant success.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).