Though David Hume (1711-1776) is now best known for his role as a prominent philosopher of the Enlightenment rather than an historian, it was his momentous six-volume The History of England that really brought him national attention during his lifetime. Not surprisingly, this volume covers the greatest number of years; the increasing availability of historical record allows for far greater detail. But Hume is still fascinating as he discusses the passage of time from Julius Caesar, through the advent of William the Conqueror and the Normans, to the death of King John in 1216.

In his autobiography, David Hume declared unequivocally that this work, An Enquiry Concerning the Principles of Morals (1751) is "of all my writings, historical, philosophical, or literary, incomparably the best." In it, Hume takes the discussion away from traditional attitudes where either rational or metaphysical issues govern moral principles. Instead, he introduces the human factor, introducing the sentiments and passions inherent in human psychology.

Being and Time was published in 1927 during the Weimar period in Germany, a time of political, social and economic turmoil. Heidegger himself did not escape the pressures and his nationalism, and undeniable anti-Semitism in the following decades cast a shadow over the man, but not the work. Being and Time is not coloured by expressions of his later views (unlike other writings) and remains an outstanding document.

A shockingly frank memoir from a prize-winning economist, reflecting on his remarkable personal odyssey and his changing positions on identity, race, and belief.

Though published in 1867 when the British Empire was approaching its height, Walter Bagehot’s essay "The English Constitution" is not only one of the great political classics but is also an unquestionably relevant document for our times. Despite the passing of more than 150 years, despite huge changes in enfranchisement, in attitudes and in world order, this fascinating document prompts us to re-evaluate the process of government - wherever we live. And what is more, it is written with grace, elegance - and wit!

Here are three important but very different Dialogues from the Middle Period. Symposium, the most well-known in this collection, is concerned with the theme of love. In the house of Agathon, a group of friends - each very different in personality and background - meet to consider and discuss various kinds of love. Each one, Phaedrus, Pausanias, Eryximachus, Aristophanes (the playwright) and Agathon (a prize-winning tragic poet), presents his particular view in a short discourse.

William James was one of the most influential figures in 19th-century American philosophy and psychology. His Pragmatism is a set of lectures that he gave in 1906-07 in answer to the enduring debate between empiricism and rationalism. Shifting between them, he proposed pragmatism as a method, the idea being that the value of any truth is dependent upon its utility–upon its practical and experiential consequences.

The remarkable range of Plato's Dialogues is vividly demonstrated by these three works. It opens with Phaedrus, a highly personal discussion between Socrates (David Rintoul) and the young, love-struck Phaedrus (Gunnar Cauthery). They go for a walk outside the walls of Athens and, under a plane tree by the banks of the Ilissus, talk about love - erotic and 'Platonic' love. Socrates endeavours to steer Phaedrus away from infatuation and show him that real love is based on concern for the beloved.

The first volume of Will Durant's Pulitzer Prize-winning series, Our Oriental Heritage: The Story of Civilization, Volume I chronicles the early history of Egypt, the Middle East, and Asia.

Underlain by an acute sense of ethics, this provided the basis for his strongly declared, wide-ranging views on many subjects: prohibition of cock-fighting, liberty of the press, universal suffrage, the removal of religious tests for office and even hunting. All were radical ideas for his time. He also proposed the decriminalisation of homosexuality, though even he did not dare to publish his essay on this subject during his lifetime. But An Introduction to the Principles of Morals and Legislation was his major work.

Critique of Judgement was published in 1790 and is divided into two parts, the Critique of Aesthetic Judgement and the Critique of Teleological Judgement. Our ‘judgements of taste’, as Kant describes our aesthetic judgements, have both a personal and a universal function: personal, because we have a subjective aesthetic response to the ‘agreeable’, the ‘beautiful’, the ‘sublime’ and the ‘good’; but also there is a ‘universal’ aspect because our aesthetic response has a ’disinterested’ element. This brings under Kant’s spotlight, for example, the concept of beauty and the perception of beauty.

John Locke (1632-1704) was a product of his troubled times: he lived through the English Civil War, the Interregnum, the Restoration, Monmouth’s Rebellion, the Bloody Assizes and the Glorious Revolution. His empirical thinking was very much directed at finding rational solutions to the root causes of those troubles.

The influence of Plato, his Dialogues and his ‘Academy', cast a long shadow. Around 35 Dialogues, almost all featuring Socrates as the principal figure, are generally ascribed to Plato and form one of the most important threads in Western philosophy. These four Dialogues may fall into the ‘Attributed Texts' category, but they are of sufficient interest to warrant study in our time and when set against the principal canon.

The Economic Consequences of the Peace (1919) was one of the most important documents to come out of World War I – specifically the period of the Armistice and the subsequent settlement negotiations. And, a century on, it remains of particular relevance to our times – an uncompromising and forthright analysis of how international diplomacy can be suffused by personalities, prejudices, personal ambition and outright, uncontrolled feelings of revenge.

For the very first time, Judi opens up about every Shakespearean role she has played throughout her seven-decade career, from Lady Macbeth and Titania to Ophelia and Cleopatra. In a series of intimate conversations with actor & director Brendan O'Hea, she guides us through Shakespeare's plays with incisive clarity, revealing the secrets of her rehearsal process and inviting us to share in her triumphs, disasters, and backstage shenanigans.