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The Island of Captain Sparrow: A Lost Race Fantasy
- Narrated by: Napoleon Ryan
- Length: 6 hrs and 50 mins
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Publisher's summary
When Charlton Foyle is stranded on an unknown island in the Pacific, he finds himself facing the challenge of a lifetime. This isolated land is inhabited by goat-like homanids, large, semi-intelligent birds, the descendants of degenerate pirates from a century earlier, and the remnants of an ancient race of men with powers to forecast the future via their strange metal mirrors. There he also finds another recent exile - a young, beautiful French woman named Marcelle - who is quickly captured by the leader of the pirates, and forced to become his bride. Can Charlton save Marcelle from a fate worse than death?
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- Length: 8 hrs and 45 mins
- Unabridged
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A sixteenth-century cryptogram spurs modern geologist Otto Liedenbrock to embark on the most remarkable human quest ever taken. With his nephew and guide, he leads the descent from a dormant Icelandic volcano into the unexplored realm beneath their feet. There, a vast subterranean ocean, prehistoric creatures, and natural phenomena are but a few of the wonders hidden from all but the boldest eyes.
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A Vernian Jouney
- By Andreea Marin on 11-29-17
By: Jules Verne, and others
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An Occurrence at Owl Creek Bridge
- By: Ambrose Bierce
- Narrated by: John Michaels
- Length: 25 mins
- Unabridged
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"Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him." This line was written by Ambrose Bierce in his short story An Occurrence at Owl Creek Bridge. Death by execution has historically been ritualized, perhaps to absolve those accomplishing the execution from guilt or blame.
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This has stuck with me since highschool.
- By Shane on 08-06-20
By: Ambrose Bierce
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Sacred Hunger
- By: Barry Unsworth
- Narrated by: David Rintoul
- Length: 22 hrs and 16 mins
- Unabridged
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In this Booker Prize-winning work, Barry Unsworth follows the failing fortunes of William Kemp, a merchant pinning his last chance to a slave ship; his son, who needs a fortune because he is in love with an upper-class woman; and his nephew, who sails on the ship as its doctor because he has lost all he has loved. The voyage meets its demise when disease spreads among the slaves and the captain's drastic response provokes a mutiny.
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Wise, Perceptive, Heart-breaking
- By S. Coldsmith on 04-16-16
By: Barry Unsworth
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Woundhealer's Story
- The First Book of Lost Swords
- By: Fred Saberhagen
- Narrated by: Cynthia Barrett
- Length: 9 hrs and 40 mins
- Unabridged
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Returning to the milieu of his Swords trilogy, Saberhagen offers a new scenario. The gods have withdrawn from the human world and the 12 Swords of Power they had forged are now scattered, lost and hidden. The weapons are still coveted, though, by men like Baron Amintor, who has lost one kingdom and now sees them as the means to another. No scruples stop him from stealing the sword Woundhealer from the White Temple, where its powers were offered to cure all pilgrims.
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Choose Your Sword, And Step Forward Into Destiny!
- By Michael on 03-08-13
By: Fred Saberhagen
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The Four Feathers
- By: A. E. W. Mason
- Narrated by: Ralph Cosham
- Length: 9 hrs and 59 mins
- Unabridged
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Just before his regiment sails off to war in the Sudan, British officer Harry Feversham quits the military. He is immediately given four white feathers as symbols of cowardice, one by each of his three best friends and one by his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives. Having proven his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée.
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Deep Realistic Story Masterfully Read
- By Kappavpi on 07-05-04
By: A. E. W. Mason
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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The Tell-Tale Heart
- By: Edgar Allan Poe
- Narrated by: B. J. Harrison
- Length: 15 mins
- Unabridged
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It was the eye. The dull, sightless, vulture's eye that shredded his final nerve. But the murder was done so carefully, so perfectly, that only one thing could reveal the whereabouts of the body. B. J. Harrison gives a masterful reading of the famous murder that wouldn't keep quiet. This audiobook was the #3 best-selling audiobook in 2008 at the iTunes Music Store!
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THE VULTURE EYE
- By Jim "The Impatient" on 10-24-16
By: Edgar Allan Poe
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Jules Verne Collection
- Twenty Thousand Leagues Under the Sea, Journey to the Center of the Earth, Around the World in 80 Days and The Mysterious Island
- By: Jules Verne
- Narrated by: Jim D. Johnston
- Length: 43 hrs and 7 mins
- Unabridged
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From the pen of one of the literary world’s finest explorers of the imagination, these classic tales of fantastical habitats and intrepid adventurers delve deep into every mysterious corner of planet Earth. Whether you’ve adventured with Verne before or are only just setting off on your maiden voyage, this collection encompasses the most extraordinary adventures the father of science fiction has to offer.
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Classics, But Hours of Scientific Exposition.
- By Sarah on 05-02-21
By: Jules Verne
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The Songs of the Kings
- By: Barry Unsworth
- Narrated by: Andrew Sachs
- Length: 9 hrs and 8 mins
- Unabridged
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A thoroughly modern tale of politics, spin-doctoring, and media manipulation. As the harsh wind holds the Greek fleet trapped in the straits at Aulis, frustration and political impotence turn into a desire for the blood of a young and innocent woman - blood that will appease the gods and allow the troops to set sail. And when Iphigeneia, Agamemnon's beloved daughter, is brought to the coast under false pretences, it looks as if the ships will soon be on their way.
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The politics of power haven't changed.
- By susan on 12-06-12
By: Barry Unsworth
What listeners say about The Island of Captain Sparrow: A Lost Race Fantasy
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- KH
- 04-07-12
An old lost world fantasy
Any additional comments?
During his profitable pirating career, Captain Sparrow discovered an unknown South Pacific island that appeared to consist entirely of rocky cliffs but contained a lushly fertile inland landscape. It could only be accessed at high tide from a small hidden recess high in the cliffs. Sparrow and his crew, who were wanted all over the world for their crimes, made the island a hideout where they stowed heaps of gold bars and lots of guns and ammunition. Before his last voyage, Sparrow left some of his crew, several Chilean women, and his young son on the island. But Sparrow had tempted fate one time too many; he and his remaining crew were caught and hanged. Not knowing what happened to their leader and the rest of his men, the pirates and women left on the island degenerated into illiteracy and lawlessness.
A couple of generations later, Charlton Foyle, drifting alone in a lifeboat, happens upon the island’s hidden recess. After gaining access to the interior of the island, he discovers several oddities: huge flesh-eating birds, satyrs and, most interesting of all, a pretty young French woman named Marcelle who was marooned two years earlier and has been hiding from the pirates in the forest. Marcelle is excited to have a civilized companion but can’t show herself because she’s naked. When she tries to steal clothing to cover her indecency, she’s caught by the pirates and is about to be forced to marry their brutish leader, the grandson of Captain Sparrow. Will Charlton, the refined Englishman, come and save her?
The Island of Captain Sparrow, published in 1928, is a classic lost world fantasy which contains many of the themes found in similar stories written in the early 1900s. Charlton Foyle’s adventure is thrilling and the world he discovers is both beautiful and horrible. Because of S. Fowler Wright’s lovely descriptive prose, I felt like I was drifting in the boat, exploring the caves, and peeking through the trees with Charlton. I was truly anxious during the scenes in which Marcelle and Charlton encountered the degenerate pirates. It’s too bad that the plot gradually fizzled after the climax; I wish it had ended more strongly.
One noticeable annoyance with Wright’s story, and this is surely due to the time period during which it was written, is the glaring racism and classism. There are several reminders from the narrator that the islanders were brutes because they were descended from 1. Europeans of the lowest class, and 2. Chileans:
It is doubtless true that the men and women that Captain Sparrow had landed upon the island had been subnormal both in intellect and in moral stability. That is a reasonable supposition considering their occupation and antecedents.
The physical features of the islanders are often described as offensive and contrasted with the attractive features of Charlton and Marcelle who are upper-class Europeans. At one point, Charlton notices that Marcelle, who had been running around the island naked before he arrived, has a suntan. But he quickly assures us that she is tanned “only lightly” for which he thanks the shady forest. Fortunately, “only the soles of her dust-stained feet were very dark.” Another time, Charlton uses a metaphor to suggest that he and Marcelle are like the mighty trees that struggle to push through the “strife” and “parasites” of the forest canopy to rise above the rest of the “savage” jungle. This Eurocentrism is ugly, but perhaps not surprising since S. Fowler Wright, an Englishman, lived from 1874 to 1965.
The audio production I listened to was performed by Napoleon Ryan, a British comedy screen actor. As far as I can tell, this is his first audiobook performance. His presentation was genuine and he has a terrific voice — even his voice for Marcelle was completely convincing. I hope Mr. Ryan will continue narrating audiobooks.
The Island of Captain Sparrow is a relatively short book (only 7 hours) which is fast-paced and exciting. If you you can look past the Eurocentrism, it’s an entertaining example of an old lost world fantasy.
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