In a vivid depiction of Ancient Greece and its legendary heroes, The Mask of Apollo tells the story of Nikeratos, the gifted tragic actor at the centre of political and cultural activity in Athens, 400 B. C. Wherever he goes, Nikeratos carries a golden mask of Apollo, a relic and reminder of an age when the theatre was at the height of its greatness and talent. Only a mascot at first, the mask gradually turns into Nikeratos' conscience as he encounters famous thinkers, actors, and philosophers, including the famous Plato himself.

This second instalment in the story of the legendary hero begins with Theseus' triumphant return from Crete after slaying the Minotaur. Having freed the city of Athens from the onerous tribute demanded by the ruler of Knossos - the sacrifice of noble youths and maidens to the appetite of the Labyrinth's monster - Theseus has returned home to find his father dead and himself the new king. But his adventures have only just begun: He still must confront the Amazons; capture their queen, Hippolyta; and face the tragic results of Phaedra's jealous rage.

Alexander's beauty, strength and defiance were apparent from birth, but his boyhood honed those gifts into the makings of a king. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son's loyalty, teaching Alexander politics and vengeance from the cradle. His love for the youth Hephaistion taught him trust, while Aristotle's tutoring provoked his mind and Homer's Iliad fuelled his aspirations.

Alexias, a young Athenian of good family, grows up just as the Peloponnesian War is drawing to a close. The adult world he enters is one in which the power and influence of his class have been undermined by the forces of war, and more and more Alexias finds himself drawn to the controversial teachings of Sokrates.

Set in sixth-century Greece at the time of the Tyrants, the Persian Wars, and a great flowering of the arts, this novel takes the form of Simonides' memoirs, written in retirement in Sicily. The author was a fellow of the Royal Society of Literature, and she also wrote "The King Must Die".