When he turned 65, the playwright Simon Gray began to keep a diary: not a careful honing of the days' events with a view to posterity but an account of his thoughts as he had them, honestly, turbulently, digressively expressed. One of Britain's most amusing and original writers reflects on a life filled with cigarettes (continuing), alcohol (stopped), several triumphs and many more disasters - a record of shame, adultery, friendship and love. Few diarists have ever been so frank about themselves and even fewer so entertaining.

Cyril Avery is not a real Avery - or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.

In 1940, 18-year-old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever. Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, but Juliet finds herself once more under threat.

Two brown girls dream of being dancers - but only one, Tracey, has talent. The other has ideas: About rhythm and time, about Black bodies and Black music, what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early 20s, never to be revisited, but never quite forgotten, either. Tracey makes it to the chorus line but struggles with adult life, while her friend leaves the old neighborhood behind, traveling the world as an assistant to a famous singer, Aimee, observing close up how the one percent live.

The adolescent Christopher and his soul mate, Toni, had sneered at the stifling ennui of Metroland, their cosy patch of suburbia on the Metropolitan line. They had longed for Life to begin - meaning Sex and Freedom - to travel and choose their own clothes. Then Chris, at 30, starts to settle comfortably into bourgeois contentment himself. Luckily, Toni is still around to challenge such backsliding.

Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.

Born into Edwardian England, Amory's first memory is of her father standing on his head. She has memories of him returning on leave during the First World War. But his absences, both actual and emotional, are what she chiefly remembers. It is her photographer uncle Greville who supplies the emotional bond she needs, who, when he gives her a camera and some rudimentary lessons in photography, unleashes a passion that will irrevocably shape her future.

"I am Eva Delectorskaya," Sally Gilmartin announces, and so on a warm summer afternoon in 1976 her daughter, Ruth, learns that everything she ever knew about her mother was a carefully constructed lie. Sally Gilmartin is a respectable English widow living in picturesque Cotswold village; Eva Delectorskaya was a rigorously trained World War II spy, a woman who carried fake passports and retreated to secret safe houses, a woman taught to lie and deceive, and above all, to never trust anyone.

Introducing Stuart, Gillian and Oliver. One by one they take their turn to speak straight out to the camera - and give their side of a contemporary love triangle. What begins as a comedy of misunderstanding slowly darkens and deepens into a compelling exploration of the quagmires of the heart.

Best-selling author William Boyd—the novelist who has been called a “master storyteller” ( Chicago Tribune) and “a gutsy writer who is good company to keep” ( Time)—here gives us his most entertaining, sly, and compelling novel to date. The novel evokes the tumult, events, and iconic faces of our time as it tells the story of Logan Mountstuart—writer, lover, and man of the world—through his intimate journals. It is the “riotous and disorganized reality” of Mountstuart’s 85 years in all their extraordinary, tragic, and humorous aspects.

When Ravi Kapoor, an overworked London doctor, reaches the breaking point with his difficult father-in-law, he asks his wife: “Can’t we just send him away somewhere? Somewhere far, far away.” His prayer is seemingly answered when Ravi’s entrepreneurial cousin sets up a retirement home in India, hoping to re-create in Bangalore an elegant lost corner of England. Several retirees are enticed by the promise of indulgent living at a bargain price, but upon arriving, they are dismayed to find that restoration of the once sophisiticated hotel has stalled....

Virginia Miner, a 50-something, unmarried tenured professor, is in London to work on her new book about children's folk rhymes. Despite carrying a U.S. passport, Vinnie feels essentially English and rather looks down on her fellow Americans. But in spite of that, she is drawn into a mortifying and oddly satisfying affair with an Oklahoman tourist who dresses more Bronco Billy than Beau Brummel.

In a collection that is wise, funny, clever and moving, Julian Barnes has created characters whose passions and longings are made all the stronger by the knowledge that, for them, time is almost at an end.

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the 75-year marriage between a preeminent publication and its preeminent context with this collection of 44 of its best stories from (so to speak) home.

When the world is still counting the cost of the Second World War and the Iron Curtain has closed, eleven-year-old Roland Baines's life is turned upside down. 2,000 miles from his mother's protective love, stranded at an unusual boarding school, his vulnerability attracts piano teacher Miss Miriam Cornell, leaving scars as well as a memory of love that will never fade.