It’s been four months since glaciologist Rachael Beckett left her husband and daughter to join an urgent research trip to a remote field station deep in the Antarctic. But after losing all communication with her crew at base camp, she’s trapped and alone–and running out of supplies. The only information she has about what’s gone so catastrophically wrong is an emergency radio broadcast playing on a loop: a nuclear war has broken out, and Rachael might be the last survivor on Earth.

Eilean Eadar is a barren, windswept rock best known for the unsolved mystery of the three lighthouse keepers who vanished back in 1919. But when a young man is found dead at the base of that same lighthouse, two detective inspectors are sent from Glasgow to investigate.

For generations, the Winston women have possessed an unspoken magical gift: they can heal with the touch of a hand. It’s a tradition they’ve always had to practice in secret, in the moonlight hours, when the fireflies dance and the whippoorwill birds sing. But not every healer has rightfully passed on this knowledge to her descendants, and for young Louise Winston, the discovery of her abilities comes in less-than-ideal circumstances—she brings her best friend back from death following an accident, the day after he professed his long-held feelings for her.

1988, West Cork, Ireland. Emma Daly has returned to her home in Castlefreke, a small and peaceful village where everybody knows everybody. She has taken over the local library and is trying not to think about the scandal she left behind in the city. But when the richest man in the village is murdered and the main suspect is the mysterious son of a local family, her charming small-town life is turned upside down.

At Thorne Hall, a grand estate nestled in the Berkshires, fifteen restless spirits roam, bound within the mansion’s walls since the Gilded Age. Elegy Thorne bears the weight of her family’s curse to preserve the mansion as it was in the 1890s, using ancient folk songs to keep the spirits secret and silent in order to avoid deadly consequences. When a mischievous child spirit wreaks havoc on the manor, the Thorne family calls upon their trusted preservationist to restore the mansion.

When her husband goes missing, Marissa Creighton fears the worst. Tell me you trust me was the last thing Ethan said to her, and she’d shrugged it off. Now she can’t get those words out of her head. Marissa’s family has always been her rock. But when they come to help her with eighteen-month-old Logan, their overprotectiveness borders on oppression—occupational hazard of the family’s surveillance business, or is it? Seeking comfort in the playlist she and Ethan share, Marissa is shocked to find a new song there: “Trust Me.” She’s certain it’s a message.

Ivy Gordon is living on borrowed time. For the past eighteen years, she has been the most famous star at the Dollhouse Academy, the elite boarding school and talent incubator that every aspiring performer dreams of attending. But now, at age thirty-four, she is tired of pretending everything is fine. In secret diary entries, Ivy begins to reveal the truth of her life at the Dollhouse: strange medical exams, mysterious supplements, and something unspeakable that’s left Ivy terrified and feeling like a prisoner.

The Brightons are just an ordinary, small-town, law-abiding family—until somebody else's mistake uncovers the truth. Jake and Carolyn Brighton are the FBI's two most wanted fugitives. Jake and Carolyn have lived a lie for fourteen years to protect themselves. But now they have to protect their thirteen-year-old son. Their only chance is to return to the hellish scene of an unprecedented crime and collect the evidence that may finally set them free. But can they elude a massive manhunt long enough to get there?

Vancouver, 1942. Josiah Chang arrives in the bustling city ready to make a new life for himself. The Second World War is in full swing, and Josiah, like so many Canadians, wants to prove his loyalty by serving his country. But Chinese Canadians are barred from joining the army out of fear they might expect citizenship in return. So, Josiah heads to the shipyard where he finds work as a riveter, fastening together the ribs and steel plates of Victory ships. One night, Josiah spots Poppy singing at a navy club. Despite their different backgrounds, they fall for each other instantly.

1979. Fifteen-year-old Aurora Taylor’s single mother prefers to leave when things get hard. She’s spent years abandoning bad boyfriends and dead-end jobs, without so much as a glance in the rearview mirror. After fifteen years in the passenger seat, Aurora needs more than two hands to count the towns she’s lived in. She’s learned to live small—it’s easier to leave when you don’t need to say goodbye. So when her mother, Laine, shows up at school with the car loaded, Aurora assumes her latest fling has run its course. Instead, it’s her grandpa Jay’s death calling them back.

In the fall of 1959, Freda Gilroy arrives on the campus of Fisk University full of hope, carrying a suitcase and the voice of her father telling her she’s part of a family legacy of greatness. Soon, the ugliness of the Jim Crow South intrudes, and she’s thrust into a movement for social change. Freda is reluctant to get involved, torn between a soon-to-be doctor her parents approve of and an audacious young man willing to risk it all in the name of justice.

A coming-of-age novel that is as relevant today as it was nearly ninety years ago, There’s No Turning Back centers on eight women with radically different backgrounds who attend the same college in Rome. Some are there to study, others to escape a scandal, or keep a secret, and during their time there, they experience the challenges of love, work, and emancipation.

It’s 1999, and best friends Sal and Charo are striving to hold on to their dreams in a New York determined to grind them down. Sal is a book-loving science nerd trying to grow beyond his dead-end job in a new city, but he’s held back by tragic memories from his past in Santo Domingo. Free-spirited Charo is surprised to find herself a mother at twenty-five, partnered with a controlling man, working at the same supermarket for years, her world shrunk to the very domesticity she thought she’d escaped in her old country.

When Shelby Dawson survives a harrowing attack that should have left her dead, she tries to move past it—for herself, and for her family. Fifteen months later, with the help of her best friend, Mackenzie, she finally feels safe again in the snowy Minnesota town she calls home. But when an anonymous note appears on her windshield bearing the same threats her attacker made, Shelby realizes that her nightmare has only just begun.

When a steel industry executive is found dead in a burning BMW, the death is quickly dismissed as a tragic accident. After another nearly identical accident occurs, criminal inspector Eva Nyman receives a letter that reveals details of an upcoming, and much more vicious, attack, leading her to believe that these are a deliberate series of murders, possibly even a case of climate terrorism. In the letter, Eva recognizes a phrase that was often used by her disgraced former boss, Lukas Frisell, who went off the grid after botching a kidnapping investigation.