The first three mysteries for Dorothy L. Sayers' aristocratic sleuth: first, a body is discovered in a Battersea bathroom, wearing nothing but a pair of pince-nez, on the same night that financier Sir Reuben Levy disappears from his Park Lane home. Then, Wimsey returns to England when his brother, the Duke of Denver, is accused of murdering the fiance of their sister, Lady Mary, and a trial in the House of Lords looms; and finally, an overheard conversation in a restaurant begins an investigation of the strangely premature death of wealthy and terminally ill old lady Miss Agatha Dawson.

Wealthy Sir Hubert Handesley's original and lively weekend house parties are deservedly famous. To amuse his guests, he has devised a new form of the fashionable Murder Game, in which a guest is secretly selected to commit a 'murder' in the dark, and everyone assembles to solve the crime. But when the lights go up this time, there is a real corpse....

Albert Campion, an eccentric but intelligent and resourceful man, becomes involved in a mysterious crime in Black Dudley, an isolated country estate owned by the wealthy and secretive Dudley family. A grand gathering is taking place at the house, but not all will leave.

Here, we have a glorious ensemble of Woodhousian characters knocking elbows to foreheads in the elegant and grand Blandings Castle. Meet Freddy Threepwood, the vagrant son of doddering old Lord Emsworth of Blandings Castle. Freddy has recently become engaged to Aline Peters, the American heiress of an irascible father. The snag is that Freddy seems to have at one point become enamored of a struggling actress, Joan Valentine, and written some impetuous and imprudent letters to her.

Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life. But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...

When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the best-selling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful.

Selchester Castle in 1953 sits quiet and near-empty, its corridors echoing with glories of the past. Or so it seems to intelligence officer Hugo Hawksworth, wounded on a secret mission and now reluctantly assuming an altogether less perilous role at Selchester.

This first installment of a cozy mystery series transports listeners back to the bygone era of 1923 Britain, where unflappable flapper and fledgling journalist Daisy Dalrymple daringly embarks on her first writing assignment, and promptly stumbles across a corpse.

Edmund Forth, a handsome young man in his mid-30s (though admittedly, a bit stogy and sober for his years) is engaged to the beautiful but selfish Angela Wilde. His world seems perfect until lovely Fran Nash comes riding into his life on the back of a Portuguese donkey. Fran’s sunny personality melts Edmund’s reserve, and when she changes a few words of a telegram he had entrusted to her, Fran also alters the whole course of his settled existence.

Charles Lenox, Victorian gentleman and armchair explorer, likes nothing more than to relax in his private study with a cup of tea, a roaring fire and a good book. But when his lifelong friend Lady Jane asks for his help, Lenox cannot resist the chance to unravel a mystery. Prudence Smith, one of Jane's former servants, is dead of an apparent suicide. But Lenox suspects something far more sinister: murder, by a rare and deadly poison.

One summer weekend in 1949 - but not our 1949 - the well-connected "Farthing set", a group of upper-crust English families, enjoy a country retreat. Lucy is a minor daughter in one of those families; her parents were both leading figures in the group that overthrew Churchill and negotiated peace with Herr Hitler eight years before....

When a strange child follows her home on the train from London, Ella Bridges feels bound to help her. However, she soon discovers the child is not what she seems. Having recently moved into a large home on Linhay Island, affectionately known locally as the Yellow Cottage, Ella finds herself at the center of a murder investigation thanks to a special gift from the previous house owner.

A long line had formed for the standing-room-only section of the Woffington Theatre. London’s favorite musical comedy of the past two years was finishing its run at the end of the week. Suddenly, the line began to move, forming a wedge before the open doors as hopeful theatergoers nudged their way forward. But one man, his head sunk down upon his chest, slowly sank to his knees and then, still more slowly, keeled over on his face. Thinking he had fainted, a spectator moved to help, but recoiled in horror from what lay before him.

When Miss Seeton walks out after a performance of Carmen and witnesses a real-life stabbing, all she can recall is a shadowy figure. But how could she have guessed that her latest artistic endeavor is a picture-perfect portrait of the killer? Her sketch puts her in a perilous position, for back at her recently inherited cottage in Plummergen village, she's fated to be a sitting duck...for murder most foul!

Narrated by the great-granddaughter of Elizabeth Cadell! At Edmund Brooke's insistence, his 10-year-old daughter, Vitorina, leaves the closed world of her old and strait-laced great-aunts and their Portuguese mansion - complete with chapel - and journeys to a boarding school in England. Edmund readily accepts the offer of a golfing acquaintance to act as chaperone for Tory. Tory is called upon to let down her facade of meekness and to reveal her real nature: she is shrewd, imaginative and - as the situation calls for - brave.