Eleanor of Aquitaine's story is legendary. She is an icon who has fascinated readers for over 800 years. But the real Eleanor remains elusive - until now. Based on the most up-to-date research, best-selling novelist Elizabeth Chadwick brings Eleanor's magnificent story to life, as never before. Young, vibrant, privileged, Eleanor's future is golden as the heiress to wealthy Aquitaine. But when her beloved father dies suddenly in the summer of 1137, her childhood ends abruptly.

On Midsummer’s Eve, Alinor waits in the church graveyard, hoping to encounter the ghost of her missing husband and thus confirm his death. Until she can, she is neither maiden nor wife nor widow, living in a perilous limbo. Instead she meets James, a young man on the run. She shows him the secret ways across the treacherous marshy landscape of the Tidelands, not knowing she is leading a spy and an enemy into her life. England is in the grip of a bloody civil war that reaches into the most remote parts of the kingdom.

In When Christ and His Saints Slept, the first of a trilogy that will tell the story of Henry II and Eleanor of Aquitaine, master storyteller and historian Sharon Kay Penman illuminates one of the less known but fascinating periods of English history. It begins with the death of King Henry I, son of William the Conqueror and father of Maude, his only living legitimate offspring.

Thomas of Hookton is one of these archers. But he is also on a personal mission: To avenge his father's death and retrieve a stolen relic. Thomas begins a quest that will lead him through fields smeared with the smoke of fires set by the rampaging English, until at last the two armies face each other on a hillside near the village of Crécy.

Lady Macbeth takes listeners into the heart of 11th-century Scotland, painting a vivid picture of Gruadh, the last female descendent of the country's most royal line. Married, pregnant, then quickly widowed, she is forced to wed her husband's murderer, the warlord Macbeth. Determined to protect her interests and those of her infant son, she vows to preserve her family's legacy at any cost.

The Plantagenet queens of England played a role in some of the most dramatic events in our history. Crusading queens, queens in rebellion against their king, queen seductresses, learned queens, queens in battle, queens who enlivened England with the romantic culture of southern Europe - these determined women often broke through medieval constraints to exercise power and influence, for good and sometimes for ill.

Troy is in crumbling ruin and Athens is rising far to the south. It is a time when mortal men and women are becoming gods and goddesses as news of their extraordinary adventures sweeps across the land. In this world, Epona, a woman whose life is celebrated in legend, meets Kazhak, a Scythian warrior and prince.

Virginal, chaste, humble, patiently waiting for rescue by brave knights and handsome princes: this idealized—and largely mythical—notion of the medieval noblewoman still lingers. Yet the reality was very different, as Kelcey Wilson-Lee shows in this vibrant account of the five daughters of Edward I, often known as Longshanks. The lives of these sisters—Eleanora, Joanna, Margaret, Mary, and Elizabeth—ran the gamut of experiences open to royal women in the Middle Ages.

1399: Constance of York, Lady Despenser, proves herself more than a mere observer in the devious intrigues of her magnificently dysfunctional family, the House of York. Surrounded by power-hungry men, including her aggressively self-centred husband, Thomas, and ruthless siblings, Edward and Richard, Constance places herself at the heart of two treasonous plots against King Henry IV. Will it be possible for this Plantagenet family to safeguard its own political power by restoring either King Richard II to the throne, or the precarious Mortimer claimant?

The future of Britain is at stake. In the turbulent times of the Dark Ages, the despotic Uther Pendragon, High King of Celtic Britain, is nearing death, and his kingdom is being torn apart by the squabbling of minor kings. But only one man can bring the Celts together as a nation and restore peace - King Arthur. Artorex (Arthur) doesn't yet seem like the great man he will grow into. We meet him as a shy, subservient twelve-year-old living in the foster home of Lord Ector, who took in Artorex as a babe to protect him from murderous kin.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.