He's just a regular guy with a regular family and a regular job, but when he gets into trouble...oh brother, what a revoltin' development it is! Here comes William Bendix as radio's favorite working stiff, Chester A. Riley, with Paula Winslowe as his ever-patient wife, Peg, and John Brown as the funereal Digger O'Dell! Whether he's catching dogs or collecting rent, negotiating with neighbors or figuring out females, he gives it his Brooklyn best!

He's settling in with his new life and his new family in Summerfield U. S. A.—and now Throckmorton P. Gildersleeve has a new job! How does a man whose only experience with plumbing is turning on the faucet end up as the new Water Commissioner? These 16 digitally restored and remastered episodes feature Walter Tetley as Leroy, Lurene Tuttle as Marjorie, Lillian Randolph as Birdie, Earle Ross as Judge Hooker, Dick LeGrand as Mr. Peavey, Shirley Mitchell as Leila Ransom…and Harold Peary as Gildy.

Created by Irving Brecher, The Life of Riley starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as a wing riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, where Riley would cheerfully disrupt life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate became a popular catchphrase: "What a revoltin' development this is!"

Chester A. Riley: A husband. A father. A lovable, working-class bumbler with the proverbial heart of gold. William Bendix stars as this simple (and sometimes simple-minded) man who starts out with the best of intentions, and ends up making a big mess of things. Scaling the mountainous molehills alongside him are his patient wife Peg (Paula Winslowe), his typical American kids, and his eclectic aggregation of friends, including Gillis and Digger O'Dell, the friendly undertaker - both played by John Brown.

We were fighting on the wrong side of a war we couldn't win. And that was the good news. The Ruhar hit us on Columbus Day. There we were, innocently drifting along the cosmos on our little blue marble, like the native Americans in 1492. Over the horizon come ships of a technologically advanced, aggressive culture, and BAM! There go the good old days, when humans only got killed by each other. So, Columbus Day. It fits. When the morning sky twinkled again, this time with Kristang starships jumping in to hammer the Ruhar, we thought we were saved.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).