Created by Irving Brecher, The Life of Riley starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as a wing riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, where Riley would cheerfully disrupt life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate became a popular catchphrase: "What a revoltin' development this is!"

Let’s all visit 79 Wistful Vista, the home of Fibber McGee and Molly, who each week invited millions of listeners to tune in to their comedic, family-friendly radio adventures. Few radio programs were more beloved than Fibber McGee and Molly, and even fewer play as well more than a half century later.

He's just a regular guy with a regular family and a regular job, but when he gets into trouble...oh brother, what a revoltin' development it is! Here comes William Bendix as radio's favorite working stiff, Chester A. Riley, with Paula Winslowe as his ever-patient wife, Peg, and John Brown as the funereal Digger O'Dell! Whether he's catching dogs or collecting rent, negotiating with neighbors or figuring out females, he gives it his Brooklyn best!

From Brooklyn to Inglewood, here comes radio's favorite blue-collar family man—leaving a trail of confusion wherever he goes! Chester A. Riley is back, with long-suffering wife Peg, trouble-prone kids Junior and Babs, moochy pal Gillis, and Digger O'Dell, The Friendly Undertaker, in sixteen hilarious half-hour episodes. William Bendix is heard as Riley, along with co-stars Paula Winslowe, John Brown, Tommy Cook, and Barbara Eiler—plus series creator Irving Brecher, and special guest Red Skelton!

Roll on the floor with laughter with comedy legends such as Abbott & Costello, George Burns & Gracie Allen, Ozzie and Harriet, Jack Benny, Bob & Ray and so many more in one collection.

Radio's favorite couple is back with more neighborhood mix-ups, ill-starred schemes, and (as always) a whole closet full of laughs. Come spend twenty relaxing half-hours with warm, familiar old friends: Fibber McGee and Molly. Jim and Marian Jordan star, along with Gale Gordon, Arthur Q. Bryan, Cliff Arquette, Dick Le Grand, and Elvia Allman—plus salesman extraordinaire Harlow Wilcox. Listen in as Fibber suffers the slings and arrows of outrageous bureaucracy, do-it-yourself home repairs, locked doors, rummage sales, and rumors.

He's settling in with his new life and his new family in Summerfield U. S. A.—and now Throckmorton P. Gildersleeve has a new job! How does a man whose only experience with plumbing is turning on the faucet end up as the new Water Commissioner? These 16 digitally restored and remastered episodes feature Walter Tetley as Leroy, Lurene Tuttle as Marjorie, Lillian Randolph as Birdie, Earle Ross as Judge Hooker, Dick LeGrand as Mr. Peavey, Shirley Mitchell as Leila Ransom…and Harold Peary as Gildy.

During the height of its popularity, almost the entire country listened to the fifteen-minute, Monday-through-Friday adventures of Amos and Andy. Department stores open in the evening piped in the broadcasts so shoppers wouldn't miss an episode; movie theaters scheduled their features to end just prior to the start of Amos 'n' Andy so they too could pipe it in. The characters were members of the Mystic Knights of the Sea Lodge, of which George Stevens was "the Kingfish."

You might think a small-town water commissioner leads a pretty dull life…but not when he's The Great Gildersleeve! This water commissioner is dealing with an unpredictable romantic life, his growing niece and nephew, and troublesome new neighbors. There's always something doing in Summerfield - and Throckmorton P. Gildersleeve is always right in the middle of it. Harold Peary stars as Gildy in these 16 classic radio episodes, along with Walter Tetley as Leroy, Louise Erickson as Marjorie, and Lillian Randolph as Birdie.

Stand back! The closet door swings open once again and out tumble Fibber McGee and Molly! Join Jim and Marian Jordan and their regulars, Gale Gordon, Bill Thompson, Isabel Randolph, Billy Mills, the King's Men, and Harlow Wilcox for 20 laugh-filled half-hours from the very peak of their radio popularity!

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Superstar comedian and Hollywood box-office star Kevin Hart turns his immense talent to the written word by writing some words. Some of those words include: the, a, for, above, and even even. Put them together and you have the funniest, most heartfelt, and most inspirational memoir on survival, success, and the importance of believing in yourself since Old Yeller.

When two childhood best friends blow up their respective romantic relationships, they make a time-sensitive pact: serial-cheater Chuck cannot sleep with anyone as she attends a three-month-long recovery group for cheaters, while sex-deprived Sofia vows to hook up with as many people as possible before recommitting to monogamy and tying the knot with her long-time fiancé. To keep things interesting, Chuck and Sofia decide to revive a past tradition from their summer camp days—also known as the dawning of sluthood.

The True Story of The Coward Brothers follows two musical brothers – one English, one American, both the illegitimate sons of dubious parentage who may, as they claim to be, "one and half-brothers" – perhaps a reference to the disparity in their height and relative talents.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

Campbell Flynn, art historian, professor, and fêted fixture of the literati, always knew that when his life came crashing down, it would happen in public—yet he never imagined that a single year in London would expose so much. He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune.