The Lodger Shakespeare
His Life on Silver Street
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Narrated by:
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Simon Vance
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By:
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Charles Nicholl
About this listen
In 1612, William Shakespeare gave evidence in a court case at Westminster; it is the only occasion on which his actual spoken words were recorded. The case seems routine - a dispute over an unpaid marriage dowry - but it opens an unexpected window into the dramatist's famously obscure life. Using the court testimony as a springboard, acclaimed nonfiction writer Charles Nicholl examines this fascinating period in Shakespeare's life. With evidence from a wide variety of sources, Nicholl creates a compelling, detailed account of the circumstances in which Shakespeare lived and worked during the time in which he wrote such plays as Othello, Measure for Measure, and King Lear. The case also throws new light on the puzzling story of Shakespeare's collaboration with the hack author and violent brothel owner George Wilkins.
In The Lodger Shakespeare we see the playwright in the daily context of a street in Jacobean London: "one Mr. Shakespeare", lodging in the room upstairs. Nicholl is one of the great historical detectives of our time and in this atmospheric and exciting book he has created a considerable rarity - something new and original about Shakespeare.
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Editorial reviews
More effectively than a time machine, this extraordinary nonfiction, expertly narrated by Simon Vance, transports listeners to sixteenth- and seventeenth-century London and the life of William Shakespeare. Shakespeare is 40, writing his great plays, and living in rented London lodging during the theater season. When he gives evidence in a court case, his actual words are taken down and stored away for hundreds of years. Enter historian Charles Nicholl, who uses them, along with countless other dusty documents, to re-create the era and Shakespeare's milieu. Vance gives verve to the excellent writing. Occasional touches of foreign and regional accents add color. And he paces the text and copious historical and literary quotations perfectly. This is an audiobook that one wants never to end.
Critic reviews
"This modest, enchantng book brings us as close to the elusive lodger as we are ever likely to get." ( Sunday Times)
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When John Snare, a 19th-century provincial bookseller, traveled to a liquidation auction, he stumbled on a vivid portrait of King Charles I that defied any explanation. The Charles of the painting was young - too young to be king - and yet also too young to be painted by the Flemish painter to which the work was attributed. Snare had found something incredible - but what? His research brought him to Diego Velázquez, whose long-lost portrait of Prince Charles has eluded art experts for generations.
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A fascinating study of art history
- By Ron on 07-02-16
By: Laura Cumming
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Keats
- A Brief Life in Nine Poems and One Epitaph
- By: Lucasta Miller
- Narrated by: Sally Scott
- Length: 10 hrs and 4 mins
- Unabridged
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Miller, through Keats’s poetry, brilliantly resurrects and brings vividly to life, the man, the poet in all his complexity and spirit, living dangerously, disdaining respectability and cultural norms, and embracing subversive politics. Keats was a lower-middle-class outsider from a tragic and fractured family, whose extraordinary energy and love of language allowed him to pummel his way into the heart of English literature; a freethinker and a liberal at a time of repression, who delighted in the sensation of the moment.
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A Romantic Life
- By David on 05-03-22
By: Lucasta Miller
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Black Tudors
- The Untold Story
- By: Miranda Kaufmann
- Narrated by: Corrie James
- Length: 10 hrs and 29 mins
- Unabridged
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A Black porter publicly whips a White English gentleman in a Gloucestershire manor house. A heavily pregnant African woman is abandoned on an Indonesian island by Sir Francis Drake. A Mauritanian diver is dispatched to salvage lost treasures from the Mary Rose.... Miranda Kaufmann reveals the absorbing stories of some of the Africans who lived free in Tudor England.
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I thought I knew it all...
- By Sylvia Schmidt on 08-01-19
By: Miranda Kaufmann
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A Year in the Life of William Shakespeare
- 1599
- By: James Shapiro
- Narrated by: James Shapiro
- Length: 6 hrs and 28 mins
- Abridged
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1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.
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Note!--Abridged version
- By Scott on 01-05-16
By: James Shapiro
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The Time Traveller's Guide to Medieval England
- A Handbook for Visitors to the Fourteenth Century
- By: Ian Mortimer
- Narrated by: Jonathan Keeble
- Length: 11 hrs and 45 mins
- Unabridged
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Imagine you could travel back to the 14th century. What would you see? What would you smell? More to the point, where are you going to stay? And what are you going to eat? Ian Mortimer shows us that the past is not just something to be studied; it is also something to be lived. He sets out to explain what life was like in the most immediate way, through taking you to the Middle Ages. The result is the most astonishing social history book you are ever likely to read: evolutionary in its concept, informative and entertaining in its detail.
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Detailed, Interesting and Entertaining
- By Marc-Andr? on 05-13-10
By: Ian Mortimer
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Jane Boleyn
- The True Story of the Infamous Lady Rochford
- By: Julia Fox
- Narrated by: Rosalyn Landor
- Length: 12 hrs and 52 mins
- Unabridged
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In a life of extraordinary drama, Jane Boleyn was catapulted from relative obscurity to the inner circle of King Henry VIII. As powerful men and women around her became victims of Henry's ruthless and absolute power - including her own husband and sister-in-law Queen Anne Boleyn - Jane's allegiance to the volatile monarchy was sustained and rewarded. But the price for her loyalty would eventually be her undoing and the ruination of her name
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Nothing new here
- By Caroline on 02-22-08
By: Julia Fox
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Caravaggio
- A Life Sacred and Profane
- By: Andrew Graham-Dixon
- Narrated by: Edoardo Ballerini
- Length: 18 hrs and 24 mins
- Unabridged
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In the tradition of John Richardson's Picasso, a commanding new biography of the Italian master's tumultuous life and mysterious death. For four hundred years Caravaggio's (1571-1610) staggering artistic achievements have thrilled viewers, yet his volatile personal trajectory - the murder of Ranuccio Tomasini, the doubt surrounding Caravaggio's sexuality, the chain of events that began with his imprisonment on Malta and ended with his premature death - has long confounded historians.
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Interesting life
- By Jean on 08-28-13
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The Life and Times of Chaucer
- By: John Gardner
- Narrated by: Graeme Malcolm
- Length: 15 hrs and 26 mins
- Unabridged
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In this exquisite biography, John Gardner brings to life Geoffrey Chaucer, illuminating his writings and their inspiration like never before. Through exhaustive research and expert storytelling, Gardner takes readers through Chaucer’s varied career - from writing The Canterbury Tales to performing diplomatic work at the Parliament - and creates a fully realized portrait of an author whose work would remake the English language forever. Written with passion and insight, this a must-listen for those interested in Chaucer and the medieval time period.
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Good book, but quoted passages are in Old English
- By Kathi on 02-26-14
By: John Gardner
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The Club
- Johnson, Boswell, and the Friends Who Shaped an Age
- By: Leo Damrosch
- Narrated by: Simon Vance
- Length: 15 hrs and 1 min
- Unabridged
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In 1763, the painter Joshua Reynolds proposed to his friend Samuel Johnson that they invite a few friends to join them every Friday at the Turk's Head Tavern in London to dine, drink, and talk until midnight. Eventually, the group came to include among its members Edmund Burke, Adam Smith, Edward Gibbon, and James Boswell. It was known simply as "the Club". In this captivating audiobook, Leo Damrosch brings alive a brilliant, competitive, and eccentric cast of characters.
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Wonderful survey
- By Tad Davis on 05-10-19
By: Leo Damrosch
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Proust's Duchess
- How Three Celebrated Women Captured the Imagination of Fin-de-Siecle Paris
- By: Caroline Weber
- Narrated by: Suzanne Toren
- Length: 29 hrs and 52 mins
- Unabridged
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Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style."
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Enthralling, entertaining and brilliant
- By Uli Baer on 01-14-19
By: Caroline Weber
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The Invention of Murder
- How the Victorians Revelled in Death and Detection and Created Modern Crime
- By: Judith Flanders
- Narrated by: Jennifer M. Dixon
- Length: 19 hrs and 57 mins
- Unabridged
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Murder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama - even into puppet shows and performing-dog acts. Detective fiction and the new police force developed in parallel, each imitating the other - the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P. D. James and Patricia Cornwell.
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Excellent, awesome and educational!
- By Janalyn on 03-14-20
By: Judith Flanders
What listeners say about The Lodger Shakespeare
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- Tracet
- 12-02-12
Audio - perhaps not the best format for this
I pounced on this because I enjoyed/admired/appreciated Charles Nicholl's [book:The Reckoning], about the murder of Christopher Marlowe, and because I was mad about Simon Vance's reading of [book:Dust and Shadow]. Those two, plus Shakespeare, indicated an instant win.
Well… mostly.
First of all, I'm going to try to remember not to approach histories through Audible. If an author feels maps and illustrations and charts and the like are useful, then audio is not the way to go. The Civil War series I've already bought should be all right (except maybe for want of maps) – but something like this, which according to Google Books has 36 illustrations, loses in translation.
What this is, is an examination of what can be learned or inferred about Shakespeare from his deposition in a case that involved his landlord. "On Monday 11 May 1612, William Shakespeare gave evidence in a lawsuit at the Court of Requests in Westminster. His statement, or deposition, was taken down by a clerk of the court, writing in an averagely illegible hand on a sheet of paper measuring about 12 x 16 inches (see Plate 1) [see?]. At the end of the session Shakespeare signed his name at the bottom. It is one of six surviving signatures, and the earliest of them (though it can hardly be called early: he was forty-eight years old and already in semi-retirement)." "The dispute concerned a dowry: a sum of £60 which, Belott alleged, had been promised when he married Mountjoy's daughter in 1604, and which had never been paid. … Belott also claimed that Mountjoy had promised to leave the couple a legacy of £200 when he died. Mountjoy denied both claims, and now, eight years after the event, the case was before the court." Shakespeare was to be a valuable witness, as (by then) a gentleman and, very likely, a pretty well-known fellow. He turned out not to be so very valuable, and that's part of the story.
I appreciate what I have learned from this examination of the period. Shakespeare took up lodgings over a tire-makers' workshop on Silver Street in Cripplegate. "Tire" in the seventeenth century meant not Dunlops or Michelins, but the "tire" from which "tirewoman" and (I believe) "attire" come from: headgear worn by ladies (and those pretending to be ladies on the stage, and those wanting to attract gentlemen). The house was a decent distance away from the playhouse where Shakespeare still labored – getting there involved crossing the Thames, along with a rather lengthy land-bound slog. The whys and wherefores of this decision are explored; we can't know once-and-for-all why, any more than we can know the details of anything else we are not given specifically in the court documents or other reliable sources, but this is one of the places where Nicholl exercises his well-honed art of learned supposition.
The tire-makers were Christopher and Marie Mountjoy; they had a daughter, Mary, and an apprentice named Stephen Belott, and, we learn in the course of the lawsuit, Marie had approached Mr. Shakespeare and asked him to persuade Belott to marry Mary. He did so, and the two were betrothed (hand-fasted, apparently) and married – and Mary's father was not forthcoming with what he had promised. (He was apparently a real piece of work.) From the paperwork surviving from this four hundred year old family dispute (turned up by eccentric Shakespeare fanatics Hulda and Charles William Wallace) can be gleaned a surprising amount of information.
"It is true that biographical readings of the plays are dangerous, unregulated, prone to sentimentalization. It is absurd to cherry-pick passages of poetry written over more than two decades and infer from them a consistent personal attitude. Lines belong in a dramatic context and in the psychological context of the character who utters them and cannot be taken to reflect Shakespeare's views."
There are references to Shakespeare noted throughout this book that I've never heard of before, from contemporary letters and publications. I'm not an expert – but I would have thought I had read enough to have come across some of the contemporary and slightly post-mortem mentions. Dedications, and mentions of "Prince Hamlet", notes about meeting with Shakespeare and so on – surprising.
However, this is really a great deal more "The Lodgings of Shakespeare" than "The Lodger Shakespeare". As illumination of the setting in which Shakespeare lived, it's wonderful; it explores the terrain in a fascinating, scholarly manner, and suddenly there are sights and sounds and scents, neighbors and lawsuits and voices and arguments enriching my mental image of Shakespeare. Nicholl, I already knew from [book:The Reckoning], has the ability to milk the smallest historical mention for everything it can possibly give. His caution is exemplary; while he does draw conclusions from the historic record, he never jumps to conclusions. The assumptions he makes are logical and sensible, and hedged about with "maybe"s and "possibly"s.
In fact, from what I was able to access on Google Books, I found the following:
Likely – 29 uses of the word
Possibly – 31
Possible – 24
May be – 91
May have – 29
Could be – 53
Perhaps – 87
There are entire chapters which barely mention Shakespeare at all. But close study of the documents surrounding the Mountjoy case and the drawing in of other documented facts allows for intelligent commentary on everything from Shakespeare's sexuality, the state of his marriage, and the identity of the Dark Lady to what his surroundings were when he wrote. This is painting a portrait of Shakespeare by painting his surroundings. I remember one art school assignment being to pick your favorite shoes and to draw them in fine detail; this was, basically, a self-portrait. (Mine, if anyone's interested, were a pair of tall floppy boots, which I often wore to faire.) This works both ways, and through existing information. There is an engraving of a writer's chamber here, and a description of one there, and an average sort of a chamber elsewhere; take into account what Shakespeare's income was and what he was working on at the time and a variety of other factors, and here is what his room looked like. Here is what the house he lived in looked like. Here is what his neighborhood looked like. Here is what he was like.
I enjoyed it, for the most part; it strayed into dry areas at times, particularly when it wandered away from the topic of Shakespeare himself. I feel I know more in some ways now about the Mountjoy family than I do about Shakespeare himself. But the portrait of William Shakespeare – the Lodger – drawn through this book is one I enjoyed the evolution of. Barring time travel or miraculous discoveries of documents, we'll never know everything about Shakespeare; this pushed the boundaries of what is guessed into what might be called "known" a little further.
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5 people found this helpful
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Overall
- Cariola
- 08-07-08
Good, but repetitive
I've read Nicholls' book on Marlowe, The Reckoning. It's much better than this one. Nicholls attempts to recreate life on Silver Street, where Shakespeare lodged for three years, by researching the Mountjoy family who were involved in a civil suit in which the playwright testified. There's a lot of speculation here--perhaps a bit too much. But interesting overall.
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3 people found this helpful
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Overall
- Anne
- 12-06-08
Not really Shakespeare
This is an interesting book about the London where Shakespeare lived. There's little about Shakespeare, though, and quite a bit about the couple from whom he rented lodgings. The book is more about them, others connected with them, and London of the period. References to Shakespeare's works are frequent, with suggestions of how the environment of London, and the people who lived around him influenced the plays. Well worth reading/listening to, just don't expect Shakespeare to be the main character.
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5 people found this helpful
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Overall
- connie
- 12-12-08
Hope someone writes a novel...
This propbably deserves more than 3 stars. If I had had the chance to listen while I took my required courses on W.S. in university many years ago, I probably would have rated it as a five, compared to the readings and lectures I slogged through back then, but there's too much detail on W.S.'s environs, as interesting as that detail and speculation is. If this research were turned into a novel, it would be delicious.
Though I usually dislike abridged versions, one would have suited my taste in this case.
Listen to the advice of the reviews below if you are looking for something directly about W.S. I downloaded it for the soical history.
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- Larry Williams
- 08-04-24
Great Writers
Authors created a vivid picture of life in London where Shakespeare lived in the early 1600’s. It’s what life must have been like for Shakespeare and may have influenced his plays written during those years.
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