Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

At first, they struggle to escape. Then a torrent of blows rains down upon their bodies until their eyes cloud over in final agony. The killer shows no remorse - just a twisted need to witness each victim's last terrified moments. Public defender Rachel Wainwright is struggling to reopen a decades-old case, convinced that the wrong man is in prison. Homicide detective Deke Morgan doesn't want to agree. But if Rachel's hunch is correct, whoever fatally bludgeoned young, beautiful Annie Dawson 30 years ago could be the source of a new string of brutal slayings.

Mara Sitwell was only 11 when she went missing. Nineteen years later, she’s been found wandering through remote woodland, alone and confused. She says she’s been kept in an underground cell for all these years - but refuses to reveal anything about the man who snatched her. What does she have to hide? And who’s she protecting? Her brother-in-law, Damian, certainly doubts she’s telling the whole truth and fears she might even be a danger to his young children, especially when his wife insists on moving Mara into their home.

It’s the moment single-mum Kate has been dreading. With her only daughter, Chloe, about to leave home, she’s terrified by the prospect of an empty nest. That is until she meets charming lawyer Adam. He could be the perfect catch - if it wasn’t for his clingy son. Because Ben has a crush on Chloe. A crush that is fast becoming an obsession. Flattered by the attention, Chloe is happy to string him along - for now at least. But Kate can see the danger signs, even if her daughter can't.

A woman is found naked, badly beaten and barely alive in the New Mexico mountains. The shocking discovery plunges Albuquerque Detective Alyssa Wyatt into a case that will test her to the limit. It appears that Callie McCormick is the latest plaything of a shadowy psychopath that leaves a long shadow on the streets of New Mexico - an individual linked to a string of deaths but leaving no evidence. But when Alyssa makes a breakthrough that just might reveal the killer, she unknowingly puts herself in the crosshairs of a brutal maniac - one with an old score to settle.

In the course of her everyday work, career-driven assistant district attorney Nina Frost prosecutes child molesters and works determinedly to ensure that a legal system with too many loopholes keeps these criminals behind bars. But when her own five-year-old son, Nathaniel, is traumatized by a sexual assault, Nina and her husband, Caleb, a quiet and methodical stone mason, are shattered, ripped apart by an enraging sense of helplessness in the face of a futile justice system that Nina knows all too well.

Praying her daughter’s still alive. Fearing her past is about to take its revenge. When three-year-old Immy vanishes during a family barbecue, her mother, Cleo, imagines the worst. Has she fallen into the river at the end of the garden and drowned? Or is it something even more unthinkable? After all, there's one person with good reason to want to abduct Immy - the woman Cleo thought she’d seen the last of three years ago. With time running out, Cleo sets out to uncover the truth.

A family of four murdered in their hotel room. A single mother and her boyfriend both stabbed to death. A sordid history of violent crimes, repeated over and over - but decades apart. Olivia Barker is a therapist with no connection to the murders. But she has heard things. Stories that keep her up at night. Details that only a killer would know. A killer who could be one of her patients…Olivia has no proof for her suspicions. But as the body count rises, so do her fears. A rock is thrown through her window, her car tires are slashed, a chilling message is scrawled on her bathroom mirror.

It's a blindingly hot summer. International visitors surge into Sydney's Darling Harbour. Two-year-old Tommy is sailing his toy boat in the park there with his mother Phoebe. Tommy vanishes into thin air. The following winter, taunting notes written as nursery rhymes begin arriving at his parents' home. Little Boy Blue, where did you go? Who led you away? Only I know.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

It has been eight years since Dr. David Beck’s wife, Elizabeth, was murdered by a serial killer. When Beck receives a message containing a phrase only Elizabeth should know, he is tormented to tears. Either someone is playing a sick joke, or the wife he’s never stopped loving is still alive. He’s been warned to tell no one, and as the desperation of his search for the truth intensifies, he heads straight toward a deadly secret.

Photographer Isla Wilson is thrilled she's landed her dream job, but the clients who hired her are getting stranger by the day. It sounded so perfect—a month's assignment at the lush Scottish Highlands property of architect Alban McGregor, and his wife, Jessica. But in the woods, there's a playhouse with a chilling history. Two years ago, the McGregors' daughter Elodie was abducted and then died in that playhouse. The townspeople insist her abductor had to be a stranger in their town. Alban refuses to knock the playhouse down, even keeping a picture of it on his wall.

Academy Award nominee Rachel McAdams stars in Mary Jane, a poignant and intimate drama following a single mother’s journey caring for her chronically ill young son. Set in New York City, the play unfolds in two parts—Mary Jane's small Queens apartment and a pediatric hospital. With unflinching honesty and unexpected humor, we witness Mary Jane's tireless devotion, her interactions with medical professionals, and her struggle to maintain her sense of self.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.