The Lost Pianos of Siberia
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Narrated by:
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Catherine Bailey
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By:
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Sophy Roberts
About this listen
Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet there is another tale to tell.
Dotted throughout this remote land are pianos - grand instruments created during the boom years of the 19th century, as well as humble, Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood.
How these pianos traveled into this snow-bound wilderness in the first place is a testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decembrist revolutionary, used to spread music east of the Urals to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle.
The Lost Pianos of Siberia is largely a story of music in this fascinating place, following Roberts on a three-year adventure as she tracks a number of different instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful - and peppered with pianos.
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Come on Shore and We Will Kill and Eat You All is the story of the cultural collision between Westerners and the Maoris of New Zealand, told partly as a history of the complex and bloody period of contact between Europeans and the Maoris in the late 18th and early 19th centuries, and partly as the story of Christina Thompson's marriage to a Maori man.
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a beautiful story
- By Pumpkin99 on 12-24-22
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Afropean
- Notes from Black Europe
- By: Johny Pitts
- Narrated by: Johny Pitts
- Length: 11 hrs and 31 mins
- Unabridged
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In the face of growing racial discrimination, anti-immigrant sentiment and the spectre of terrorism looming large over an economically stricken continent, Afropean is an on-the-ground documentary of areas where Europeans of African descent are juggling their multiple allegiances and forging new identities: too indelibly woven into Europe to identify with Africa and yet struggling with outdated ideas of what it means to be European.
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Excellent
- By Suzie M on 04-04-24
By: Johny Pitts
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Why the Dutch Are Different
- A Journey into the Hidden Heart of the Netherlands
- By: Ben Coates
- Narrated by: Ciaran Saward
- Length: 11 hrs and 3 mins
- Unabridged
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A personal portrait of a fascinating people, a sideways history, and an entertaining travelogue, Why the Dutch Are Different is the story of an Englishman who went Dutch. And loved it.
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Good Start, Then He Goes Dark
- By amazonnance on 12-17-21
By: Ben Coates
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The Discovery of France
- A Historical Geography
- By: Graham Robb
- Narrated by: Derek Perkins
- Length: 14 hrs and 4 mins
- Unabridged
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A narrative of exploration - full of strange landscapes and even stranger inhabitants - that explains the enduring fascination of France. While Gustave Eiffel was changing the skyline of Paris, large parts of France were still terra incognita. Even in the age of railways and newspapers, France was a land of ancient tribal divisions, prehistoric communication networks, and pre-Christian beliefs. French itself was a minority language.
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Great history of the cultural formation of France
- By Scotty on 07-31-21
By: Graham Robb
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The Seine
- The River That Made Paris
- By: Elaine Sciolino
- Narrated by: Elaine Sciolino
- Length: 12 hrs and 20 mins
- Unabridged
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Elaine Sciolino came to Paris as a young foreign correspondent and was seduced by a river. In The Seine, she tells the story of that river from its source on a remote plateau of Burgundy to the wide estuary where its waters meet the sea, and the cities, tributaries, islands, ports, and bridges in between.
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Disappointed
- By Nom de Guerre on 08-06-21
By: Elaine Sciolino
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Natasha's Dance
- A Cultural History of Russia
- By: Orlando Figes
- Narrated by: Ric Jerrom
- Length: 29 hrs and 23 mins
- Unabridged
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Beginning in the 18th century with the building of St. Petersburg - a 'window on the West' - and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself - its character, spiritual essence and destiny. He skillfully interweaves the great works - by Dostoevsky, Stravinsky, and Chagall - with folk embroidery, peasant songs, religious icons and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world.
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A Kaleidescopic panorama of an enigmatic culture.
- By Tarquin on 02-13-19
By: Orlando Figes
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Inge's War
- A German Woman's Story of Family, Secrets, and Survival Under Hitler
- By: Svenja O'Donnell
- Narrated by: Kristin Atherton
- Length: 9 hrs and 22 mins
- Unabridged
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Growing up in Paris, the daughter of a German mother and an Irish father, Svenja O'Donnell knew little of her family's German past. In this transporting and illuminating audiobook, the award-winning journalist vividly reconstructs the story of her grandmother Inge's life from the rise of the Nazis through the brutal postwar years, from falling in love with a man who was sent to the Eastern Front just after she became pregnant with his child, to spearheading her family's flight as the Red Army closed in, her young daughter in tow.
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Ordinary German Citizens Caught Up
- By Hinterlander on 08-22-23
By: Svenja O'Donnell
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Desert Notebooks
- A Road Map for the End of Time
- By: Ben Ehrenreich
- Narrated by: David Bendena
- Length: 11 hrs and 42 mins
- Unabridged
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Layering climate science, mythologies, nature writing, and personal experiences, Desert Notebooks offers a vital and necessary chronicle of our past and our present - perfect for fans of Robert Macfarlane and Elizabeth Rush - that’s unflinching, urgent, and yet timeless and profound.
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Not about the desert, Not about Joshua Tree
- By Steve on 07-12-20
By: Ben Ehrenreich
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The Boy Between Worlds
- A Biography
- By: Annejet van der Zijl, Kristen Gehrman - translator
- Narrated by: Coleen Marlo
- Length: 6 hrs and 5 mins
- Unabridged
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When they fell in love in 1928, Rika and Waldemar could have not been more different. She was a thirty-seven-year-old Dutch-born mother, estranged from her husband. He was her immigrant boarder, not yet twenty, and a wealthy Surinamese descendant of slaves. The child they have together, brown skinned and blue eyed, brings the couple great joy yet raises some eyebrows. Until the Nazi occupation of the Netherlands explodes their promising life. What unfolds is more than the astonishing story of a love that prevailed over convention. It’s also the quest of a young boy.
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Should Be Required Reading
- By Pam Pearson on 08-20-19
By: Annejet van der Zijl, and others
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The Amur River
- Between Russia and China
- By: Colin Thubron
- Narrated by: Jonathan Keeble
- Length: 10 hrs and 12 mins
- Unabridged
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The Amur River is almost unknown. Yet it is the 10th longest river in the world, rising in the Mongolian mountains and flowing through Siberia to the Pacific. For 1,100 miles, it forms the tense border between Russia and China. Simmering with the memory of land-grabs and unequal treaties, this is the most densely fortified frontier on Earth.
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Bleak
- By Amazon Customer on 11-03-21
By: Colin Thubron
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The Fossil Hunter
- Dinosaurs, Evolution, and the Woman Whose Discoveries Changed the World
- By: Shelley Emling
- Narrated by: Rachael Beresford
- Length: 9 hrs and 5 mins
- Unabridged
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Mary Anning was only 12 years old when, in 1811, she discovered the first dinosaur skeleton - of an ichthyosaur - while fossil hunting on the cliffs of Lyme Regis, England. Until Mary's incredible discovery, it was widely believed that animals did not become extinct.
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Well researched
- By Nick Cox on 11-14-20
By: Shelley Emling
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The Story We Carry in Our Bones
- Irish History for Americans
- By: Juilene Osborne-McKnight
- Narrated by: Juilene Osborne-McKnight
- Length: 8 hrs and 50 mins
- Unabridged
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More than 40 million people consider themselves Irish American, and yet most of them do not truly understand the rich cultural history of their ancestors. From prehistoric times to the emigration of the Irish to Amerikay, this broad, yet comprehensive, history gives a general overview of the deep history of Irish Americans.
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Blown away
- By Bob on 01-27-22
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Downtown
- My Manhattan
- By: Pete Hamill
- Narrated by: Pete Hamill
- Length: 6 hrs and 2 mins
- Abridged
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In Downtown, Hamill leads us on an unforgettable journey through the city he loves, from the island's southern tip to 42nd Street, combining a moving memoir of his days and nights in New York with a passionate history of its most enduring places and people.
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A frustrating read
- By David Ross on 09-09-05
By: Pete Hamill
What listeners say about The Lost Pianos of Siberia
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- D. Honda
- 06-28-21
Russian history via pianos and people
This is good read that presents the horror of Russian history juxtaposed with the people’s love of music. It explains European influences with the harsh Russian history. Robert’s writes as a journalist not a historian or musician but brings keen insight to both.
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2 people found this helpful
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- SusieQmom
- 09-14-20
Interesting History; Boring Narration
Sophy Roberts' journey to find the lost pianos of Siberia is interesting. Her video is worth seeing. I saw an interview of her, which made me buy the book. The blend of Mongolian, Siberian and Russian history was unusual. Unfortunately, I wish I had bought the book and read it, rather than listen to it. The narrator read one sentence at a time, period. There was simply no flow to a story that should have been almost spellbinding in its breadth. I really wanted to like this book.
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6 people found this helpful
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- AL
- 03-20-22
Breathtaking
A stunning experience, narrated with engaging energy. The reader is smoothly transported along a path never taken by anyone but the adventurous author—and finishes tongue-tied to express just why this is a must-read. But it is. No one else could adequately convey this tale. Breathtaking.
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2 people found this helpful
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- Louis Spencer-Smith
- 01-05-21
Beyond expectation, even for a piano professional
Brava Sophy Roberts and Catherine Bailey. Enlightening, well-researched, inspired writing and delightful narration. Wish there would be 6 stars.
Louis Spencer-Smith
President
Senior Piano Technician
ALL ABOUT PIANOS INC
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3 people found this helpful
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- Anonymous User
- 07-27-21
Could be a five…
The story is very intriguing. I enjoyed following Robert’s through space and time, and meeting some incredible people! My only criticism about the story is how little time she spends describing most interesting characters while providing unnecessarily lengthy descriptions of “side” encounters and experiences (the tiger, the Australian bird watcher, nice but dull description of the monastery choir, to name a few).
At times I sensed a patronizing tone. But it could be the narrator who is simply terrible. Catherine Bailey’s cold and mechanical reading of the text at times had a barking sounding quality. She butchered most people’s names and every geographical location she attempted to pronounce. A native Russian, I could not recognize names of cities and rivers. She was unprepared for the challenge. The narrator is so annoying, I almost gave this book three stars. But that would not be fair to the writer.
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- mz
- 12-07-21
Narrator reads a little better than a monk
The narrator reads like a monk chanting scripture. Well, a little better. She ends every sentence with the same emphasis, descending pitch, as if things end there, and there's no transition to the next sentence. So things feel disconnected and you don't know when a new topic begins. In fact, she puts that emphasis on every name, place's name, and year, as if I'm gonna be quizzed on them in a history class, and every few random words. If there are 4 such names in a sentence, she emphasizes all of them and other words, so you can't even pick out what the point of the sentence is.
You don't feel like there's a story. It's just fact after fact after fact. I don't know if it's the book or the narrator. I've listened to many other nonfiction books, and nonfiction doesn't need to be this way. There can be a story and a quite interesting one.
Here, it feels like there's no definite chronological order. It goes from Katherine the Great to modern, then back to Decemberists then to modern, then back, etc. You don't know how to make sense of anything, how this book is supposed to be organized. I suppose she goes in the order of her trips, but the book doesn't sound like a memoir - there are too many facts to be that.
It's just not a very interesting listen that can sustain itself. I have to put it down after every half an hour or so because it gets boring and stupid.
Update:
I finished the book, little by little, given how other than the narrator's emotionless reading, I also can't stand her cut-glass accent that pronounces all the plural -es endings as "is" rather than "ees." I'm not reading period drama here. Other reviewers are probably right that she mispronounced many place names. She didn't even get Ulaanbaatar right, a country's capital, saying tar for the last syllable as opposed to tor. What do you expect? She doesn't seem even the least informed or interested in places other than England. It seems that like the author, the narrator never bothered to learn other people's language a little bit before embarking on a book.
As for the book itself, I feel the author under-appreciates the beauty of Siberia and the heritage therein, blindly searching for pianos, which don't even belong there and are only brought in by outsiders, when there's so much more that belongs locally to appreciate - the nature, the natives. Her comparison of her search for pianos to birds is shallow, the former an artificial man-made object out of place in places like Kamchatka and Commander Islands, and the latter a natural living organism that belong there and has centuries more history.
It would be less shallow if she drew deeper connections between nature's long history, the natives' resilience in this harsh nature, and the pianos' short history on the planet, and how they can coexist and benefit each other in different ways. But nope, she stuck to the surface and just wrote about appearances, what people said and did, and what happened. No insights or lessons drawn.
Also shallow is her showing no sign in her writing that she ever made an effort to learn the local tongue, and asking insensitive and rude questions because of her under-appreciation for the local heritage. These are very outsider and Western things to do in non-Western countries and places.
It makes sense that some locals didn't react well to her, when she goes in with this attitude. She thinks they think she's crazy. I think they think she's insensitive and doesn't care about what really matters to them. As a journalist, that is a failure.
Bottom line: if the story is shallow, the narration has only made it more so.
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1 person found this helpful