The Lux Radio Theatre was one of the most prestigious and longest-running shows from radio's Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts. The productions were broadcast live, with a full orchestra, in front of a large studio audience.

Hosted by Cecil B. DeMille and starring numerous icons of the screen, this collection of old-time radio classics includes six episodes of The Lux Radio Theatre - one of the longest running, most extravagant shows from radio's golden age. The show featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures, making this lavish production a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s.

The Lux Radio Theatre was one of the most prestigious and longest running shows from Radio's Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid -1930s through the mid -1950s. The stars of the movie usually appeared in their audio counterparts, although sometimes contracts or schedules meant that another actor took the part.

The golden age of radio had incredible detective shows that kept Americans glued to their radio sets. Families gathered around their living room radios to hear their favorite Hollywood stars voicing fiction’s most famous gumshoes. This collection includes Dick Kollmar starring as ‘enemy to those who make him an enemy, friend to those who have no friend’ on Boston Blackie, Bob Bailey playing two different private eyes, George Valentine in Let George Do It and the man with the action-packed expense account in a 5-part adventure of Yours Truly, Johnny Dollar.

The Lux Radio Theatre was one of the longest running - and most extravagant - shows from radio's golden age. The show featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host for the lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s.

If there's one lesson to be learned from science-fiction, it's that nothing lasts forever. From human lives to vast civilizations, the overarching theme of the genre is that the old will give way to the new. Look to futures past with X Minus One! One of the most imaginative series of the 1950s brings you to adventures in worlds beyond fear, beyond imagination, beyond the farthest stars. Works by the leading genre authors of the day (including Philip K. Dick, Robert Sheckley, and Clifford Simak) were turned into tight, well-acted half-hour dramatizations.

Horror stars, action heroes, matinee idols, leading ladies - Suspense offered them all a showcase that expanded and emphasized their distinctive talents. Peter Lorre and Edward G. Robinson were particular favorites and appear here in tortured, desperate roles and never failing to wring every bit of tension from the scripts in their hands. Popular comedians - like Bob Hope and Milton Berle - were also regularly featured. Cast hard against type, the audience was forced to view them in an entirely different light and were left gasping in their wake.

Pat Novak, for Hire began in 1946 as a regional radio show produced at KGO in San Francisco and starred Jack Webb in the title role, with scripts by Webb's friend Richard L. Breen. When Webb moved to Los Angeles in 1947, Ben Morris replaced Webb as Novak. In a later network version, Jack Webb resumed the role along with Breen as scriptwriter. Pat Novak, for Hire lasted until 1949, when Jack Webb turned his attention to the series that would make him a star, Dragnet.

Lucille Ball and Lee Bowman auditioned for the roles of a married couple in a radio pilot for a new comedy, My Favorite Husband, based on the novel Mr. and Mrs. Cugat by Isabel Scott Rorick. The concept was very well received and within a few weeks the weekly sitcom was established. Bowman was replaced by Richard Denning and during the first season, the Cugats were renamed the Coopers, who lived “in a little white two-story house” in the bustling, small suburb of Sheridan Falls.

During the late 1940s and early 1950s, several different radio programs brought in Hollywood stars to reprise their performances from popular films. Among them, Screen Directors' Playhouse offered something that no other show had: the directors. Imagine, if you will, listening to a radio play of A Foreign Affair and then hearing Marlene Dietrich and director Billy Wilder share their thoughts on the making of this classic film. In addition to Wilder, you'll hear directors like Tay Garnett, Robert Siodmak, and George Marshall in this set of 16 digitally remastered and restored episodes.