The Man in the Glass House
Philip Johnson, Architect of the Modern Century
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Narrated by:
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Mark Bramhall
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By:
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Mark Lamster
About this listen
When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable - and influential - figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, Connecticut, and his controversial AT&T Building in New York City, among many others in nearly every city in the country - but his most natural role was as a consummate power broker and shaper of public opinion.
Johnson introduced European modernism - the sleek, glass-and-steel architecture that now dominates our cities - to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump.
Award-winning architectural critic and biographer Mark Lamster's The Man in the Glass House lifts the veil on Johnson's controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A roller-coaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful and tells the story of the built environment in modern America.
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Story
In a story that is both of its time and timeless, Evan I. Schwartz tells a tale of genius versus greed, innocence versus deceit, and independent brilliance versus corporate arrogance. Many men have laid claim to the title "father of television," but Philo T. Farnsworth is the true genius behind what may be the most influential invention of our time. Driven by his obsession to demonstrate his idea, by the age of 20 Farnsworth was operating his own laboratory above a garage in San Francisco and filing for patents. The resulting publicity caught the attention of RCA tycoon David Sarnoff, who became determined to control television in the same way he monopolized radio.
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Thank you, Philo.
- By JPALJ on 03-29-20
By: Evan I. Schwartz
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Paris Reborn
- Napoléon III, Baron Haussmann, and the Quest to Build a Modern City
- By: Stephane Kirkland
- Narrated by: Robert Blumenfeld
- Length: 8 hrs and 53 mins
- Unabridged
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Traditionally known as a dirty, congested, and dangerous city, 19th Century Paris was transformed in an extraordinary period from 1848 to 1870, when the government launched a huge campaign to build streets, squares, parks, churches, and public buildings. The Louvre Palace was expanded, Notre-Dame Cathedral was restored and the French masterpiece of the Second Empire, the Opra Garnier, was built.
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Why Paris looks the way it does today
- By Neil Chisholm on 11-28-13
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"The Rest of Us"
- The Rise of America's Eastern European Jews
- By: Stephen Birmingham
- Narrated by: Mel Foster
- Length: 18 hrs and 2 mins
- Unabridged
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The wave of Eastern European Jewish immigrants who swept into New York in the late nineteenth and early twentieth centuries by way of Ellis Island were not welcomed by the Jews who had arrived decades before. These refugees from czarist Russia and the Polish shtetls who came to America to escape pogroms and persecution were considered barbaric, uneducated, and too steeped in the traditions of the "old country" to be accepted by the more refined and already well-established German-Jewish community. But the new arrivals were tough, passionate, and determined.
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Book 3 of 3
- By Etoile NEOhio on 11-15-22
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Warhol
- By: Blake Gopnik
- Narrated by: Graham Halstead
- Length: 43 hrs and 33 mins
- Unabridged
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To this day, mention the name “Andy Warhol” to almost anyone and you’ll hear about his famous images of soup cans and Marilyn Monroe. But though Pop Art became synonymous with Warhol’s name and dominated the public’s image of him, his life and work are infinitely more complex and multifaceted than that. In Warhol, esteemed art critic Blake Gopnik takes on Andy Warhol in all his depth and dimensions.
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Explaining an Enigma
- By Keith on 05-05-20
By: Blake Gopnik
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Foursome
- Alfred Stieglitz, Georgia O'Keeffe, Paul Strand, Rebecca Salsbury
- By: Carolyn Burke
- Narrated by: Amanda Carlin
- Length: 16 hrs and 57 mins
- Unabridged
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New York, 1921: Acclaimed photographer Alfred Stieglitz celebrates the success of his latest exhibition - the centerpiece, a series of nude portraits of his soon-to-be wife, the young Georgia O'Keeffe. The exhibit acts as a turning point for the painter poised to make her entrance into the art scene. There, she meets Rebecca Salsbury, the fiancé of Stieglitz’s protégé, Paul Strand, marking the start of a bond between the couples that will last more than a decade and reverberate throughout their lives.
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A competent account of four interesting lives
- By Sil A. on 11-21-20
By: Carolyn Burke
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"Our Crowd"
- The Great Jewish Families of New York
- By: Stephen Birmingham
- Narrated by: Mel Foster
- Length: 19 hrs and 51 mins
- Unabridged
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They immigrated to America from Germany in the nineteenth century with names like Loeb, Sachs, Seligman, Lehman, Guggenheim, and Goldman. From tenements on the Lower East Side to Park Avenue mansions, this handful of Jewish families turned small businesses into imposing enterprises and amassed spectacular fortunes. But despite possessing breathtaking wealth that rivaled the Astors and Rockefellers, they were barred by the gentile establishment from the lofty realm of "the 400," a register of New York's most elite, because of their religion and humble backgrounds.
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Finance heavy
- By Shayla on 03-28-21
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The Chief
- The Life of William Randolph Hearst
- By: David Nasaw
- Narrated by: David Colacci
- Length: 30 hrs and 53 mins
- Unabridged
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William Randolph Hearst, known to his staff as the "Chief", was a brilliant business strategist and a man of prodigious appetites. By the 1930s, he controlled the largest publishing empire in the United States, including 28 newspapers, the Cosmopolitan Picture Studio, radio stations, and 13 magazines. He quickly learned how to use this media stronghold to achieve unprecedented political power. In The Chief, David Nasaw presents an intimate portrait of the man famously characterized in the classic film Citizen Kane.
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Fascinating but
- By Michael on 02-17-22
By: David Nasaw
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Red Roulette
- An Insider's Story of Wealth, Power, Corruption, and Vengeance in Today's China
- By: Desmond Shum
- Narrated by: Tim Chiou
- Length: 9 hrs and 21 mins
- Unabridged
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As Desmond Shum was growing up impoverished in China, he vowed his life would be different. Through hard work and sheer tenacity he earned an American college degree and returned to his native country to establish himself in business. There, he met his future wife, the highly intelligent and equally ambitious Whitney Duan who was determined to make her mark within China’s male-dominated society. Whitney and Desmond formed an effective team and, aided by relationships they formed with top members of China’s Communist Party, the so-called red aristocracy.
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Desmond Shum is not a rube! He knows about wine, ok?
- By Peter L Hansen on 10-06-21
By: Desmond Shum
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New York, New York, New York
- Four Decades of Success, Excess, and Transformation
- By: Thomas Dyja
- Narrated by: Jacques Roy, Thomas Dyja - introduction
- Length: 17 hrs and 23 mins
- Unabridged
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Dangerous, filthy, and falling apart, garbage piled on its streets and entire neighborhoods reduced to rubble; New York’s terrifying, if liberating, state of nature in 1978 also made it the capital of American culture. Over the next thirty-plus years, though, it became a different place - kinder and meaner, richer and poorer, more like America and less like what it had always been.
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OMG...right on 👍👍👍👍👍
- By howie wine on 04-04-21
By: Thomas Dyja
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Self Made
- Inspired by the Life of Madam C.J. Walker
- By: A'Lelia Bundles
- Narrated by: A'Lelia Bundles
- Length: 16 hrs and 23 mins
- Unabridged
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The daughter of slaves, Madam C.J. Walker was orphaned at seven, married at 14, and widowed at 20. She spent the better part of the next two decades laboring as a washerwoman for $1.50 a week. Then - with the discovery of a revolutionary hair care formula for Black women - everything changed. By her death in 1919, Walker managed to overcome astonishing odds: Building a storied beauty empire from the ground up that would be run by four generations of Walker women until its sale in 1985.
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Please read the book and not rely on the Netflix series
- By Sweet Pea's Mommy on 04-27-20
By: A'Lelia Bundles
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The LEGO Story
- How a Little Toy Sparked the World’s Imagination
- By: Jens Andersen
- Narrated by: Peter Cross
- Length: 11 hrs and 50 mins
- Unabridged
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It’s estimated that each year between eighty and ninety million children around the globe are given a box of LEGO, while up to ten million adults buy sets for themselves. Yet LEGO is much more than a dizzying number of plastic bricks that can be put together and combined in countless ways. LEGO is also a vision of the significance of what play can mean for humanity.
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Great book! Don't miss this
- By hgpilot - MM on 04-27-23
By: Jens Andersen
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When Paris Sizzled
- The 1920s Paris of Hemingway, Chanel, Cocteau, Cole Porter, Josephine Baker, and Their Friends
- By: Mary McAuliffe
- Narrated by: Saskia Maarleveld
- Length: 11 hrs and 15 mins
- Unabridged
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When Paris Sizzled vividly portrays the City of Light during the fabulous 1920s, les Annees folles, when Parisians emerged from the horrors of war to find that a new world greeted them - one that reverberated with the hard metallic clang of the assembly line, the roar of automobiles, and the beat of jazz. Mary McAuliffe traces a decade that saw seismic change on almost every front, from art and architecture to music, literature, fashion, entertainment, transportation, and, most notably, behavior.
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Informative, but no sizzle
- By OzEnigma on 06-01-17
By: Mary McAuliffe
What listeners say about The Man in the Glass House
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Lester
- 09-08-24
Johnson the superflous
This is a great book and it also makes me sad for it shows how much privilege and money can carry your entire life. I do not believe Johnson should be erased from architectural history but be left as a reminder of WHAT NOT TO DO… and the values or lack thereof to follow. I have never been a fan of his architecture or his personality before I read this book..but now he is simply out of my pantheon forever.. he and Michael Rourke represent THE TYPE OF ARCHITECT AND PERSON NOT TO BE EVER.
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- Gregory P. Louviere
- 09-08-23
A Person of Distain
I don't know if I have differing views that other architects who have read or listened to this book. Throughout my career I have know architects who reviled the buildings of Phillip Johnson. At the same time, I heard few people who equivocated the shallowness person with the shallowness of his work. In the end, I have not know architects who have disliked the person of Phillip Johnson first before disliking his work. Whether intended, this book lead you to despise the buildings he produced because of the life lived by the man who created them.
Earlier in my life, I had admired what he had achieved in those years of the 1970's through late 1990's. Most of my fellow architects however thought his work as elitist and hyperbolic yet his work did always maintained the sense of irony for which it was justified by the sophisticates. So he was not ever on the 'A' list of architects but he had made a big impact on the City of Houston where I resided at that time. His works were like spectacles of showmanship but not architecture in the great sense of the word in which he aspired.
Our author of The Man in the Glass House has revealed much more about the person than I had known. Maybe there were rumors about him that were never proven in the past. Now I cannot find redemption in this person and consequently have relinquished appreciation for his achievements.
After reading this book, I can't separate what he was as a person from the work he produced. It was a difficult journey having travailed this book.
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- Conjonrad
- 11-03-19
Wonderful book
This book sticks to his social and working life and depicts him in a way that is fair
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- David G Dempsey
- 07-12-19
Disappointing!
Lamster personal dislike of Philip Johnson gets in the way of the listener understanding of this eminent architect and his world. There is plenty of things to criticize him for particular the period in the 1930 but he belittles just about all of his accomplishments. By the end of the book I was very tired of his snarky, pithy writing style. Just about everyone who gets mentioned gets zapped; he describes Frank Gehry as irresponsible , fat stoner.
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2 people found this helpful
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- PD
- 07-10-19
A missed opportunity
Architects, even famous ones, don’t have that many biographies written about them. We will have to wait another 20 years for a good updated biography of Philip Johnson. This book is a complete missed opportunity and a waste of time to read. Stick to the Franz Schulze bio, that’s what Lamster did. It feels like it was his main source. Philip Johnson was a complex and flawed person, but to make light of his impact on the world of architecture and Modern and Contemporary Art, is to miss the point. He was both men. The author plays fast and loose with the time line to make Johnson appear even worse. Compressing time to concentrate events for the sake of drama. He also shows a complete lack of understanding of how an architecture office works. Many of the people, who Lamster claims were used unscrupulously by Johnson, have not amounted to much after they left his office. Philip was the magician!
The snarky tone of the books is its biggest flaw, and I can only imagine that after studying Johnson for 10 years he learned how to be bitchy, as Johnson could be, but never learned the wit that made speaking with Philip Johnson magic.
I do feel bad for Mark Bramhall who's performance amplifies the obnoxious snark to an unbearable level but I am sure, he was following the direction of the producers. Shame on them for not having the wisdom to understand how weak this book truly is.
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2 people found this helpful