A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn't tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant.

Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood. Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy.

It is a tale of ghosts, of madness, of revenge - of old alliances giving way to new intrigues. Denmark is changing, shaking off its medieval past. War with Norway is on the horizon. And Hamlet - son of the old king, nephew of the new - becomes increasingly entangled in a web of deception - and murder. Beautifully performed by actor Richard Armitage ("Thorin Oakenshield" in the Hobbit films), Hamlet, Prince of Denmark takes Shakespeare’s original into unexpected realms, reinventing a story we thought we knew.

It's a story you think you know: the age-old tale of "star-cross'd lovers"; two families at war; a romance, so pure and absolute, fated for a tragic end. It's a story so thoroughly embedded in our culture, and so frequently retold. Yet, nothing captures the spark, the possibility, and the surprise of Shakespeare's work quite like this....

When Cora Seaborne's brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was not a happy one. Wed at 19, this woman of exceptional intelligence and curiosity was ill-suited for the role of society wife. Seeking refuge in fresh air and open space in the wake of the funeral, Cora leaves London for a visit to coastal Essex, accompanied by her inquisitive and obsessive 11-year old son, Francis, and the boy's nanny, Martha.

From Rose Tremain comes the Booker Prize short-listed novel that “restored the historical novel to its rightful place of honor” ( New York Times). Robert Merivel, son of a glove maker and an aspiring physician, finds his fortunes transformed when he is given a position at the court of King Charles II. Merivel slips easily into a life of luxury and idleness, enthusiastically enjoying the women and wine of the vibrant Restoration age. But when he’s called on to serve the king in an unusual role, he transgresses the one law he is forbidden to break and is brutally cast out from his newfound paradise.

In Cantagna, being a sorcerer is a death sentence. Romy escapes her hardscrabble upbringing when she becomes courtesan to the Shadow Lord, a revolutionary noble who brings laws and comforts once reserved for the wealthy to all. When her brother, Neri, is caught thieving with the aid of magic, Romy's aristocratic influence is the only thing that can spare his life—and the price is her banishment.

For the crime of stealing bread, 14-year-old May receives a life sentence: She must become a Sin Eater - a shunned woman, brutally marked, whose fate is to hear the final confessions of the dying, eat ritual foods symbolizing their sins as a funeral rite, and thereby shoulder their transgressions to grant their souls access to heaven. Orphaned and friendless, apprenticed to an older Sin Eater who cannot speak to her, May must make her way in a dangerous and cruel world she barely understands.

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the “Dark” Ages were anything but.

It is 1502, and Rodrigo Borgia, a self-confessed womanizer and master of political corruption, is now on the papal throne as Alexander VI. His daughter Lucrezia, age 22 - already three times married and a pawn in her father's plans - is discovering her own power. And then there is his son Cesare Borgia, brilliant, ruthless, and increasingly unstable; it is his relationship with Machiavelli that gives the Florentine diplomat a master class in the dark arts of power and politics.

It is 1547, and Scotland has been humiliated by an English invasion and is threatened by machinations elsewhere beyond its borders, but it is still free. Paradoxically, her freedom may depend on a man who stands accused of treason. He is Francis Crawford of Lymond, a scapegrace nobleman of crooked felicities and murderous talents, possessed of a scholar's erudition and a tongue as wicked as a rapier. In The Game of Kings, this extraordinary antihero returns to the country that has outlawed him to redeem his reputations even at the risk of his life.

Bath, 1821: Rachel Crofton escapes her unhappy employment as a governess by marrying a self-made businessman. But her new life soon takes an unexpected turn. Reclusive Jonathan Alleyn is a man tormented by the disappearance of his childhood sweetheart, Alice. Starling, foundling child and now servant, is convinced that Alice, the woman she loved as a sister, was stolen from her. Did Alice run away? Or did something altogether more sinister occur? As Starling tries to expose the lies behind Bath's immaculate facades, others want only to forget, and will go to extreme lengths to do so.

Wolf Hall meets The Favourite in Lucy Jago's A Net For Small Fishes, a gripping dark novel based on the true scandal of two women determined to create their own fates in the Jacobean court.

In the year 937, the new king of England, a grandson of Alfred the Great, readies himself to go to war in the north. His dream of a united kingdom of all England will stand or fall on one field - on the passage of a single day. At his side is the priest Dunstan of Glastonbury, full of ambition and wit (perhaps enough to damn his soul). His talents will take him from the villages of Wessex to the royal court, to the hills of Rome - from exile to exaltation.

A sweeping story about obsession, mysticism, art and earthly desire. At the centre of this story is the Cathedral. Its design and construction in the 13th and 14th centuries in the fictional town of Hagenburg unites a vast array of unforgettable characters whose fortunes are inseparable from the shifting political factions and economic interests vying for supremacy. From the bishop to his treasurer, from local merchants to lowly stonecutters, the fate of everyone, both Gentile and Jew, is affected by the slow rise of Hagenburg’s cathedral.

It is 1502, and Rodrigo Borgia, a self-confessed womanizer and master of political corruption, is now on the papal throne as Alexander VI. His daughter Lucrezia, age 22 - already three times married and a pawn in her father's plans - is discovering her own power. And then there is his son Cesare Borgia, brilliant, ruthless, and increasingly unstable; it is his relationship with Machiavelli that gives the Florentine diplomat a master class in the dark arts of power and politics.

Born into poverty, brutalised and ignored by her family, it is only when she is married off to a nobleman that her life undergoes a transformation, as her husband recognises in Rosamund a magic she does not know she possesses but which affects almost all who encounter her. Presiding over a luxurious chocolate house where men go to be seen, exchange news and indulge in the sweet and heady drink to which they have become addicted, Rosamund feels blessed. But disaster strikes, and Rosamund stands on the brink of losing all she has worked so hard to achieve.

Set in boisterous, rebellious Boston on the eve of the American Revolution, Blindspot ingeniously weaves together the fictional stories of Stewart Jameson, a Scottish portrait painter and notorious libertine, and Fanny Easton, a fallen woman from one of Boston's most powerful families who disguises herself as a boy to become Jameson's defiant and seductive apprentice. Together with an African-born doctor, they investigate the death of the famous revolutionary leader Samuel Bradstreet.

Margaret of Ashbury wants to write her life story. However, like most women in 14th-century England, she is illiterate. Three clerics contemptuously decline to be Margaret’s scribe, and only the threat of starvation persuades Brother Gregory, a Carthusian friar with a mysterious past, to take on the task. As she narrates her life, we discover a woman of startling resourcefulness.

Born Queen of Scotland, married as a young girl to the invalid young King of France, Mary took the reins of the unruly kingdom of Scotland as a young widow and fought to keep her throne. A second marriage to her handsome but dissolute cousin Lord Darnley ended in murder and scandal, while a third marriage to the dashing, commanding Lord Bothwell, the love of her life, gave her joy but widened the scandal and surrounded her with enduring ill repute.

In search of answers, Merivel sets off for the French court. But Versailles leaves him in despair, until a chance encounter with a seductive Swiss botanist allows him to dream of an honorable future. But back home, his loyalty and medical skill are about to be tested to the limit, while the captive bear he has brought back from France begins to cause havoc.

In this re-imagining of Shakespeare's famous tragedy, it is Ophelia who takes center stage. A rowdy, motherless girl, she grows up at Elsinore Castle to become the queens most trusted lady-in-waiting. She catches the attention of the captivating, dark-haired Prince Hamlet, and their love blossoms in secret. But bloody deeds soon turn Denmark into a place of madness, and ultimately, Ophelia must choose between her love for Hamlet and her own life.

Susanna Dallet is the daughter of a Flemish painter and wife to a philandering husband, living in the court of Henry VIII. When her husband is murdered, Susanna is suddenly left with a household to provide for and nothing to her name. Her days of anonymity are over when Susanna finds that guild rules preventing women from working do not apply at the king’s court, and she manages to secure a position as a miniature-portrait painter. Before long, she has not only made a name for herself, she is close to those who surround Princess Mary. But even in this lofty company, Susanna is not safe....

It is 1502, and seven-year-old Bianca de Nevada lives at Montefiore, the farm of her father, Don Vicente. But one day a noble entourage makes its way up to the farm. In the presence of Cesare Borgia and his sister, the lovely and vain Lucrezia, no one can claim innocence for very long. When Borgia sends Don Vicente on a quest, he leaves Bianca under the care of Lucrezia. She plots a dire fate for the young girl in the woods below the farm, but salvation can be found in the dark forest as well.

Robin Maxwell’s debut novel introduces Anne Boleyn and her daughter, Elizabeth: one was queen for a thousand days, the other for more than 40 years. Both were passionate, headstrong women, loved and hated by Henry VIII. At the beginning of Elizabeth’s reign, her mother’s private diary is given to her by a mysterious lady. In reading it, the young ruler - herself embroiled in a dangerous love affair - discovers a great deal about her much maligned mother.

It is the late 14th century, a dangerous time beset by war and plague. Nicholas Barber, a young and wayward cleric, stumbles across a group of travelling players and compounds his sins by joining them. Yet the town where they perform reveals another drama: a young woman is to be hanged for the murder of a 12-year-old boy. What better way to increase their takings than to make a new play, to enact the murder of Thomas Wells?

But as the actors rehearse, they discover that the truth about the boy's death has yet to be revealed.

London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul's is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer and reluctant government informer. In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul's, in a tomb that should have been empty. The man's body has been mutilated, and his thumbs have been tied behind his back.

The powerful city-state of Saraykeht is a bastion of peace and culture, a major center of commerce and trade. Its economy depends on the power of the captive spirit Seedless, an and at bound to the poet-sorcerer Heshai for life. Enter the Galts, an empire committed to laying waste to all lands with their ferocious army. Saraykeht has always been too strong for the Galts to attack, but now they see an opportunity.

In a snowbound inn high in the Alps, four people meet who will alter fate. A noble Byzantine mercenary.... A female Florentine physician.... An ageless Welsh wizard.... And Sforza, the uncanny duke. Together they will wage an intrigue-filled campaign against the might of Byzantium to secure the English throne for Richard, Duke of Gloucester - and make him Richard III.