Edna Pontellier is married, twenty-eight, and at a crossroads in her life. She is passionate and artistic but has no one who understands her deep yearnings. She jumps at the chance to spend a summer away from her husband and the heat of New Orleans at a small coastal retreat.

A magnificent portrayal of 1890's America and the harsh realities of a dog-eat-dog world, Sister Carrie lies at the forefront of American Naturalism. When poor young provincial woman Carrie Meeber arrives in Chicago, she little expects to be catapulted from lower-class woman to prominent Broadway actress. Passive and yielding, she lets circumstances coerce her into action and by good fortune she arrives at fame. It is in Chicago that Carrie meets a successful businessman, Hurstwood, who helps her establish her name.

McTeague, a strong but stupid dentist, marries Trina, introduced to him by her cousin Marcus Schouler. When Trina wins $5,000 in a lottery and increases the sum by shrewd investment, Schouler, who had wanted to marry Trina himself, feels cheated. In revenge, he exposes McTeague's lack of diploma or license. Forbidden to practice, McTeague becomes mean and surly, but the miserly Trina refuses to let him use her money, and they sink into poverty.

“The problem of the twentieth century is the problem of the color line,” writes Du Bois, in one of the most prophetic works in all of American literature. First published in 1903, this collection of 15 essays dared to describe the racism that prevailed at that time in America—and to demand an end to it. Du Bois’ writing draws on his early experiences, from teaching in the hills of Tennessee, to the death of his infant son, to his historic break with the conciliatory position of Booker T. Washington.

Uncle Tom's Cabin opens with a Kentucky farmer named Arthur Shelby facing the loss of his farm because of debts. Even though he and his wife, Emily Shelby, believe that they have a benevolent relationship with their slaves, Shelby decides to raise the needed funds by selling two of them - Uncle Tom, a middle-aged man with a wife and children, and Harry, the son of Emily Shelby's maid Eliza - to a slave trader.

Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years.

Jacob is an Anglo-Dutch trader and adventurer, with a small holding in the harsh north. Despite his distaste for dealing in "flesh," he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, "with the hands of a slave and the feet of a Portuguese lady." Florens looks for love, first from Lina, an older servant woman at her new master's house, but later from a handsome blacksmith, an African, never enslaved.

Iola Leroy is a woman who contains multitudes. Born the light-skinned child of a Mississippi slaveholder, Iola is raised in the belief that she is white - and learns the truth only after her father dies. Iola is then sold into bondage and begins to question certain other lessons of her youth as well. In the midst of widespread discrimination and violence, Iola continually strives to liberate herself from all the forces that would oppress her and is eventually able to embrace her true heritage.

Ralph Elllison's Invisible Man is a monumental novel, one that can well be called an epic of modern American Negro life. It is a strange story, in which many extraordinary things happen, some of them shocking and brutal, some of them pitiful and touching—yet always with elements of comedy and irony and burlesque that appear in unexpected places. It is a book that has a great deal to say and which is destined to have a great deal said about it.

Howells’ best-known work and a subtle classic of its time, The Rise of Silas Lapham is an elegant tale of Boston society and manners. After garnering a fortune in the paint business, Silas Lapham moves his family from their Vermont farm to the city of Boston in order to improve his social position. The consequences of this endeavor are both humorous and tragic as the greedy Silas brings his company to the brink of bankruptcy.

The Sound and The Fury is the story of a family of Southern aristocrats on the brink of personal and financial ruin. Set in Jefferson, Mississippi, in the first third of the 20th century, the novel centers on the Compson family, former Southern aristocrats who are struggling to deal with the dissolution of their family and its reputation. Over the course of the 30 years or so relayed in the novel, the family falls into financial ruin, loses its religious faith and the respect of the town of Jefferson, and many of them die tragically.

Through Jim Burden's endearing, smitten voice, we revisit the remarkable vicissitudes of immigrant life in the Nebraska heartland, with all its insistent bonds. Guiding the way are some of literature's most beguiling characters: the Russian brothers plagued by memories of a fateful sleigh ride, Antonia's desperately homesick father and self-indulgent mother, and the coy Lena Lingard. Holding the pastoral society's heart, of course, is the bewitching, free-spirited Antonia.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. Sethe has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole.

Harriet Jacobs’ autobiography, written under the pseudonym Linda Brent, details her experiences as a slave in North Carolina, her escape to freedom in the north, and her ensuing struggles to free her children. The narrative was partly serialized in the New York Tribune, but was discontinued because Jacobs’ depictions of the sexual abuse of female slaves were considered too shocking. It was published in book form in 1861.