Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work.

This collection features Howard at his finest and Conan at his most savage. Truly heroic fantasy at its best, this volume contains "The Servants of Bit-Yakin", "Beyond the Black River", "The Black Stranger", "The Man-Eaters of Zamboula", and "Red Nails", which is perhaps Conan's most famous adventure.

Between the years when the oceans drank Atlantis and the gleaming cities...there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars.... Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand...to tread the jeweled thrones of the earth under his sandalled feet.

From Robert E. Howard's fertile imagination sprang some of fiction's greatest heroes, including Conan the Cimmerian, King Kull, and Solomon Kane. But of all Howard's characters, none embodied his creator's brooding temperament more than Bran Mak Morn, the last king of a doomed race.

With Conan the Cimmerian, Robert E. Howard created more than the greatest action hero of the twentieth century---he also launched a genre that came to be known as sword and sorcery. But Conan was not the first archetypal adventurer to spring from Howard's fertile imagination.

In his hugely influential and tempestuous career, Robert E. Howard created the genre that came to be known as sword and sorcery - and brought to life one of fantasy's boldest and most enduring figures: Conan the Cimmerian, reaver, slayer, barbarian, king. This volume gathers together three of Howard's longest and most famous Conan stories.

Robert E. Howard, renowned creator of Conan the Barbarian, was also a master at conjuring tales of hair-raising horror. In a career spanning only 12 years, Howard wrote more than 100 stories, with his most celebrated work appearing in Weird Tales, the preeminent pulp magazine of the era.

It is one of the most well-known and well-loved fantasy epics of the twentieth century: the story of Elric, emperor of the dying kingdom of Melniboné. For a hundred centuries the Melnibonéans have ruled from the Dragon Isle of Imrryr. Now, after years of corruption and decadence, Elric’s amoral cousin Prince Yyrkoon, the brother of his beloved Cymoril, sets his eyes on the Ruby Throne. Elric must face his treacherous cousin not as a warrior but as a sorcerer king once again in league with the ancient gods of Melniboné, the Chaos Lords, and thus sealing his inexorable fate.

In the ancient city of Lankhmar, two men forge a friendship in battle. The red-haired barbarian Fafhrd left the snowy reaches of Nehwon looking for a new life, while the Gray Mouser, apprentice magician, fled after finding his master dead. These bawdy brothers-in-arms cement a friendship that leads them through the wilds of Nehwon facing thieves, wizards, princesses, and the depths of their desires and fears.

It is said that Lord Dunsany wrote his stories with a handmade quill in a single draft, and The King of Elfland’s Daughter is widely regarded as one of his greatest works. A fantasy classic which has influenced some of the most popular fantasy writers of all time, including J. R. R. Tolkien and Neil Gaiman, and one of the landmark pre-Tolkien fantasy stories written. It is noteworthy not only for its poetic literature and picturesque imagery, but also its exploration of Elfland, a land of fancy, immortality, and forbidden love.

A pioneer in the realm of imaginative literature, Lord Dunsany has gained a cult following for his influence on modern fantasy literature, including such authors as J. R. R. Tolkien and H. P. Lovecraft. This unique collection of short stories ranges over five decades of work.

For graduate student Jeremy Freirs, citified, cynical, yet prone to daydreams, summer is the time to shed a few pounds and finally get some reading done for a course on Gothic literature. He's picked just the right place: the small, secluded village of Gilead, New Jersey, only 90 minutes from Manhattan but, with its antique customs and clannish traditions, seemingly centuries away. For farmers Sarr and Deborah Poroth, young members of Gilead's fundamentalist community, the summer threatens a conflict between their passionate natures and the stern dictates of their faith.

Long ago when the Earth was flat, beautiful, indifferent Gods lived in the airy Upperearth realm above; curious, passionate demons lived in the exotic Underearth realm below; and mortals were relegated to exist in the middle. Azhrarn, Lord of the Demons and the Darkness, was the one who ruled the night, and many mortal lives were changed because of his cruel whimsy. And yet, Azhrarn held inside his demon heart a profound mystery which would change the very fabric of the Flat Earth forever.

Thomas Ligotti’s debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels.

J.R.R. Tolkien famously described the Second Age of Middle-earth as a ‘dark age, and not very much of its history is (or need be) told’. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron.