The first ever publication of a long-lost episode of Hancock's Half Hour, featuring Peter Sellers - plus bonus material. Legendary sitcom Hancock's Half Hour ran for 102 episodes on BBC Radio between 1954 and 1959. Over 20 shows were subsequently lost - but now one of the funniest and most sought-after, 'The Marriage Bureau', has been rediscovered. The penultimate episode of Series 1, it features a unique appearance from Peter Sellers, standing in for Kenneth Williams. Available for the first time since its original broadcast in 1955, it sees Hancock looking for a job - and a wife...

The fourth series of the legendary BBC Radio comedy series starring Tony Hancock. Created by Ray Galton and Alan Simpson in 1954, Hancock's Half Hour was the radio vehicle that made Tony Hancock a household name. Each week listeners would be admitted to the sometimes fantastical, sometimes mundane life of "the lad 'imself". Aided and abetted by Sid James, Bill Kerr Kenneth Williams and Hattie Jacques, Hancock would enter into the spirit of each episode with characteristic dolefulness.

The complete fifth series of the legendary BBC Radio comedy series starring Tony Hancock. Created by Ray Galton and Alan Simpson in 1954, Hancock's Half Hour was the radio vehicle that made Tony Hancock a household name. Each week listeners would be admitted to the sometimes fantastical, sometimes mundane life of 'the lad 'imself'. Aided and abetted by Sid James, Bill Kerr, Kenneth Williams and Hattie Jacques, Hancock would enter into the spirit of each episode with characteristic dolefulness.

Tony Hancock stars with Sid James and Kenneth Williams in the legendary BBC Radio comedy series. Created by Ray Galton and Alan Simpson in 1954, Hancock’s Half Hour was the radio vehicle that made Tony Hancock a household name. Each week listeners would be admitted to the sometimes fantastical, sometimes mundane life of “the lad 'imself”.

Tony Hancock stars with Sid James and Kenneth Williams in the legendary BBC Radio comedy series. Created by Ray Galton and Alan Simpson in 1954, Hancock’s Half Hour was the radio vehicle that made Tony Hancock a household name. Each week listeners would be admitted to the sometimes fantastical, sometimes mundane life of “the lad ‘imself”. Aided and abetted by Sid James, Andrée Melly, Bill Kerr, and Kenneth Williams, Hancock would enter into the spirit of each episode with characteristic dolefulness.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).