Professor Michael D.C. Drout of Wheaton College immerses listeners in the extraordinary legacy of Viking civilization, which developed in what is now Scandinavia during the early Middle Ages. During the course of these lectures, Professor Drout explores how these peoples conquered all of Northern Europe, traveled as far as Byzantium in the East and North America in the West, and left a literary legacy that includes numerous works studied and enjoyed to this day.

The Middle Ages is not only a period of Romance, but of legends, tales, and mysteries. In this course, Professor Thomas F. Madden guides listeners through the most famous and enduring narratives of medieval Europe. Beginning with King Arthur, Professor Madden peels back layers of exaggeration and fiction to lay bare the historical basis for the mythical king.

In How to Think: The Liberal Arts and Their Enduring Value, Professor Michael D. C. Drout gives an impassioned defense and celebration of the value of the liberal arts. Charting the evolution of the liberal arts from their roots in the educational system of Ancient Rome through the Middle Ages and to the present day, Drout shows how the liberal arts have consistently been "the tools to rule", essential to the education of the leaders of society. Offering a reasoned defense of their continuing value, Drout also provides suggestions for improving the state of the liberal arts in contemporary society.

Had the Angles and Saxons not purposefully migrated to the isles of the Britons and brought with them their already-well-developed use of language, Angelina Jolie may never have appeared in the movie Beowulf. Professor Michael D.C. Drout is at his best when lecturing on the fascinating history, language, and societal adaptations of the Anglo-Saxons.

In this course, the roots of fantasy and the works that have defined the genre are examined. Incisive analysis and a deft assessment of what makes these works so very special provides a deeper insight into beloved works and a better understanding of why fantasy is such a pervasive force in modern culture.

The best science fiction asks essential questions: What does it mean to be human? Are we alone in the universe, and what does it mean if we're not? Esteemed professor Michael D. C. Drout traces the history of science fiction in this series of stimulating lectures. From Mary Shelley's Frankenstein to today's cutting- edge authors, Drout offers a compelling analysis of the genre, including a look at the golden age of science fiction, New Wave writers, and contemporary trends in the field.

The works of J.R.R. Tolkien are quite possibly the most widely read pieces of literature written in the 20th century. But as Professor Michael Drout illuminates in this engaging course of lectures, Tolkien's writings are built upon a centuries-old literary tradition that developed in Europe and is quite uniquely Western in its outlook and style. Drout explores how that tradition still resonates with us to this day, even if many Modernist critics would argue otherwise. He begins the course with the allegory of a tower....

Esteemed professor Michael D. C. Drout brings his expertise in literary studies to the subject of rhetoric. From history-altering political speeches to friendly debates at cocktail parties, rhetoric holds the power to change opinions, spark new thoughts, and ultimately change the world.

Professor Michael D.C. Drout of Wheaton College immerses listeners in the extraordinary legacy of Viking civilization, which developed in what is now Scandinavia during the early Middle Ages. During the course of these lectures, Professor Drout explores how these peoples conquered all of Northern Europe, traveled as far as Byzantium in the East and North America in the West, and left a literary legacy that includes numerous works studied and enjoyed to this day.

Few writers are more often read, and better loved, than Charles Dickens and Samuel Langhorne Clemens - Mark Twain. Many of the characters populating their novels have become household words, cultural landmarks in their own right - Tom Sawyer and Huckleberry Finn, David Copperfield and Oliver Twist. It is as if we have known them life-long. In this course we take a look at the lives and works of both authors.

Since others judge you by the way you speak, the intricacies of grammar, in fact, should not be relegated to the realm of fussy "guardians of the language," but are rather essential clues all can employ to communicate more exactly. In such a light, this course forms an invaluable guide for everyone from all fields of interest.

In this course we'll explore how Walt Whitman broke with the tyranny of European literary forms to establish a broad, new voice for American poetry. By throwing aside the stolid conventions and clichéd meters of old Europe, Walt Whitman produced a vital, compelling form of verse, one expressive of the nature of his new world and its undiscovered countries, both physical and spiritual, intimate and gloriously public.

Shakespeare's seven great tragedies contain unmistakable elements that set them apart from any other plays ever written. In Romeo and Juliet, Shakespeare embodied in the character of Juliet the world's most impressive representation ever of a woman in love. With Julius Caesar, the great playwright produced a drama of astonishing and perpetual relevance.

Kenyon College professor Dr. Timothy B. Shutt examines Dante's greatest work, The Divine Comedy, both in terms of its autobiographical elements and its allegorical meaning for the human race.

A greater emphasis on situations than characters (this numbs the audience's connection to the characters, so that when characters experience misfortune, the audience still finds it laughable) A struggle of young lovers to overcome difficulty, often presented by elders Separation and re-unification Deception among characters (especially mistaken identity) A clever servant Disputes between characters, often within a family Multiple, intertwining plots. Use of all styles of comedy (slapstick, puns, dry humour, earthy humour, witty banter, practical jokes) Pastoral element (courtly people living an idealized, rural life), originally an element of Pastoral Romance, exploited by Shakespeare for his comic plots and often parodied therein for humorous effects Happy Ending.