With the help of old associates Chief Inspector Jellicoe, the newly promoted Detective Inspector Wellbeloved, and Rufus Watts, Kit and Mary soon find themselves in the middle of a race against time before the murderer strikes again in a case where revenge is the motive and everyone is putting on an act. After the Indiana Jones-like adventure in The Tangier Tajine, Kit and Mary Aston return to a more traditional murder mystery set in the world of post-war variety theatre just before the arrival of moving pictures and radio sounded the death knell to this wonderful realm of entertainment.

December 1927. Mystery-writer Marius Quin has one previous bestseller, endless looming mortgage payments, and no idea how to write his next book. When his childhood friend Lady Isabella Montague invites him to an intimate New Year’s Eve party hosted by a narcissistic actor, Marius seizes upon the distraction. With his perpetually glum Basset hound along for the ride, he navigates the snowy lanes to the opulent estate of Everham Hall. As the celebrations begin, fireworks light up the sky, champagne corks pop, and then the host is murdered…

England, 1925. After years shut away from the world, former detective Lord Edgington of Cranley Hall plans a grand ball to celebrate his seventy-fifth birthday. But when someone starts bumping off members of his scheming family, the old man enlists his teenage grandson to help find the killer, before one of them is next.

June 1933. Independent, young Kitty Underhay has been left in charge of her family’s hotel, The Dolphin, on the tranquil English coast. But when several rooms are broken into and searched, including Kitty’s own, she quickly realizes that something out of the ordinary is afoot at the hotel. Soon, rumors are flying in the cozy town that someone is on the hunt for a stolen ruby. A ruby that Kitty’s mother may well have possessed when she herself went missing during the Great War.

In 1920s England, private detective Henry Fleming is visiting his friend, retired author Lily Riley, in the quintessentially English village of Fulbridge. Tragedy strikes when a resident is murdered, stabbed through the heart, in the historic local church. When an inexperienced Scotland Yard detective arrives to investigate the case, Lily is accused of the terrible crime. With no sign of a murder weapon, and no obvious motive, Fleming realises it will fall to him to prove his friend's innocence and solve the baffling case.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.