Brendan Foley has worked to balance the responsibilities of a demanding job and a troublesome family. He’s managed to keep these two worlds separate, until the discovery of a mass grave sends them into a headlong collision. When one of the dead turns out to be a familiar face, he’s taken off the case. Iona Madison keeps everything under control. She works hard as a detective sergeant and trains harder as a boxer. But when her superior, DI Foley, is removed from the case, her certainties are tested like never before.

No witnesses, no clues, no dead body. Josy, the twelve-year-old daughter of the well-known psychiatrist Viktor Larenz, disappears under mysterious circumstances. Her fate remains unsolved. Two years later, the grieving Viktor has retreated to a remote vacation home. But a beautiful stranger tracks him down there. She is tormented by delusions. In them, a little girl keeps appearing to her, who disappears without a trace just as Josy once did. Viktor begins therapy, which increasingly becomes a dramatic interrogation.

Con man Milan Berg has a photographic memory. But he’s hiding a secret: He can’t read. Unable to interpret the world around him, Milan finds increasingly crafty ways to navigate it. That is, until he comes across a car in traffic with a girl in the back seat. She desperately holds a written note up to the window, but what does it say? Fearing the girl is in mortal danger, Milan determines to search for her. As he follows a series of clues, each darker and scarier than the next, he’s thrust into a nightmarish odyssey with a deepening, disturbing progression: The clues are tied to his past.

Emma is the one that got away. The only survivor of a serial killer known in the tabloids as “The Hairdresser”, because of the trophies he takes from his victims. The police aren't convinced. Nor is her husband. She never actually saw her tormentor properly, but now she recognizes him in every man she sees. Haunted by the horrifying incident and unwanted notoriety, Emma gives up her job as a psychiatrist and retreats from the outside world to recuperate at home, where it’s quiet. Where she can be anonymous and safe. Where no one can hurt her.

Presley Carter is a bright, hungry young defense attorney plying her trade in the areas in and around Nashville. Though she’s haunted by a horrifying event from her past, she’s achieved local renown as a savvy, resourceful lawyer adept at handling–and winning–tough cases. After being approached to file a clemency petition by a father whose son committed a gruesome double-murder, Presley reluctantly agrees to file the document, knowing full well the request has no chance of being granted. Then she receives a phone call informing her the convict’s release has been approved.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.