The Oresteia
Agamemnon, The Libation Bearers and The Furies
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Narrated by:
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Lesley Sharp
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Hugo Speer
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Will Howard
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Joanne Froggatt
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full cast
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Niamh Cusack
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By:
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Aeschylus
About this listen
The classic trilogy about murder, revenge and justice, as heard on BBC Radio 3 – plus a bonus documentary exploring Aeschylus's seminal Greek tragedy
A chilling tale of homecoming, violent death and bloody vengeance, The Oresteia dates back to the 5th Century BC, but its themes still resonate today. At once a family saga, morality tale and courtroom drama, it recounts how two generations of the cursed House of Atreus become locked into a deadly cycle of atrocities. To break the chain, their private vendetta must become public, as questions of guilt and justification are decided in the first ever homicide trial…
Agamemnon
The Trojan War is over, and conquering hero Agamemnon arrives home to Argos. But victory came at an appalling price – the sacrifice of his eldest daughter, Iphigenia. Now, his wife Clytemnestra is determined to take a grisly revenge …
The Libation Bearers
Returning from exile, Agamemnon's son Orestes vows to avenge his father’s death by murdering his killer, his own mother Clytemnestra. But where can he find the strength to carry out such a horrific deed?
The Furies
Having committed matricide, Orestes flees to Delphi. But the remorseless Furies, ancient deities of vengeance, are on his trail and baying for blood. Can the young gods Apollo and Athena save him from a terrible fate?Adapted by three of Britain’s most imaginative writers, Simon Scardifield, Ed Hime and Rebecca Lenkiewicz, these contemporary versions of Aeschylus’s trilogy are atmospheric, fast-moving and superbly accessible. The star casts include Lesley Sharp as Clytemnestra, Hugo Speer as Agamemnon and Will Howard as Orestes.
Each of the plays is introduced by Edith Hall, Professor of Classics at Kings College London.
Also featured is an episode of In Our Time, in which Melvyn Bragg and guests discuss how The Oresteia has fired the modern imagination, inspiring artists ranging from Richard Wagner to T. S. Eliot.
Written by Aeschylus
Agamemnon
The Chorus – Arthur Hughes, Philip Jackson and Carolyn Pickles
Clytemnestra – Lesley Sharp
Agamemnon – Hugo Speer
Cassandra – Anamaria Marinca
Calchas – Karl Johnson
Aegisthus – Sean Murray
Iphigenia – Georgie Fuller
Herald – John Norton
Guards – Steve Toussaint and Harry Jardine
Adapted by Simon Scardifield
Directed by Sasha Yevtushenko
BBC Concert Orchestra Percussionists: Alasdair Malloy, Stephen Webberley and Stephen Whibley
Singer: Adriana Festeu
Sound design by Colin Guthrie
First broadcast BBC Radio 3, 12 January 2014
The Libation Bearers
Orestes – Will Howard
Electra – Joanne Froggatt
Clytemnestra – Lesley Sharp
The Chorus – Sheila Reid, Amanda Lawrence and Carys Eleri
Aegisthus – Sean Murray
Cilissa – Carolyn Pickles
Pylades – Joel MacCormack
Servants – David Seddon and John Norton
Iphigenia – Georgie Fuller
Adapted by Ed Hime
Directed by Marc Beeby
BBC Concert Orchestra Percussionists: Alasdair Malloy, Stephen Webberley and Stephen Whibley
Singer: Adriana Festeu
Sound design by Cal Knightley and Colin Guthrie
First broadcast BBC Radio 3, 19 January 2014
The Furies
Narrator – Niamh Cusack
Alecto – Polly Hemingway
Megaera – Maureen Beattie
Tisiphone – Carolyn Pickles
Orestes – Will Howard
Athena – Chipo Chung
Apollo – Joel MacCormack
Clytemnestra – Lesley Sharp
The Pythia – Priyanga Burford
Girl – Carys Eleri
Judge – Sean Murray
Adapted by Rebecca Lenkiewicz
Directed by Sasha Yevtushenko
BBC Concert Orchestra Percussionists: Alasdair Malloy, Stephen Webberley and Stephen Whibley
Sound design by Colin Guthrie
First broadcast BBC Radio 3, 26 January 2014
In Our Time
Presented by Melyvn Bragg
With Edith Hall, then Professor of Greek Cultural History at Durham University; Simon Goldhill, Professor of Greek at the University of Cambridge; Tom Healy, Professor of Renaissance Studies at Birkbeck College, University of London
Produced by Charlie Taylor
First broadcast BBC Radio 4, 29 December 2005
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Unbelievable
- By Anonymous User on 11-06-20
By: John Milton
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The Scarlet Plague [Classic Tales Edition]
- By: Jack London
- Narrated by: B.J. Harrison
- Length: 2 hrs and 18 mins
- Unabridged
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Twelve billionaires rule the United States, while those called freemen are forced to serve the rich. But that was 60 years ago, before the Scarlet Plague. In this post-apocalyptic novella, a ragged and tattered old man tells his progeny of what life was like before The Scarlet Plague appeared - and wiped out civilization as they knew it.
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wonderful listen very relevant today!
- By Johnny on 12-02-17
By: Jack London
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Paradise Lost & Paradise Regained
- By: John Milton
- Narrated by: Charlton Griffin
- Length: 16 hrs and 9 mins
- Unabridged
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Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.
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SELL YOUR SHIRT FOR THIS AUDIO BOOK!
- By thomas on 04-23-11
By: John Milton
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Idylls of the King
- By: Alfred Tennyson
- Narrated by: Charlton Griffin
- Length: 12 hrs and 31 mins
- Unabridged
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The Arthurian legend of Camelot has been told many times, but never better than by Alfred Tennyson. Employing some of the most stirring and beautiful blank verse ever written, Tennyson crafted his version of the Knights of the Round Table over the course of nearly fifty years, completing it in 1885. Despite the length of time, Tennyson managed to maintain a high level of style and continuity throughout.
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Beautiful poetry
- By Roger on 01-15-08
By: Alfred Tennyson
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The Divine Comedy
- By: Dante Alighieri, Henry Wadsworth Longfellow - translator
- Narrated by: Charlton Griffin
- Length: 17 hrs and 3 mins
- Unabridged
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Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.
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Not for listening.
- By Larry on 03-13-11
By: Dante Alighieri, and others
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The Aeneid
- By: Virgil
- Narrated by: Charlton Griffin
- Length: 15 hrs and 36 mins
- Unabridged
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The Aeneid represents one of the greatest cultural and artistic achievements of Western Civilization. Within the brooding and melancholy atmosphere of Virgil's pious masterpiece lies the mythic story of Aeneas and his flight from burning Troy, taking with him across the Mediterranean the survivors of the Greek onslaught. Aeneas, after many travails and adventures, including a love affair with Dido Queen of Carthage and a visit to the underworld to see his father, ends up in Italy.
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An epic in every sense of the word
- By James on 01-06-05
By: Virgil
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Beowulf
- By: Robert K. Gordon, translator
- Narrated by: Robertson Dean
- Length: 2 hrs and 46 mins
- Unabridged
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Beowulf is considered the finest heroic poem in Old English. It celebrates the character and exploits of Beowulf, a young nobleman and warrior, as he proves his superhuman strength and endurance. He also represents the ideal lord and vassal, rewarding his men generously and accomplishing glorious deeds to honor his king.
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Translator Preferred
- By JerryT on 05-10-05
By: Robert K. Gordon, and others
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Macbeth
- By: William Shakespeare
- Narrated by: Stephen Dillane, Fiona Shaw, full cast
- Length: 2 hrs and 20 mins
- Unabridged
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By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.
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Fire burn and cauldron bubble - an excellent stew
- By Marius on 04-06-04
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The Song of Roland
- By: Unknown
- Narrated by: A Full Cast
- Length: 2 hrs and 56 mins
- Unabridged
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Since his youth, living in poverty in a cave in Italy, Roland's mother has taught him that someday he will be a brave hero like his father, Milon, and serve with the great army of Charlemagne. He learns from her that he is descended from great heroes of old and that his mother is Charlemagne's sister, the Princess Bertha.
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Surprisingly Excellent!
- By Paul on 06-14-11
By: Unknown
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Lear
- The Great Image of Authority
- By: Harold Bloom
- Narrated by: Simon Vance
- Length: 3 hrs and 28 mins
- Unabridged
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King Lear is perhaps the most poignant character in literature. The aged, abused monarch is at once the consummate figure of authority and the classic example of the fall from majesty. He is widely agreed to be William Shakespeare's most moving, tragic hero. Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character.
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Bloom being Bloom
- By C. Yuen on 10-05-23
By: Harold Bloom
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Jason and the Golden Fleece
- The Argonautica
- By: Apollonius of Rhodes, R. C. Seaton - translator, Nicolas Soames - translator
- Narrated by: Jonathan Keeble
- Length: 6 hrs and 17 mins
- Unabridged
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Jason and the Golden Fleece is one of the finest tales of Ancient Greece, an epic journey of adventure and trial standing beside similar stories of Perseus, Theseus and the Labours of Heracles. The finest classic account comes from Apollonius of Rhodes, the Greek poet of the 3rd century BCE and librarian at Alexandria. Though less well-known than Homer's Iliad and Odyssey, and much shorter, it is an epic poem which is both exciting and moving, with remarkably vivid portraits of the main characters, Jason and Medea.
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Varied but unemotional
- By Tad Davis on 04-25-19
By: Apollonius of Rhodes, and others
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Beowulf: The New Translation
- By: Gerald J. Davis
- Narrated by: John Hanks
- Length: 3 hrs and 12 mins
- Unabridged
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The origins, history and authorship of Beowulf are shrouded in uncertainty. This heroic epic probably began, as most do, with a wandering troubadour strumming a stringed instrument, sitting before a hearth-fire, and singing the verses to a spellbound audience arrayed before him. Beowulf is a rousing adventure story, filled with intrepid heroes, monsters and fire-breathing dragons, which can be listened to for the sheer enjoyment of the tale.
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Hard to follow as audio
- By CSterle on 10-14-14
By: Gerald J. Davis
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The Iliad
- By: Homer
- Narrated by: David McCallion
- Length: 17 hrs and 52 mins
- Unabridged
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Most of the great Greek stories and epic tales are initiated over women, which is exactly what happens in the very beginning of The Iliad by Homer. The Trojan War has been waging for nearly a decade, and really erupted when Helen, the wife to Menelaos, was kidnapped and thus launched the "thousand ships" in pursuit of her. This is the reason that the Achaians and the Trojans have been fighting each other for so long. Achilles, who has become hero to the Greeks, is given the present of a slave girl for his excellence in battle.
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The Iliad
- By Barry on 10-08-17
By: Homer
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Bulfinch’s Mythology
- The Age of Fable, or Stories of Gods and Heroes
- By: Thomas Bulfinch
- Narrated by: Jonathan Cowley
- Length: 13 hrs and 52 mins
- Unabridged
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First published in three separate volumes from 1855 to 1863, Bulfinch's Mythology quickly became the standard source of classic tales from ancient Greece and Rome, the Norse tradition, and beyond. This edition contains the full text of The Age of Fable, or Stories of Gods and Heroes, the first volume of Bulfinch's seminal work. From stories of the Greek gods of Mt. Olympus to retellings of the Iliad and the Odyssey, from descriptions of mythological monsters to tales of Hindu and Egyptian deities, Bulfinch's versions of these classic stories bring their characters to life.
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new stories, and covers alot.
- By Felisa Kay on 03-28-17
By: Thomas Bulfinch
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In The Oresteia, Aeschylus dramatizes the myth of the curse on the royal house of Argos. The action begins when King Agamemnon returns victorious from the Trojan War, only to be treacherously slain by his own wife. It ends with the trial of their son, Orestes, who slew his mother to avenge her treachery - a trial with the goddess Athena as judge, the god Apollo as defense attorney, and, as prosecutors, relentless avenging demons called The Furies.
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Medea
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Medea is an ancient Greek tragedy written by Euripides, based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the actions of Medea, a former princess of the "barbarian" kingdom of Colchis, and the wife of Jason; she finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by murdering Jason's new wife as well as her own children, after which she escapes to Athens to start a new life.
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Great Narrator makes this story work
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The Oresteia Trilogy
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The Oresteia is a tragedy in three parts written by Aeschylus in the fifth century BCE. After a decade of warfare, Troy had fallen and Agamemnon, King of Mycenae, returned home. His wife, Queen Clytemnestra, had him killed to avenge the sacrifice of her daughter Iphigenia, to obtain the crown and to marry her lover Aegisthus. This murder leads to further bloodshed when their son Orestes in turn kills Clytemnestra and Aegisthus. The trilogy consists of Agamemnon, The Libation Bearers, and The Eumenides.
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Pretty Basic Narration
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Agamemnon
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Agamemnon is the first part of the Oresteia trilogy by the Greek playwright Aeschylus. Each of the plays that form part of The Oresteia can stand alone, but they perfectly complement one other in a longer narrative. Agamemnon provides the seed of all the themes that are explored in part two, The Libation Bearers, and three, The Eumenides.
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Agamemnon: A Riveting Tale of Betrayal, Revenge, and Divine Justice
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By: Aeschylus
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Prometheus Bound
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When a jealous Zeus discovers that the compassionate Titan, Prometheus, has introduced the gift of fire to liberate mere mortals from oppression and servitude, he has Prometheus bound to a rocky prison in the Scythian desert, where the god discloses the reason for his punishment.
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A one-man show
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Great production, Ian Johnston translation
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Sophocles’ Greek Tragedies: A BBC Radio Drama Collection
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Pretty Basic Narration
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Agamemnon
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Agamemnon: A Riveting Tale of Betrayal, Revenge, and Divine Justice
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10 Masterpieces of Ancient Greek Literature
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The earliest surviving works of ancient Greek literature, dating back to the early Archaic period, are the two epic poems the Iliad and the Odyssey. These two epics, along with the Homeric Hymns and the two poems of Hesiod, Theogony and Works and Days, comprised the major foundations of the Greek literary tradition that would continue into the Classical, Hellenistic, and Roman periods. This carefully selected collection contains: The Odyssey ; The Works and Days ; Theogony ; The Complete Poems of Sappho ; Medea ; Antigone ; Agamemnon ; The Choephori ; Eumenides.
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The Iliad of Homer
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For thousands of years, Homer's ancient epic poem the
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Vandiver never disappoints
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The Oedipus Plays (AmazonClassics Edition)
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Inspired by the mythic house of Thebes, Sophocles’s defining Greek tragedies follow the fates that befall three doomed generations.
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Classic Play, mediocre performance
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By: Sophocles, and others
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Oedipus the King
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In Sophocles' tragedy, Oedipus discovers that he has been caught in his terrible destiny, unknowingly murdering his father and marrying his mother.
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Superb
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By: Sophocles
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Eumenides
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The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother.
By: Aeschylus
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Blood, gore, thrills, chills, and romance abound in these plays by three of the great Greek authors. Included are "Medea" by Euripides; "Antigone" by Sophocles; and "Agamemnon" by Aeschylus.
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Two Minor Complaints
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The Aeneid
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The publication of a new translation by Fagles is a literary event. His translations of both the Iliad and Odyssey have sold hundreds of thousands of copies and have become the standard translations of our era. Now, with this stunning modern verse translation, Fagles has reintroduced Virgil's Aeneid to a whole new generation, and completed the classical triptych at the heart of Western civilization.
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Good but the chapters aren't IN ORDER
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By: Virgil
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Antigone
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Antigone, daughter of Jocasta and Oedipus, faces great challenges when she must arrange a formal burial for her brother, Polynices. This rendition of Antigone by Sophocles is of the highest-caliber audio. It's completely unabridged. Enjoy the classic story of Antigone narrated to perfection.
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classic humor of suicide and murder
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By: Sophocles
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The Plays of Sophocles
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Sophocles was born at Colonus, near Athens in about 496 BC and is considered to be one of the premier playwrights of Greek tragedy. His stories may have been filled with strife, but Sophocles himself was prosperous and came from a good family. It is said that he was handsome, wealthy, and a highly respected citizen of Athens. During his life, he wrote over 120 plays and was instrumental in how plays would eventually be performed, including the addition of stage props.
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Bad Dialogue
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By: Sophocles
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The Histories
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Herodotus was a Greek historian born in Halicarnassus, subject at the time of the great Persian Empire. He lived in the fifth century BC (c. 484 - c. 425 BC), a contemporary of Socrates. He is often referred to as "The Father of History", a title originally conferred by Cicero. Herodotus was the first historian known to have broken from Homeric tradition in order to treat historical subjects as a method of investigation, specifically by collecting his materials in a critical, systematic fashion and then arranging them into a chronological narrative.
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Popular for a reason
- By Reader on 11-17-18
By: Herodotus, and others
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Eugene O’Neill: A BBC Radio Drama Collection
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- By: Eugene O'Neill
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- Original Recording
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Eugene O'Neill’s revolutionary 20th century dramas changed the direction of American theatre, introducing European realism and experimental techniques to the US stage. He wrote more than 50 plays, portraying characters on the margins of society and tackling controversial issues, winning a Nobel Prize, and four Pulitzer Prizes.
By: Eugene O'Neill
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The Socratic Dialogues Early Period, Volume 2
- Gorgias, Protagoras, Meno, Euthydemus, Lesser Hippias, Greater Hippias
- By: Plato, Benjamin Jowett - translator
- Narrated by: David Rintoul, full cast
- Length: 10 hrs and 9 mins
- Unabridged
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Here, in this second collection of Socratic Dialogues from Plato's Early Period, read by David Rintoul as Socrates with a full cast, are contrasting six works. Often, as with Gorgias, which opens the recording, Socrates combats the popular subjects of sophistry and rhetoric, in direct conversation with Gorgias (a leading sophist teacher), and with one of his pupils, Callicles.
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Plato was woke af & David R sounded straight fire
- By shahrukh on 05-14-18
By: Plato, and others
What listeners say about The Oresteia
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Dirk
- 12-08-23
Arrogant "Improvement" of Aeschylus
This erased one of the great openings in the history of theater. But this production eliminated it. The arrogance is astonishing. This isn't Aeschylus, it's just the BBC.
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- Tobias
- 12-03-20
absolutely beautiful
I could listen again and again, I felt as though I was listening to the original performance in an athenian aptheater.
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- Bozo
- 12-13-21
very good
a wonderful adaptation with an explanatory introduction and symposium postscript. Highly recommended as an introduction to Aeschylus.
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- Meghan Cox Gurdon
- 10-14-21
Wonderful plays, distracting accents
This is well worth a listen, but the thick northern English and Northern Irish accents sometimes seem almost comical in the context of antiquity. Stay for the conversation at the very end with Melvyn Bragg – it adds a lot to the experience.
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- purplecrayon88
- 03-12-21
Three adaptations, three writers
In case you missed it in the description, this is not Aeschylus’ text. The plays are three adaptations by three different writers. Agamemnon is quite good, Libation Bearers is pretty good, Eumenides is not so good. But overall, it is worth the credit.
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7 people found this helpful
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- Fifth Generation Texan
- 06-14-22
Made me think of your work about blood revenge
Polly,
This remarkable play left me thinking of your work and ideas about restorative justice and ending cycles of violence
Love
,Sarah
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Overall
- Heidi
- 10-10-22
You SHOULD be ashamed
You destroyed the prose
because you don't understand it
You dramatize profundity
This is nothing like the text
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