Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Nathan Tyler is an unassuming professor at a middling American university with a rather obscure specialty in mathematics—in short, a nobody from nowhere. So why is the White House calling? Summoned to Washington, DC, for a top-secret briefing, Nathan discovers that he’s the key to a massive foreign intelligence breakthrough. Reading between the lines of a cryptic series of equations, he could open a door straight into the heart of the Kremlin and change the global balance of power forever.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

We were always The Four. From our very first day at High Realms. The four scholarship pupils. Outsiders in a world of power and privilege. And, according to everyone else, we were dangerous. It would have made our lives a lot easier if Marta had simply pushed our prefect Genevieve out of our bedroom window that day. Certainly, it would have been tragic. She would have died instantly. But Marta didn’t push her then, or–if you choose to believe me–at any other time. If she had, all of what we went through would not have happened.

When a construction crew unearths the body of a young girl near the McCulloughs’ vacation home on Orcas Island, Hannah has no choice but to confront her past. She wonders how much Allan knows about the victim and the apocalyptic cult she was connected to. Meanwhile, Allan can’t seem to understand why his beautiful young bride, as polished and pristine as the collectible artifacts in his glass case, would threaten their fairy-tale lifestyle by digging too deep in places she knows she shouldn’t.

Julie’s mother Kate is a force of nature–a glamorous woman of seventy, a self-made real estate developer, a grande dame in Florida society, and a power broker in Florida politics. It wasn’t easy for Julie to grow up in the shadow of such a dynamo, but she loves her mother, and she and her husband Eric are thrilled when Kate marries her long-lost high school sweetheart, a salt-of-the-earth man named Charlie. But their storybook romance ends abruptly.

Brooke wants. She isn’t in need, but there are things she wants. A sense of purpose, for instance. She wants to make a difference in the world, to impress her mother along the way, to spend time with friends and secure her independence. Her job assisting an octogenarian billionaire in his quest to give away a vast fortune could help her achieve many of these goals. It may inspire new desires as well: proximity to wealth turns out to be nothing less than transformative. What is money, really, but a kind of belief?

For two years Lucy and Sam renovated their beautiful Victorian home but spiraling debts are forcing them to sell. The agreement with their real estate agent is that they won’t be home for viewings, but when Lucy gets a voicemail saying the Agent is running late, she realizes she will have to show the prospective buyer around herself. Suffering from extreme anxiety and claustrophobia, Lucy watches the stranger on their doorstep waiting to be let in.

Roman Grady is the sole reporter for the local newspaper in a tiny Hudson Valley town—a town so small that every store opening and DUI is considered newsworthy. But when Roman's longtime girlfriend, Ashley, the mother of his four-year-old son, is found dead, he realizes he had no idea what was really going on in her life. And when he starts asking questions, he’s not prepared for the answers.

When Karen Simmons is murdered on Valentine’s Day, Detective Elise King wonders if she was killed by a man she met online. Karen was all over the dating apps, leading some townspeople to blame her for her own death, while others band together to protest society’s violence against women. Into the divide comes Kiki Nunn, whose aggressive newsgathering once again antagonizes Elise.

Sol Reyes has had a rough year. After a series of workplace incidents at her university lab culminates in a plagiarism accusation, Sol is put on probation. Dutiful visits to her homophobic father aren’t helping her mental health, and she finds her nightly glass of wine becoming more of an all-day—and all-bottle—event. Her wife, Alice Song, is far more optimistic. After all, the two finally managed to buy a house in the beautiful gated community of Maneless Grove. However, the neighbors are a little too friendly in Sol’s opinion.

Cain Barrett, the wealthy owner of the nearby Grandview Hotel, has his eye on Jenny. He’ll help her any way he can, but Cain has problems of his own … A brutal murder at the Copper Star, entries in a dusty journal, and ghostly sightings at both hotels … is the connection a figment of Jenny’s imagination, or a threat to her life? And who is causing trouble for Cain? As they work together to solve the mystery, Cain vows not to let anything, or anyone—living or dead—stand between him and the woman he has come to love.

Ten years ago, June’s beloved husband drowned on their honeymoon, his body never found. Now, a decade later, June is finally ready to move on. She owns a natural wine bar in Brooklyn and is engaged to a patient, supportive man named Kyle. She’s excited to finally begin a new chapter in her life and start a family. But out of the blue, she sees him—Josh, her first husband. Is this just a hallucination from the guilt June carries about finally moving on, or is it possible that her husband never died in the first place?