In The Road, Jack London embraces the concepts of unconfined individualism and Darwinism through his autobiographical account of his time riding the rails of Canada and the United States. The author of White Fang, The Call of the Wild, and Sea Wolf, relays the time leading up to turning point in his life - a perfunctory trial and a 30-day imprisonment in the Erie County Penitentiary for the crime of vagrancy - an experience so degrading that he turned to a career in writing.

"He travels fastest who travels alone...but not after the frost has dropped below zero 50 degrees or more." (Yukon Code) Jack London’s best short story.

The Iron Heel by Jack London is a dystopian novel first published in 1908. The narrative is unusual in being a first-person narrative of a woman protagonist written by a man. Predicting future changes in society and politics, it chronicles the rise of an oligarchic tyranny in the United States. The main narrative covers the years 1912 - 1932, in which the Iron Heel oligarchy arose in the United States. Canada, Mexico, and Cuba formed their own oligarchies and were aligned with the U.S. while in Asia, Japan created an empire in Asia, and Europe became socialist.

John Barleycorn is an autobiographical work written by American author Jack London in 1913. Much of the book discusses alcholol and its influence on his life.

When Humphrey Van Weyden finds himself struggling in the freezing waters of San Francisco Bay, he thinks the worst that can happen to him is drowning. After he is rescued by the Ghost and its captain, Wolf Larson, Humphrey discovers that there are fates far worse than death. On Larsen's hell-ship, the dilettante hero is forced to slave as cabin boy and humble seaman. And over the seven months' voyage to the sealing grounds off Siberia, he engages in an epic duel with his ruthlessly Nietzschean skipper.

How did the Wendels, one of New York’s most famous Gilded Age families, disappear from history? The Wendels built a fortune from New York real estate, and rubbed shoulders with the Astors, Vanderbilts, and Stuyvesants. But as the 19th century came to an end, the Wendel family tore itself apart. Following six years of painstaking archival research, Claire Prentice has prised open the door of the Wendels’ Fifth Avenue mansion—dubbed “the house of mystery” by the press—to reveal a fascinating and dysfunctional family imprisoned in a gilded cage.

Martin Eden, Jack London’s semiautobiographical novel, is about a struggling young writer. It is considered by many to be the author’s most mature work. Personifying London’s own dreams of education and literary fame as a young man in San Francisco, Martin Eden’s impassioned but ultimately ineffective battle to overcome his bleak circumstances makes him one of the most memorable and poignant characters Jack London ever created.

Polly, Annie, Elizabeth, Catherine, and Mary-Jane are famous for the same thing, though they never met. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women. For more than a century, newspapers have been keen to tell us that "the Ripper" preyed on prostitutes. Not only is this untrue, as historian Hallie Rubenhold has discovered, but it has prevented the real stories of these fascinating women from being told.

In the latest volume of his celebrated series of Time Traveler's Guides, Ian Mortimer turns to what is arguably the most-loved period in British history—the Regency, or Georgian England. A time of exuberance, thrills, frills, and unchecked bad behavior, it was perhaps the last age of true freedom before the arrival of the stifling world of Victorian morality. At the same time, it was a period of transition. Conveying the sights, sounds, and smells of the Regency period, this is history at its most exciting—the past not as something to be studied, but as lived experience.

Imagine you could travel back to the 14th century. What would you see? What would you smell? More to the point, where are you going to stay? And what are you going to eat? Ian Mortimer shows us that the past is not just something to be studied; it is also something to be lived. He sets out to explain what life was like in the most immediate way, through taking you to the Middle Ages. The result is the most astonishing social history book you are ever likely to read: evolutionary in its concept, informative and entertaining in its detail.

What if you woke up one morning and found you’d acquired another self—a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you’d devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience—she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who.

With this exciting and historically rich six-lecture course, experience for yourself the drama of this dynamic year in medieval history, centered on the landmark Norman Conquest. Taking you from the shores of Scandinavia and France to the battlefields of the English countryside, these lectures will plunge you into a world of fierce Viking warriors, powerful noble families, politically charged marriages, tense succession crises, epic military invasions, and much more.

England's Tudor monarchs - Henry VII, Henry VIII, Edward VI, Mary I, and Elizabeth I - are perhaps the most celebrated and fascinating of all royal families in history. Their love affairs, their political triumphs, and their overturning of the religious order are the subject of countless works of popular scholarship. But for all we know about Henry's quest for male heirs or Elizabeth's purported virginity, the lives of the Tudor monarchs away from the public eye remain largely beyond our grasp, mostly not chronicled by previous historians.

State and Revolution (1917) describes the role of the state in society, the necessity of proletarian revolution, and the theoretic inadequacies of social democracy in achieving revolution. It describes the inherent nature of the state as a tool for class oppression, a creation born of one social class' desire to control all other social classes. Whether a dictatorship or a democracy, the state remains in the control of the ruling class.

Gordon Comstock loathes dull, middle-class respectability and worship of money. He gives up a 'good job' in advertising to work part-time in a bookshop, giving him more time to write. But he slides instead into a self-induced poverty that destroys his creativity and his spirit. Only Rosemary, ever-faithful Rosemary, has the strength to challenge his commitment to his chosen way of life.