Extreme characterizations, extreme scripts, extremely funny! The Phil Harris-Alice Faye Show set the pace for all-out comedy as the Golden Age of Radio moved into its latter days, with Jack Benny's wavy-haired bandleader, his long-suffering movie-star wife, and his no-account guitar-playing buddy caught up in outlandish predicaments every week. Aided and abetted by some of radio's outstanding character actors, Phil and Alice's adventures will always leave you laughing!

So Frankie Remley asked Phil Harrisand they'd soon find out, kicking off a memorable run of The Phil Harris-Alice Faye Show. The Rexall years marked the peak of the program's popularity, and the laughs come thick and fast! Join Phil, Alice, Elliott Lewis, Walter Tetley, Robert North, and the whole gang for the first 20 surviving episodes of the 1948-49 season.

Take one wife, calm and level headed. Add a pinch of sarcasm. Fold in one husband, suitably dense. Stir until fully blended. Sprinkle with wisecracking children, a goofy sidekick, a volcanic boss, and an annoying brother-in-law. Cook until half baked. Phil Harris, the swaggering, cocky cornball, is in top form. Alice Faye delights as the glamorous yet grounded retired movie star.

"Laugh a while...let a song be your style..." and enjoy radio's most outrageous comedy couple: Phil Harris and Alice Faye. They are off to a raucous start in these classic early episodes, co-starring Elliott Lewis as the unforgettable Frankie Remley! Stunts, gags, and over-the-top shenanigans are enabled by the diabolical delivery boy Julius Abbruzio (played by the delightful Walter Tetley). Cameo appearances are provided by Gale Gordon, Frank Nelson, Mel Blanc, and the dashing Robert Taylor.

Struggling to make his down-and-out orchestra plucky and profitable, Phil Harris conducts his zany sidekick, winsome wife, precocious kids, and grouchy grocery boy through a symphony of silliness. If you long for a series where the drinks are stiff and the whimsy is wicked, you've come to the right place!

Phil Harris was brash, egotistical, and charming as hell. Alice Faye was regarded by George Gershwin and Cole Porter as the best female singer in Hollywood. Together, they starred in one of the most uninhibited and funny comedy series on radio. Benefiting from the likeability of its stars, a wonderfully cast group of supporting players, and one of the most prolific and clever writing teams of the mid-20th century (Ray Singer and Dick Chevillat), The Phil Harris-Alice Faye Show is a complete delight. This collection features 20 digitally remastered programs.

The Phil Harris-Alice Faye Show was one of radio’s brightest lights; a hilarious situation comedy featuring a friendly sardonic and sarcastic edge that set it apart from its contemporaries. Featuring Phil Harris, fresh off plying his comedic and musical talents on The Jack Benny Program, and his movie star wife Alice Faye. The show also starred Elliott Lewis as the remarkable Frankie Remley - one of radio’s most unforgettable characters - a humorously irresponsible con-artist with an endless thirst for the good stuff.

In the realm of unforgettable radio voices, there is one that stands head and shoulders above all others - one distinctive voice that could never be convincingly duplicated, one that brought its owner undreamed of success. It was a voice of sandpaper and gravel and rusty scrap iron, rasping over a nation's loudspeakers for more than 30 years.

Jack Benny - he's your friend, my friend, and everyone's friend besides! He's always got his tried and true gang to pal around with, too, but that's not all! Throughout the 1940s and '50s, buddies from Burns & Allen to Bogie & Bacall came to play on his program. There were hilarious guest appearances by kings of comedy (Groucho Marx, Danny Kaye, and Red Skelton) and queens of the screen (Rita Hayworth, Barbara Stanwyck, and Dorothy Lamour).

Roll on the floor with laughter with comedy legends such as Abbott & Costello, George Burns & Gracie Allen, Ozzie and Harriet, Jack Benny, Bob & Ray and so many more in one collection.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).