Samson Agonistes, the 'dramatic poem' by John Milton, was published in 1671, three years before the poet's death. Written in the form of a Greek tragedy, with the Chorus commenting on the action, it follows the biblical story of the blind Samson as he wreaks his revenge on the Philistines who have imprisoned him. A powerful subject, with a personal resonance for the blind Milton, it is a perfect work for the medium of audiobook where poetry and drama can be balanced equally.

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny.

Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.

In Paradise Regained, Satan again is on the prowl, having successfully tempted Adam and Eve, and forced their departure from the Garden of Eden. Here he sets out to tempt again, this time Jesus himself, as he comes to the end of his 40 days in the desert. The magisterial poetry of Milton enriches the encounter and, while not matching the greatness achieved in Paradise Lost, provides drama and depth.

The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included on the recording are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age.

Gondolin, beautiful but undiscoverable, is central to the enmity of two of the greatest powers in the world. Morgoth of the uttermost evil seeks in vain to discover the marvellously hidden city of his Elven enemies, while the gods in Valinor refuse to support Ulmo Lord of Waters' designs to protect it. Into this world comes Tuor, cousin of Túrin, and guided unseen by Ulmo he sets out on the fearful journey to Gondolin to warn them of their coming doom.

"Evangeline: A Tale of Acadie" is an epic poem by the American poet Henry Wadsworth Longfellow, published in 1847. The poem follows an Acadian girl named Evangeline and her search for her lost love Gabriel, set during the time of the expulsion of the Acadians. The idea for the poem came from Longfellow's friend, Nathaniel Hawthorne. Longfellow used dactylic hexameter, imitated from Greek and Latin classics, though the choice was criticized.

"Elizabeth I of England is threatened by the survival of her Catholic cousin, Mary Stuart. Wrestling with her own conscience, the queen agonizes over Mary's fate, amidst fears for her own life. Court intrigue has never been more gripping than in this 'acute study in the art of double-dealing politics'.” (The New York Times)

A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.

Thus Spoke Zarathustra is one of the most extraordinary - and important - texts in Western philosophy. It was written by Friedrich Nietzsche between 1883 and 1885. He cast it in the form of a novel in the hope that his urgent message of the 'death of God' and the rise of the superman (Ubermensch) would have greater emotional as well as intellectual impact.

The Prose Edda and the Poetic Edda are our oldest written sources for Norse mythology. When it comes to the norse myths, they are the closest thing we have to listening these stories as the vikings actually told them, around those ancient campfires so long ago. It is my hope that you will enjoy this collection, and that the two books will work in tandem to broaden and deepen your appreciation for these epic and mystical stories, and the enigmatic culture that spawned them.

At the end of his life, William Blake (1757-1827) gave up hope of being widely understood, but the twentieth century brought to his work a new and intense interest and acclaim.

Faust by Johann Wolfgang von Goethe, is a poem, translated by Bayard Taylor, which tells the beautiful and emotional story of a man who has seen and done it all. However, despite all of his learning and education, his life still feels empty and unaccomplished. He believes wholeheartedly that there is something else out there. Faust, having exhausted all other fields of study, turns to magic for fulfillment. He summons the devil and makes a pact - that if the devil can show him something rewarding and fulfilling, he will give the devil his soul.

The Arthurian legend of Camelot has been told many times, but never better than by Alfred Tennyson. Employing some of the most stirring and beautiful blank verse ever written, Tennyson crafted his version of the Knights of the Round Table over the course of nearly fifty years, completing it in 1885. Despite the length of time, Tennyson managed to maintain a high level of style and continuity throughout.

A bird of good omen is murdered. A fickle crew is punished by supernatural, spectral beings. A skeletal ship is sighted moving against the wind and tide. The figure of Death along with a singular, gruesome companion man the fiendish craft. And as they draw closer, it becomes clear that the two play at dice for the soul of the ancient mariner. The result is nothing short of cataclysmic.