The Poetry of Lord Byron, Volume V: Childe Harold, Cantos I & II
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Narrated by:
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Robert Bethune
About this listen
This is the book that made Lord Byron (George Gordon) famous. He was a published and a known poet, but until this book took the English-speaking world by storm in 1812, he was not a famous poet.
He was, however, a celebrity. As an aristocrat whose personal life was considered shockingly scandalous - and even today would be good stuff for celebrity gossip magazines - his name was known. His previous work was received out of a mixture of literary merit and personal notoriety. This book directly capitalizes on that. Childe Harold narrates the experiences of a young nobleman, sated with the wine, women, and song of his native England, who goes forth in search of the wine, women, song, and adventure of Spain, Greece, and the Ottoman Empire.
The book is literally an armchair travelogue in rhyming couplets, quite unlike anything before or since. He expresses himself in vivid, forceful and emotional language on the landscapes, people, customs, and cultures he encounters, and shapes his experience into a deep study of that subject so favored by all the Romantic poets - himself.
This performance of the work is underscored at intervals with excerpts from the music of Byron's contemporary, John Field, often regarded as the inventor of the nocturne - a form of Romantic music very well suited to the romanticism of the poet and his work.
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- A Series of Tales and Sketches of the Moors and Spaniards
- By: Washington Irving
- Narrated by: Ralph Cosham
- Length: 8 hrs and 31 mins
- Unabridged
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Written in 1831, Irving's dreamlike description of the Alhambra, the beautiful Moorish castle that defined the height of Moorish civilization, and the surrounding territory of Granada remains one of the best guidebooks to the region and one of the most entertaining travelogues ever written.
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Wonderful Stories
- By William on 06-09-05
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Sappho
- A New Rendering
- By: Sappho, Henry de Vere Stacpoole - translator
- Narrated by: Leanne Yau
- Length: 39 mins
- Unabridged
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Sappho was a female poet who was well known in ancient Greece and Rome for her lyrical poetry. She was most famous for her poems involving women who loved women, and it is from her name that sapphic, a term referring to sexual relations between women, originated. This is a compendium of her surviving work, a collection of 54 fragments translated by Henry de Vere Stacpoole.
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This book is essentially all poetry.
- By AudioBookRomance on 08-09-17
By: Sappho, and others
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Mythology
- By: Edith Hamilton
- Narrated by: Suzanne Toren
- Length: 14 hrs and 34 mins
- Unabridged
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Since its original publication by Little, Brown and Company, in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the world and established itself as a perennial best-seller in its various available formats. Mythology succeeds like no other audiobook in bringing to life for the modern listener the Greek, Roman, and Norse myths and legends that are the keystone of Western culture - the stories of gods and heroes that have inspired human creativity from antiquity to the present.
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Good reading of classical myths
- By Kathi on 03-18-13
By: Edith Hamilton
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Sir Gawain and the Green Knight
- By: J. R. R. Tolkien
- Narrated by: Terry Jones
- Length: 4 hrs and 25 mins
- Unabridged
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A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.
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An absolute delight!
- By Shannon Slee on 07-15-18
By: J. R. R. Tolkien
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Leaves of Grass
- The Original 1855 Edition
- By: Walt Whitman, American Renaissance Books
- Narrated by: Sam Torode
- Length: 4 hrs and 40 mins
- Unabridged
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When Walt Whitman self-published "Leaves of Grass" in 1855, he rocked the literary world and forever changed the course of poetry. In subsequent editions, Whitman continued to revise and expand his poems - but none matched the raw power and immediacy of the first edition. This volume presents the 1855 "Leaves of Grass" in its entirety, unchanged, along with Ralph Waldo Emerson's famous letter to Whitman.
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A brilliant classic
- By M.Biblioswine on 12-02-18
By: Walt Whitman, and others
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Lear
- The Great Image of Authority
- By: Harold Bloom
- Narrated by: Simon Vance
- Length: 3 hrs and 28 mins
- Unabridged
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King Lear is perhaps the most poignant character in literature. The aged, abused monarch is at once the consummate figure of authority and the classic example of the fall from majesty. He is widely agreed to be William Shakespeare's most moving, tragic hero. Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character.
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Bloom being Bloom
- By C. Yuen on 10-05-23
By: Harold Bloom
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Medea
- By: Euripides
- Narrated by: Jonathan Waters
- Length: 1 hr and 28 mins
- Unabridged
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Medea is an ancient Greek tragedy written by Euripides, based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the actions of Medea, a former princess of the "barbarian" kingdom of Colchis, and the wife of Jason; she finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by murdering Jason's new wife as well as her own children, after which she escapes to Athens to start a new life.
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Great Narrator makes this story work
- By cosmitron on 08-02-18
By: Euripides
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The Aeneid
- By: Virgil
- Narrated by: Charlton Griffin
- Length: 15 hrs and 36 mins
- Unabridged
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The Aeneid represents one of the greatest cultural and artistic achievements of Western Civilization. Within the brooding and melancholy atmosphere of Virgil's pious masterpiece lies the mythic story of Aeneas and his flight from burning Troy, taking with him across the Mediterranean the survivors of the Greek onslaught. Aeneas, after many travails and adventures, including a love affair with Dido Queen of Carthage and a visit to the underworld to see his father, ends up in Italy.
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An epic in every sense of the word
- By James on 01-06-05
By: Virgil
What listeners say about The Poetry of Lord Byron, Volume V: Childe Harold, Cantos I & II
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Jabba
- 04-01-15
Byron by Bethune
Basically, I agree with Tim McGrath's insightful and incisive review of this title. While I don't find that the piano interludes drown out the narration, I do find that they detract from the mood of the piece rather than supporting it. And I find Robert Bethune's pinched nasal tones initially very irritating indeed. In this case, however, I can't agree that they veer toward the sing-song (as is unfortunately the case with Bethune's "Don Juan," where his handling of the verse always reminds me the deliberate child-like inspidity of Wally Cox's rhyming dialogue in the old Underdog cartoons). To me, in "Childe Harold," Bethune's "swooping and soaring" (as McGrath has it) mesh perfectly with his other merits: "his pacing is good and he stresses the right syllables." In fact, Bethune's expert handling of the poem's nine-line stanza form brings out Byron's own expert handling of the form in a way that many performances of stanzaic poetry do not. That fact, and the fact that Bethune so far has the narration of "Childe Harold" (and almost all of Byron's works) pretty much to himself, is enough to cover a multitude of sins. To paraphras McGrath one more time: Bethune's delivery can be annoying, but it is much better than having no audiobook at all.
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- T. McG.
- 02-22-12
Not bad
The audio of this great poem is compromised by two problems: piano music intrudes at the end of each section, drowning out the words for a stanza at a time, and the narrator, Robert Bethune, turns in an eccentric performance. His reading isn't bad exactly, as his pacing is good and he stresses the right syllables. However, his voice has a slightly nasal tone, and he has a tendency to swoop and soar, coming dangerously close to a sing-song delivery. While this can be a little annoying, it is still much better than having no poem at all. Maybe I'll get used to it.
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