Mystery and horror. Poe, who remains one of the most iconic of American writers, died under haunting circumstances that reflect the two literary genres he took to new heights. Over the years, there has been a staggering amount of speculation about the cause of death, from rabies and syphilis to suicide, alcoholism, and even murder. But many of these theories are formed on the basis of the caricature we have come to associate with Poe: the gloomy-eyed grandfather of Goth, hunched over a writing desk with a raven perched on one shoulder, drunkenly scribbling his chilling masterpieces.

Edgar Allan Poe was a writer, poet, editor and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre, and is widely regarded as a central figure of Romanticism in the United States and of American literature. Poe was one of the country's earliest practitioners of the short story and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction.

At once a pop culture icon, cult figure, and film industry outsider, master filmmaker David Lynch and his work defy easy definition. Dredged from his subconscious mind, Lynch's work is primed to act on our own subconscious, combining heightened, contradictory emotions into something familiar but inscrutable. No less than his art, Lynch's life also evades simple categorization, encompassing pursuits as a musician, painter, photographer, carpenter, entrepreneur, and vocal proponent of Transcendental Meditation.

With a lifelong interest in Edgar Allan Poe, Troy Taylor decided to take his own look at the mysterious and macabre writer, his tragic life, unexplained death, and lingering hauntings. He invites listeners along to delve into the strange and bizarre world of Edgar Allan Poe, from his early life to his tragic marriage, his insane grief, his dramatically failed career, his links to an unsolved murder, and the mystery of what happened to the writer in the five days before his unexplained death.

As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.

Edgar Allan Poe was a writer, poet, editor and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre, and is widely regarded as a central figure of Romanticism in the United States and of American literature. Poe was one of the country's earliest practitioners of the short story and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction.

From the bullfights of Spain to safaris in East Africa; from being a war correspondent in war zones around the world to surviving multiple airplane and car crashes, Hemingway’s life is a riveting story worth exploring in and of itself.

Based on 10 years of research and a vast cache of primary sources located in archives in Warsaw, Paris, London, New York, and Washington, D.C., Alan Walker's monumental Fryderyk Chopin: A Life and Times is the most comprehensive biography of the great Polish composer to appear in English in more than a century. Walker's work is a corrective biography, intended to dispel the many myths and legends that continue to surround Chopin.

In his poetry, Walt Whitman set out to encompass all of America, and in so doing, heal its deepening divisions. This magisterial biography demonstrates the epic scale of his achievement, as well as the dreams and anxieties that impelled it, for it places the poet securely within the political and cultural context of his age.

This joint biography of Bette Davis and Joan Crawford follows Hollywood's most epic rivalry throughout their careers. They only worked together once, in the classic spine-chiller What Ever Happened to Baby Jane, and their violent hatred of each other as rival sisters was no act. In real life they fought over as many men as they did film roles.

When the body of a suicide victim disappears at West Point Military Academy in 1831, only to be discovered hours later missing its heart, the Academy calls on retired detective Gus Landor to investigate. Landor is something of a legend among his peers, noted for an uncanny, Holmesian ability to read people. When Edgar Allan Poe, a new cadet, comes forth with his own cryptic conclusion—that the man Landor is looking for is a poet—Landor is intrigued and enlists Poe as his assistant.

As a young man, Frederick Douglass (1818-1895) escaped from slavery in Baltimore, Maryland. He was fortunate to have been taught to read by his slave owner mistress, and he would go on to become one of the major literary figures of his time. He wrote three versions of his autobiography over the course of his lifetime and published his own newspaper. His very existence gave the lie to slave owners: with dignity and great intelligence, he bore witness to the brutality of slavery.

William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself.

Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: A man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.

George Washington claimed that anyone who attempted to provide an accurate account of the war for independence would be accused of writing fiction. At the time, no one called it the “American Revolution”: Former colonists still regarded themselves as Virginians or Pennsylvanians, not Americans, while John Adams insisted that the British were the real revolutionaries, for attempting to impose radical change without their colonists’ consent. With The Cause, Ellis takes a fresh look at the events between 1773 and 1783.