Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When amateur detective Anthony Gillingham and his friend, Bill Beverley visit Red House, their host, Mark Ablett suddenly disappears. Anthony believes that Mr. Ablett’s disappearance may be connected to a bizarre murder. Gillingham must discover if their host is responsible for that murder and what the motive was.

Mark Ablett's stately mansion, the Red House, is filled with very proper guests when his most improper brother returns from Australia. The prodigal brother enters Mark's study, the parlor maid hears arguing and the brother dies...rather suddenly, with a bullet between the eyes. The study is locked from the inside and Mark is missing! Investigating the crime is wealthy Antony Gillingham, who rivals Sherlock Holmes in his remarkable powers of observation.

The Greatest Female Crime Writers of All Time is a collection of 17 classic detective novels and stories, read by three award-winning narrators. Included here are stories by some of the greatest female crime writers of the 20th century: Agatha Christie; Dorothy L. Sayers; and Josephine Tey.

Still spinning from the hustle and bustle of city life, Jodie ‘Nosey’ Parker is glad to be back in the Cornish village she calls home. Having quit the Met Police in search of something less dangerous, the change of pace means she can finally start her dream catering company and raise her daughter, Daisy, somewhere safer. But there’s nothing quite like having your first job back at home be catering an ex-boyfriend’s wedding to remind you of just how small your village is.

While her parents attend a work party, eighteen-year-old Ella Romero is left in charge of her two siblings—thirteen-year-old Nicholas and eight-year-old Arianna—at their secluded lake house. In her usual fashion, Ella invites her friends to hang out while her parents are away, too. It was supposed to be an easy, quiet, normal night.

An odd group gathers for an English country house weekend party: a sickly host, a disgraced socialite, an amateur detective and her nephew, a murderous couple, an ex-army captain, and a former militant suffragist countess. The table is set for eight. By Sunday, only half the cutlery will be required, and Saturday's tablecloth will be used as a shroud. Cut off by a storm, their host is found dead in circumstances mirroring the death of Lady Alice's husband. There is no way out, while a killer walks amongst them.

An unnamed narrator arrives at Cambridge University in the early aughts determined to reinvent himself. His northern accent marks him as an outsider, but thanks to his musical gifts, he manages to fall in with his wealthy classmate, Bryn Cavendish. A charismatic party host and talented magician, Bryn enthralls the narrator. But something seems to happen to those who challenge or simply irk Bryn—and they aren’t ever the same again. The narrator begins to suspect that Bryn may be concealing terrifying gifts under the guise of magic tricks.

I look at our neighbours gathered in the garden for our annual summer barbeque, sipping chilled wine and smiling at my two daughters sprawled on the grass. I go inside to help refill glasses and then I hear it. A shrill scream that stops me in my tracks. I race outdoors to silence, a sea of bewildered faces. My first thought is for my girls, but they are there unhurt. With relief, we push the chilling sound to the back of our minds, returning to our drinks and conversations like it never happened.

A Russian arrives in Singapore with a secret to sell. When the Russian is killed and Sam Joseph, the CIA officer dispatched for the meet, goes missing, operational chief Artemis Procter is made a scapegoat for the disaster and run out of the service. Months later, Sam appears at Procter's doorstep with an explosive secret: there is a Russian mole burrowed deep within the highest ranks of the CIA.

Hazel wants a new life. She’s thirty years old, single, and her private investigation business is months away from folding. Her luck takes a turn when Madeline Hemsley, a mysterious socialite, pays Hazel a visit with an offer too enticing to resist. An orphan girl has disappeared from a children’s home—The Orphanage By The Lake, as the locals call it—and Madeline wants Hazel to find her.