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The Romantic Poets
- Narrated by: Ralph Richardson, Christopher Hassall, Margaretta Scott, Tyrone Power
- Length: 2 hrs and 53 mins
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Publisher's summary
Wordsworth, Keats, Shelley, Blake, Coleridge, and Byron...the poets of the Romantic Period are here celebrated with readings by Sir Ralph Richardson, Christopher Hassall, Margaretta Scott, and Tyrone Power.
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Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out in correspondence. Despite writing almost 1800 poems in her life, very few were published until after her death. Here, the poems are presented in chronological order in their original form, unaltered by editorial revision, in one volume. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy, hell-obsessed writings of her last years.
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It’s not Emily Dickinson’s Fault
- By Mary Beth Hammond on 04-04-21
By: Emily Dickinson
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The Divine Comedy
- By: Dante Alighieri, Henry Wadsworth Longfellow - translator
- Narrated by: Charlton Griffin
- Length: 17 hrs and 3 mins
- Unabridged
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Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.
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Not for listening.
- By Larry on 03-13-11
By: Dante Alighieri, and others
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The Aeneid
- By: Virgil
- Narrated by: Charlton Griffin
- Length: 15 hrs and 36 mins
- Unabridged
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The Aeneid represents one of the greatest cultural and artistic achievements of Western Civilization. Within the brooding and melancholy atmosphere of Virgil's pious masterpiece lies the mythic story of Aeneas and his flight from burning Troy, taking with him across the Mediterranean the survivors of the Greek onslaught. Aeneas, after many travails and adventures, including a love affair with Dido Queen of Carthage and a visit to the underworld to see his father, ends up in Italy.
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An epic in every sense of the word
- By James on 01-06-05
By: Virgil
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Leaves of Grass
- 1855 Edition
- By: Walt Whitman
- Narrated by: Edoardo Ballerini
- Length: 4 hrs and 19 mins
- Unabridged
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In 1855, Walt Whitman published, at his own expense, the first edition of Leaves of Grass, a visionary volume of 12 poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, the writing is distinguished by an explosively innovative free-verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, this monumental work, now a classic of American poetry, was condemned as immoral upon publication.
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password “primaeval”
- By Chas Carner on 05-28-20
By: Walt Whitman
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The Georgics
- By: Virgil
- Narrated by: Charlton Griffin
- Length: 3 hrs and 17 mins
- Unabridged
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Virgil's Georgics ranks as one of the most precious pastoral poems ever written, and it has served as a model for its type ever since. Georgics means "of or relating to agriculture or rural life" and it comes from the Greek word, "georgicus". Virgil's main theme in this, his second great work after The Eclogues, was the importance of peace both in the spiritual and physical sense.
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Translation by Smith Palmer Bovie (1956)
- By Alex Castro on 08-22-20
By: Virgil
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Samson Agonistes
- By: John Milton
- Narrated by: David de Keyser, Philip Madoc, Matthew Morgan, and others
- Length: 1 hr and 51 mins
- Original Recording
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Samson Agonistes, the 'dramatic poem' by John Milton, was published in 1671, three years before the poet's death. Written in the form of a Greek tragedy, with the Chorus commenting on the action, it follows the biblical story of the blind Samson as he wreaks his revenge on the Philistines who have imprisoned him. A powerful subject, with a personal resonance for the blind Milton, it is a perfect work for the medium of audiobook where poetry and drama can be balanced equally.
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Unbelievable
- By Anonymous User on 11-06-20
By: John Milton
What listeners say about The Romantic Poets
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- amorfortuna2
- 05-29-18
Great, but...
Great selection and readings but the titles and poets were not named so a lot of the time I didn't know who I was listening to.
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- Brian J. Willis
- 09-01-18
Here are track listings (mostly)
These are from memory. I know the actors well.
1) This is Audible
2) Wordsworth, "Lines Composed on Westminster Bridge", Robert Donat
3) Coleridge, "This Lime Tree Bower My Prison", Ralph Richardson
4) Byron, extensive excerpt from Don Juan, Tyrone Power
5) Shelley, "Ode to the West Wind", Margaretta Scott
6) Blake, "The Lamb" both I+E, "Holy Thursday" both as well, more, Richardson
7) Byron, ?, Power
8) Keats, "Ode to Autumn", Donat
9) Blake, more Innocence and Experience, Richardson
10) Wordsworth, "I Wandered Lonely as a Cloud", Donat
11) ?
12) ?
13) Blake, Prophecies, Richardson
14) Wordsworth, "Tintern Abbey", Cedric Harwicke
15) Coleridge, "Rime of the Ancient Mariner", Richardson
16) Keats, "St. Agnes Eve" (complete), Richardson
17) Shelley, "To A Skylark", Scott
18) Keats, "Ode to Psyche", Donat
19) Keats, "Ode to a Nightingale", Donat
20) Blake, Title?, Donat
21) Keats, "When I have Fears that I May Cease To Be", Donat
22) Keats, "Le Belle Dame Sans Merci", Donat
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9 people found this helpful
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Overall
- Shawn
- 06-21-11
Romantic Poets...you're on your own
The problem with this piece is two-fold. (a) the sound quality is uneven and (b) the poems are read without including the Title or Author. So, unless you already know the material, you're on your own.
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7 people found this helpful
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- Daniela Pinna
- 06-05-23
Disappointing
Good readers (unmentioned), uneven sound quality. No poets’ names, no poems’ titles. Sloppy packaging for great content.
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- Mark
- 03-12-14
very poor
This book wasn’t for you, but who do you think might enjoy it more?
Nothing is identified in this audiobook. No titles, no authors, no readers.
What could the authors have done to make this a more enjoyable book for you?
It needs a table of contents, and the titles and speakers should be identified.
How could the performance have been better?
The sound quality is very uneven, sometimes bad.
If you could play editor, what scene or scenes would you have cut from The Romantic Poets?
That is hard to say, since no poems or titles are given.
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