Eloise De’Ath is meant to be a grieving widow. But if people knew the truth about her late husband, they’d understand why she can’t even pretend. Needing to escape, Eloise heads to Crete and the house her father-in-law Quinn left her, and slowly Quinn’s home begins to reveal its mysteries. In his office Eloise discovers his life’s work: the study of the Victorian excavation to find the Minotaur’s labyrinth. Fascinated by the diaries of a young woman from the dig, Eloise is drawn into Alice’s tale of lost love and her growing obsession with Ariadne, the princess of the labyrinth.

Librarian and history enthusiast Jess Yates has hit rock bottom. With her ex behind bars for fraud, Jess needs to lay low – easier said than done with a celebrity sister. But Tavy has her uses. Her latest TV project involves renovating Fortune Hall, and she needs a house sitter while she’s jetting around the world. The opportunity is too good to miss, especially when Jess discovers that Fortune Hall has links to the infamous Nell Gwyn. Slowly the house begins to reveal its mysteries, and secrets that have laid buried for centuries can no longer be ignored.

Born from young King Henry’s first marriage, his elder daughter, Princess Mary, is raised to be queen once it becomes clear that her mother, Katherine of Aragon, will bear no more children. However, Henry’s passion for Anne Boleyn has a devastating influence on the young princess’s future when, determined to sire a male heir, he marries Anne, has his marriage to Katherine declared unlawful, brands Mary illegitimate, and banishes them both from the royal court.

Amelia Prentice is recovering from the worst two years of her life. First her daughter and then her parents have died, leaving her without any surviving relatives. As she gets ready to put the family home, a vast Victorian house in Windsor, on the market, she fulfils her mother’s last request to clear out the attic, and she discovers a strange box of Victorian photographs.

Hours later, the man’s cold body lies in the city mortuary, alongside the woman he couldn’t save. And his sister, unconventional nurse Gemma Tate, tracks down troubled police inspector Sebastian Bell to unravel the truth. Sebastian has enough pressure to solve the murder of an aristocratic heiress without Gemma meddling in his case. But the cryptic sentences she brings him from her brother’s notebook could be a crucial lead. If only they knew what “milky way” meant.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.