His name, they tell him, is William Monk, and he is a London police detective. But the accident that felled him has left him with only half a life; his memory and his entire past have vanished. As he tries to hide the truth, Monk returns to work and is assigned to investigate the brutal murder of a Crimean War hero and man about town. Which makes Monk’s efforts doubly difficult, since he’s forgotten his professional skills along with everything else.

As commander of the River Police, Monk is accustomed to violent death, but the mutilated female body found on Limehouse Pier one chilly December morning moves him with horror and pity. The victim’s name is Zenia Gadney. Her waterfront neighbors can tell him little—only that the same unknown gentleman had visited her once a month for many years. She must be a prostitute, but—described as quiet and kempt—she doesn’t appear to be a fallen woman. What sinister secrets could have made poor Zenia worth killing? And why does the government keep interfering in Monk’s investigation?

When a maid in the upper class Ellison household is strangled, Inspector Pitt is called in to investigate. He finds a world ruled by strict manners and social customs, where the inhabitants of the Ellison's neighborhood appear to be more outraged by the thought of scandal than they are by murder. Inspector Pitt finds a most unlikely ally in Charlotte, the Ellison's spirited daughter. But as the murders continue, Charlotte and Pitt find themselves drawn together by more than the investigation.

Mariah Ellison, Charlotte Pitt's grandmother, accepts her longtime friend Winnie's gracious invitation to spend Christmas with her and her husband, Barton, in their picturesque village. But upon arrival, Mariah discovers that Winnie has vanished without a trace, and Barton rudely rescinds the invitation. Once Mariah finds another acquaintance to stay with during the holiday season, she begins investigating Winnie's disappearance.

London, 1861. Samantha Kingston has lived under the control of her overbearing uncle since the death of her parents six years ago. Trapped by the conventions of her gender and social class, she is desperate to find a way out. But when her aunt and uncle are murdered, the freedom she sought seems even further out of reach. A suspect in the crime, she finds herself on the run, unsure whom to trust, lost in the underworld she had only ever read about in the pages of a Dickens novel.

The year is 1861. The American Civil War has just begun, and London arms dealer Daniel Alberton is becoming a very wealthy man. His quiet dinner party seems remote indeed from the passions rending America. Yet investigator William Monk and his bride, Hester, sense growing tensions and barely concealed violence.

Scuff has come a long way from his time as a penniless orphan scraping together a living on the banks of the Thames. Now he's studying medicine at a free clinic run by Dr. Crowe. Lately Crowe has grown distracted after witnessing an altercation between a former patient of his named Ellie—a woman he not only treated but grew to love—and her controlling fiancé. It seems someone is forcing Ellie to marry the man, and as Crowe's emotions come flooding back, he sets out to uncover the troubling connection between Ellie, her father, and her betrothed.

As the Great Blizzard of 1888 cripples the vast machinery that is New York City, heiress Prudence MacKenzie sits anxiously within her palatial Fifth Avenue home waiting for her fiance's safe return. But the fearsome storm rages through the night. With daylight, more than 200 people are found to have perished in the icy winds and treacherous snowdrifts. Among them is Prudence's fiancé - his body frozen, his head crushed by a heavy branch, his fingers clutching a single playing card, the ace of spades.

It's Christmas and the well-born guests who have gathered at Applecross for a delicious weekend of relaxation are warmed by roaring fires, mistletoe, and gorgeously wrapped gifts. It's scarcely the setting for misfortune, and no one - not even that clever young aristocrat and budding sleuth Vespasia Cumming-Gould - anticipates the tragedy that is to darken this light-hearted holiday house party. But soon one young woman lies dead, a suicide, and Vespasia must uncover the heartbreaking truth behind the tragedy.

On a sunny afternoon in late June, Cambridge professor Joseph Reavley is summoned from a student cricket match to learn that his parents have died in an automobile crash. Joseph’s brother, Matthew, as officer in the Intelligence Service, reveals that their father had been en route to London to turn over to him a mysterious secret document—allegedly with the power to disgrace England forever and destroy the civilized world. A paper so damning that Joseph and Matthew dared mention it only to their restless younger sister. Now it has vanished.

With a newborn and two children, Molly Murphy Sullivan is tackling motherhood. Her husband is off to work in Washington as Easter break begins in New York. Her dear friend and writer, Ryan O’Hara, is shooting a movie, one of the first to involve a real plot and actors. He invites Molly and the children to visit the set and watch the excitement. The movie industry is still experimenting with ways to get the best shot, but soon, their special effects start to malfunction. After a few mishaps where no one is hurt, the special effects turn deadly.

It's 1910, and Daniel Pitt is a reluctant lawyer who would prefer to follow in the footsteps of his detective father. When the biographer Russell Graves, who Daniel is helping defend, is sentenced to execution for the murder of his wife, Daniel's Pitt-family investigative instincts kick in, and he sets out to find the real killer. With only 21 days before Graves is to be executed, Daniel learns that Graves is writing a biography of Victor Narraway, the former head of Special Branch and a close friend of the Pitts. And the stories don't shed a positive light. Is it possible someone is framing Graves to keep him from writing the biography-maybe even someone Daniel knows in Special Branch? The only answer, it seems, lies in the dead woman's corpse.

The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London's most popular satirical cartoonist, A. J. Quill, skewers them both.

On vacation from London on the beautiful Italian coast, 28-year-old Elena Standish and her older sister Margot have finally been able to forget some of the lasting trauma of the Great War. Touring with her camera in hand, Elena has found new inspiration in the striking Italian landscape, and she's met an equally striking man named Ian. Not ready to part from one another, she and Ian share a train trip home to England. But a shocking murder disrupts their agenda, forcing Elena to personally deliver a message to Berlin that could change the fate of Europe.

Arriving in Constantinople in 1273, Anna Zarides vows to prove the innocence of her twin brother, Justinian, who has been exiled to the desert for conspiring to kill a nobleman. Disguising herself as a eunuch named Anastasius, Anna moves freely about in society, maneuvering close to the key players involved in her brother’s fate, including Zoe Chrysaphes, a devious noblewoman with her own hidden agenda, and Giuliano Dandolo, a ship’s captain conflicted by his growing feelings for Anastasius.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

As commander of the River Police, Monk is accustomed to violent death, but the mutilated female body found on Limehouse Pier one chilly December morning moves him with horror and pity. The victim’s name is Zenia Gadney. Her waterfront neighbors can tell him little—only that the same unknown gentleman had visited her once a month for many years. She must be a prostitute, but—described as quiet and kempt—she doesn’t appear to be a fallen woman. What sinister secrets could have made poor Zenia worth killing? And why does the government keep interfering in Monk’s investigation?

His name, they tell him, is William Monk, and he is a London police detective. But the accident that felled him has left him with only half a life; his memory and his entire past have vanished. As he tries to hide the truth, Monk returns to work and is assigned to investigate the brutal murder of a Crimean War hero and man about town. Which makes Monk’s efforts doubly difficult, since he’s forgotten his professional skills along with everything else.

The year is 1861. The American Civil War has just begun, and London arms dealer Daniel Alberton is becoming a very wealthy man. His quiet dinner party seems remote indeed from the passions rending America. Yet investigator William Monk and his bride, Hester, sense growing tensions and barely concealed violence.

When a maid in the upper class Ellison household is strangled, Inspector Pitt is called in to investigate. He finds a world ruled by strict manners and social customs, where the inhabitants of the Ellison's neighborhood appear to be more outraged by the thought of scandal than they are by murder. Inspector Pitt finds a most unlikely ally in Charlotte, the Ellison's spirited daughter. But as the murders continue, Charlotte and Pitt find themselves drawn together by more than the investigation.

August 1816. England is in the grip of what will become known as the Year Without a Summer. Facing the twin crises of a harvest-destroying volcanic winter and the economic disruption caused by the end of the Napoleonic Wars, the British monarchy finds itself haunted by the looming threat of bloody riots not seen since the earliest days of the French Revolution. Amidst the turmoil, a dead man is found hanging upside down by one leg in an abandoned chapel, his hands tied behind his back. The pose eerily echoes the image depicted on a tarot card known as Le Pendu, the Hanged Man.