England, 1925. After years shut away from the world, former detective Lord Edgington of Cranley Hall plans a grand ball to celebrate his seventy-fifth birthday. But when someone starts bumping off members of his scheming family, the old man enlists his teenage grandson to help find the killer, before one of them is next.

From the authors of the best-selling series "Cherringham". This compilation contains episodes 1-3. "A shot in the dark": Sussex, England, 1929. Mydworth is a sleepy English market town just 50 miles from London. But things are about to liven up there considerably, when young Sir Harry Mortimer returns home from his government posting in Cairo, with his unconventional American wife - Kat Reilly. "A little Night murder": A young poacher is found shot dead in the woods of a grand estate near Mydworth. A sad accident it would seem.

Cherringham - a quiet town in the Cotswolds. Nothing ever happens there, or so it seems - until one morning a woman's body is found in the river. A terrible accident, according to the police. But is this true? Sarah believes there must be more to it. In Jack, a former NYPD homicide detective, she finds a partner who is willing to start investigating with her. They soon find out that things are not as clear as the police want them to be ... This first - of many cases brings Sarah and Jack together in an unlikely partnership.

Nestled high in the Tuscan hills lies Villa Volpone, home to renowned crime writer Jonah Moore and his creative writing course. It’s also the last place retired DCI Dan Armstrong expected to spend his retirement! Dan’s no writer, but maybe this break will help him to think about the next chapter in his own life story? But only days into the course, Jonah Moore is found stabbed to death with his award-winning silver dagger! And Dan finds himself pulled out of retirement with a killer to catch.

December 1940. With the Luftwaffe pounding the city nightly, Londoners seek refuge in underground stations. Aldwych has been taken out of service to provide shelter for the British Museum's priceless Elgin Marbles, as well as civilians escaping the bombing. When the body of a young man is discovered on the tracks, wearing evening dress but barefoot, Detective Chief Inspector Coburg and Sergeant Lampson are on the case. Before long, more bodies are discovered, and Coburg's wife Rosa becomes a target for the brutal killer.

Handsome, grumpy local policeman Ben Taylor doesn't believe in coincidences, and he doesn’t think mysterious newcomer Milla Graham is as innocent as she seems. Why is she really here in Raven’s Edge, and how come she keeps turning up at his crime scenes, causing trouble? Can he solve this murder case without losing himself–or his heart–to the rather distracting Miss Graham?

It's 1811, and the threat of revolution haunts the upper classes of King George III's England. Then a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A dueling pistol found at the scene and the damning testimony of a witness both point to one man - Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.

London, 1921. The Great War has recently ended and tensions in England are high. Now, prominent Cabinet minister Lord Amersham has been shot dead outside his Regent's Park home. The signs point to a professional hit. Charged with solving one of the most sensitive and high-profile cases Scotland Yard has ever faced, DCI Paul Stark is under pressure to get the job done quickly.

A body is discovered deep in a cave beneath the Yorkshire Dales. Leading the investigation into the mysterious death are experienced DCI Jim Oldroyd and his partner DS Carter, a newcomer from London. The deceased is Dave Atkins, well known throughout the village but not well liked. While there is no shortage of suspects, the details of the crime leave Oldroyd and Carter stumped.

When a failed entrepreneur is temporarily left in charge of his aunt's huge gothic home, he knows he must be able to make a profit from it somehow. Murder, he decides, is the only way to do it. For Madingley Grange is the perfect venue for a 1930s murder-mystery weekend, and Simon Hannaford – with the reluctant help of his long-suffering sister – soon hatches a plan for money-spinning mayhem. From the conservatory to the claret cellar, the clues are carefully sprinkled. But when the guests arrive, it is obvious that the game won't be going as planned.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.