Indoors are servants, meals, and furniture. There, too, is The Man of Wrath, her upright Teutonic husband, inspiring in Elizabeth a mixture of irritation, affection, and irreverence. But outside she can escape domestic routine, read favorite books, play with her three babies and garden to her heart's content. Through Elizabeth's eyes we watch the seasons, from May's "oasis of bird-cherries and greenery" to the time when "snow carpets her Pomeranian wilderness".

Fräulein Schmidt and Mr. Anstruther is a novella written by Elizabeth von Arnim, a British-German author known for her witty and insightful novels. Published in 1907, the story revolves around the correspondence between two main characters, Fräulein Rose-Marie Schmidt, a spinster in her late 30s, and Mr. Henry Anstruther, a kind and sympathetic stranger, as they navigate their lives and explore their feelings for each other.

gentle romance begins innocently enough in the stalls of a London theatre where Catherine is enjoying her ninth and Christopher his thirty-sixth visit to the same play. He is a magnificent young man with flame-coloured hair. She is the sweetest little thing in a hat. There is just one complication: Christopher is 25, while Catherine is just a little bit older. Flattered by the passionate attentions of youth, Catherine, with marriage and motherhood behind her, is at first circumspect, but finally succumbs to her lover's charms.

Elizabeth von Arnim, who is best known for her later novel The Enchanted April, married a Prussian aristocrat and, with their five children, lived in Nassenheide, Pomerania. Elizabeth and Her German Garden is a semi-autobiographical novel about the joy that the protagonist finds in the delights of her Pomeranian garden, which provides relief from the stifling environment of her household. The novel was originally published anonymously because von Arnim feared that her husband, whom she satirised in the book, would disapprove.

Romance blossoms when Catherine, a 47-year-old widow, and the 25-year-old Christopher meet at repeated performances of a poorly attended play. However, 1920s London society is shocked by such a match, its disapproval shared by Catherine’s daughter and son-in-law, the curate Stephen. As events unfold, can their relationship survive the opprobrium of those around them as well as the disparity in their ages?