It was a strange, uncertain world that Harriet entered when she married Guy Pringle. Guy taught English at the university at Bucharest, a city of vivid contrasts, where professional beggars exist alongside the excesses of mid-European royalty and expatriate journalists with a taste for truffles and quails in aspic. Underlying this is a fitful awareness of the proximity of the Nazi threat to a Romania which is enjoying an uneasy peace.

1939, and naïve young newlywed Harriet Pringle arrives in Bucharest with her husband, Guy - just as Europe is about to rip itself apart. She believes she knows everything about the man she has married, but soon realises she knows nothing. Guy is oblivious to her needs and desires, seeming only to care about his job as a university lecturer, his friends and the beautiful, voluptuous Sophie. Struggling to build a life in a strange city, in the face of imminent invasion, Harriet feels bereft - and increasingly isolated.

This first entry in John Dos Passos's celebrated U.S.A. trilogy paints a grand picture of the United States at the dawn of the twentieth century.

Matter and Memory, (Matière et Mémoire), published in 1896, was the second book written by Henri Bergson (1859-1941), one of the leading French philosophers of his age. It followed Time and Free Will (1889) and helped to establish him as a major force in anti-mechanistic thought, opposing the trend towards uncompromisingly secular and scientific views. However, when Matter and Memory appeared, Bergson was 39 and had yet to become the hugely influential figure he became in the first decades of the 20th century.

In her international bestseller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE). Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius.

A terrifying vision of scientific progress without moral limits, Mary Shelley's Frankenstein leads the listener on an unsettling journey from the sublime beauty of the Swiss alps to the desolate waste of the arctic circle. Obsessed with the idea of creating life itself, Victor Frankenstein plunders graveyards for the material with which to fashion a new being, shocking his creation to life with electricity. But this botched creature, rejected by its creator and denied human companionship, sets out to destroy Frankenstein and all that he holds dear.

With this exciting and historically rich six-lecture course, experience for yourself the drama of this dynamic year in medieval history, centered on the landmark Norman Conquest. Taking you from the shores of Scandinavia and France to the battlefields of the English countryside, these lectures will plunge you into a world of fierce Viking warriors, powerful noble families, politically charged marriages, tense succession crises, epic military invasions, and much more.

The three novels that make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women.

When The Far Pavilions was first published 19 years ago, it moved the critic Edmund Fuller to write this: "Were Miss Kaye to produce no other book, The Far Pavilions might stand as a lasting accomplishment in a single work comparable to Margaret Mitchell's achievement in Gond With the Wind." From its beginning in the foothills of the towering Himalayas, M. M. Kaye's masterwork is a vast, rich, and vibrant tapestry of love and war that ranks with the greatest panoramic sagas of modern fiction.

The legendary annihilation in 1883 of the volcano-island of Krakatoa - the name has since become a byword for a cataclysmic disaster - was followed by an immense tsunami that killed nearly 40,000 people. Beyond the purely physical horrors of an event that has only very recently been properly understood, the eruption changed the world in more ways than could possibly be imagined. Dust swirled round die planet for years, causing temperatures to plummet and sunsets to turn vivid with lurid and unsettling displays of light.

Kenneth Branagh stars in BBC Radio 4's ambitious eight-hour dramatisation of Life and Fate, Vasily Grossman's epic masterpiece set during the Battle of Stalingrad. This powerful work, completed in 1960, charts the fate of both a nation and a family in the turmoil of war. Its comparison of Stalinism with Nazism was considered by Soviet authorities to be so dangerous that the KGB placed the manuscript under arrest and Grossman was informed his book would not be published for at least 200 years.

Milly Theale is a young, beautiful, and fabulously wealthy American. When she arrives in London and meets the equally beautiful but impoverished Kate Croy, they form an intimate friendship. But nothing is as it seems: materialism, romance, self-delusion, and ultimately fatal illness insidiously contaminate the glamorous social whirl.

Three critically acclaimed recordings are joined together in this dazzling Agatha Christie Triple Bill, read by award-winning narrators Alison Larkin and James Warwick, star of the Partners in Crime TV series on Masterpiece Theater.

Through Jim Burden's endearing, smitten voice, we revisit the remarkable vicissitudes of immigrant life in the Nebraska heartland, with all its insistent bonds. Guiding the way are some of literature's most beguiling characters: the Russian brothers plagued by memories of a fateful sleigh ride, Antonia's desperately homesick father and self-indulgent mother, and the coy Lena Lingard. Holding the pastoral society's heart, of course, is the bewitching, free-spirited Antonia.

This classic, definitive account of totalitarianism traces the emergence of modern racism as an "ideological weapon for imperialism", beginning with the rise of anti-Semitism in Europe in the 19th century and continuing through the New Imperialism period from 1884 to World War I.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.