Meet Randi Burnett—she’s brilliant, she’s beautiful, and she works for the bride. Missing groom? Intoxicated in-laws? Crying ring-bearer? You name it, she wrangles it. Too bad her personal life isn’t thriving like her side gig as a bridesmaid for hire. Recently dumped, Randi throws herself into her biggest challenge yet when she’s hired as a maid of honor and pretend best friend for an ice queen bride. There’s just one problem—the best man is infuriating, overprotective, and anti-marriage.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Ryder, Garrett, Kenzo, and Diesel - The Vipers. Their deals are as sordid as their business, and their reputation is enough to bring a grown man to his knees, forcing him to beg for mercy. They are not people you mess with, yet my dad did. The old man ran up a debt with them and then sold me to cover his losses. Yes, sold me. They own me now. I’m theirs in every sense of the word. But I’ve never been meek and compliant.

Beckett: If you’re reading this, well, you know the last-letter drill. You made it. I didn’t. Get off the guilt train, because I know if there was any chance you could have saved me, you would have. I need one thing from you: get out of the army and get to Telluride. My little sister Ella’s raising the twins alone. She’s too independent and won’t accept help easily, but she has lost our grandmother, our parents, and now me. It’s too much for anyone to endure. And here’s the kicker: there’s something else you don’t know that’s tearing her family apart.

I'm addicted to my stalker. He watches me at night, sneaking in through my living room window and making my blood turn to ice. I feel him all around me as chills snake down my spine. Each night he becomes bolder, getting closer and welcoming himself into my bedroom, feeding his addiction.

As newlyweds, Molly and Robin made the Hummingbird Inn into a trendy destination for queer travelers in the quirky mountain town of Eureka Springs, Arkansas. But when their career ambitions drove them apart, the young couple separated, handed over the property’s upkeep to a management firm, and never looked back. Seven years later, Molly and Robin return to the Hummingbird Inn for very different reasons.

Seconds from a meteoric career launch, cellist Courtney Starling suffers a frightening migraine attack during a key performance. While harmful rumors fly, she escapes to her happy place—her best friend’s Kansas bookshop. Courtney’s working incognito when a scream sends her leaping off a shelving ladder to find the woman who screamed cowering near the register.

The Baroness, an infamous exploitation film long thought destroyed by Nazi fire, is discovered fifty years later. When lonely archivist Ellen Kramer—deeply closeted and pathologically repressed—begins restoring the hedonistic movie, it unspools dark desires from deep within her. As Ellen is consumed by visions and voices, she becomes convinced the movie is real, and is happening to her—and that frame by frame, she is unleashing its occult horrors on the world. Her life quickly begins to spiral out of control.

Zuzu met her best friend Cash on the first day of college, and nothing was ever the same. Tall, witty, and popular, his friendship represented a kind of belonging for Zuzu, who had always felt like an outsider growing up mixed race in her rural hometown. Though their friendship was charged with longing, it never progressed to romance. Now approaching her forties, Zuzu has built a stable life with her wife Agnes, a steadfast and career-driven lawyer. Yet Zuzu is haunted by the choices that have shaped her.

Elfreda Marsden has finally made a major discovery—an ancient amulet proving the Viking army camped on her family’s estate. Too bad her nemesis is back from London, freshly exiled after a scandal and ready to wreak havoc on her life. Georgie Redmayne is everything Elfreda isn’t—charming, popular, carefree, distractingly attractive, and bored to death by the countryside. When the two collide (literally), the amulet is lost, and with it, Elfreda’s big chance to lead a proper excavation.

The forms of intimacy and care that we’ve been sold are woefully inadequate and problematic. In a world that treats those who are sick and traumatized as problems in need of a cure, nonbinary writer, artist, educator, and Instagram creator Margeaux Feldman offers a different story. Trauma, which all too often manifests as chronic illness, tells us that there is something deeply wrong with the world we live in. A world that promotes individualism, fractures us from community through violence and systemic oppression, and leaves us traumatized. That is what we need to cure.

When her boyfriend of seven years suddenly breaks up with her, relationship advice columnist Gemma Cho is convinced that real love doesn’t exist. As a bisexual woman who’s had zero luck with both men and women, she’s ready to give up on her own romantic prospects. That is, until she's paired up with world-renowned photographer Celeste Min on a potentially career-saving piece on modern love.

After losing her young son in an accident, Rachel Kennan throws herself into her career as police chief of a small Virginia town to avoid focusing on her grief. Meanwhile, her husband, Finn, a washed-up writer whose alcoholism led to the devastating tragedy that changed everything, struggles to redeem himself before his family completely falls apart. Their two daughters are the only things keeping Rachel and Finn together, but the girls have demons of their own. At the same time, a disturbing crime rocks their tightknit religious community.

Star point guard Mack Morris’s senior year of high school begins with twin cataclysms: the death of her father and the arrival of transfer student Liv Cooper. On the court, Mack and Liv discover an exhilarating, game-winning chemistry; off the court, they fall into an equally intoxicating more-than-friendship that is out of bounds for their small Pennsylvania town in 2004, and especially, for Liv’s conservative mother. As Mack’s desire and grief collide with drugs, sex, and the looming college signing deadline, she is forced to reckon with the disconnects between her past and her future.

Maya's final year at university is off to a rocky start. Between pining for her straight best friend, trying to revitalize her football team after another year of defeat, and dealing with her own family problems, she's already overwhelmed. When her arch-rival, Jamie Mellor, joins the football squad, it threatens to push her over the edge. Not only is it the last chance to prove her worth as captain, Maya must now find a way to play alongside this annoying loudmouth without losing her mind every five minutes.

Since she was a little girl, Hellevir has been able to raise the dead. Every creature can be saved for a price, a price demanded by the shrouded figure who rules the afterlife, who takes a little more from Hellevir with each soul she resurrects. Such a gift can rarely remain a secret. When Princess Sullivain, sole heir to the kingdom’s throne, is assassinated, the Queen summons Hellevir to demand she bring her granddaughter back to life. But once is not enough; the killers might strike again. The Princess’s death would cause a civil war, so the Queen commands that Hellevir remain by her side.

When Works Progress Administration editor Millie Lang finds herself on the wrong end of a potential political scandal, she’s shipped off to Montana to work on the state’s American Guide Series—travel books intended to put the nation’s destitute writers to work. Millie arrives to an eclectic staff claiming their missed deadlines are due to sabotage, possibly from the state’s powerful Copper Kings who don’t want their long and bloody history with union organizers aired. But Millie begins to suspect that the answer might instead lie with the town’s mysterious librarian, Alice Monroe.

Torn between her girlfriend, Magdu, and her best friend, Daphne, Finn is looking forward to a day of rock climbing and bonding for the three women on the soaring cliffs near their Australian town. But nothing goes as she planned, and in a horrific accident, Magdu falls to her death. Rocked by grief, Finn tries to pinpoint where it all went wrong. Did Magdu die because of Finn’s friendship with overbearing Daphne, who has never wanted Finn to change or leave her? Can Finn trace it all the way back to the tragic childhood loss of her sister?

In the early 2000s, Kate Moennig and Leisha Hailey—both young artists trying to figure it all out—met at auditions for an unknown little TV show. Given that it was a show about lesbians living in Los Angeles, with the first ever ensemble cast of openly queer female characters, Kate and Leisha knew the project was going to be unlike anything else out there—that is, if it even got picked up.

Avery Jensen is almost thirty, fresh off a breakup, and she’s tired of always being so uptight and well-behaved. She wants to get a hobby, date around (especially women), flirt with everyone she sees, wear something not from the business casual section of her closet—all the fun stuff normal people do in their twenties. One problem: Avery doesn't know where to start. She doesn't have a lot of dating experience, with men or women, and despite being self-assured at work, she doesn't have a lot of confidence when it comes to romance. Enter Taylor Cameron, Napa Valley's biggest flirt.