The veil between the living and the dead is obscured, chaos becomes panacea, and characters take drastic measures into their own hands. Survivors of all kinds seek strategy and solace: a group of homeless people organize an occupation of vacant condos, a new resident to a disturbing neighbourhood tries to make sense of madness, a dog investigates the sudden disappearance of his owner. The five intertwined vignettes in the title story are set in a Caribbean country where the spectre of the sugar plantation haunts everyone.

Victims or victimizers, the mothers, daughters, sisters, lovers, friends, and ghostly presences in this collection face their unique circumstances with passion and creativity. Whether or not they find satisfaction, they are all Women of Consequence.

1996. Northern Israel. Lola leaves an unhappy home life in England for the fabled utopian life of a kibbutz. But this heavily guarded farming community on the Arab-Israeli border isn't the idyll it seems, and tensions are festering. Hundreds of miles away, in the Jerusalem offices of the International Tribune newspaper, all eyes are on Israel's response to a spate of rocket attacks from Lebanon - until cub reporter Jonny Murphy gets a tip from a mysterious source that sends him straight into the danger zone.

From the “terrifyingly talented” (London Times) author of THE CURIOUS INCIDENT OF THE DOG-IN THE NIGHT-TIME and THE PORPOISE, eight mesmerizingly imaginative, deeply-humane stories that use Greek myths and contemporary dystopian narratives to examine mortality, moral choices and the many variants of love.

What does it mean to be other? What does it mean to love in a world determined to keep us apart? These questions murmur in the heart of each of Brenda Peynado’s strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically.

The tales in Mark Haddon's lyrical and uncompromising new collection take many forms - Victorian adventure story, science fiction, morality tale, contemporary realism - but they all showcase his virtuoso gifts as a stylist and the deep well of empathy that made his three best-selling novels so compelling. The characters here are often isolated physically or estranged from their families, yet they yearn for connection.

Burned by napalm as an infant and adopted by the guardian spirit of a river, Numamushi spends the first years of his life catching frogs to eat and learning to shed his skin like his serpentine father. Then one day, a lonely man moves into the abandoned house next to the river, and curiosity for all things human awakens in Numamushi. This mysterious man shares Numamushi’s penchant for eating frogs but also carries the scars of war, a love of the written word, and knowledge of the secret history of the house and its river.

Battered war correspondent John Bailey is a man living on the edge. He’s haunted by nightmares of being kidnapped and tortured in Iraq, and he’s drinking too much to drown the memories. As he battles to get his life back together, a story breaks that will force him back into the spotlight—and into the crosshairs of a deadly international player.

New York, 1933: America is in its second decade of Prohibition, and its citizens have never been thirstier. Lydia Gardiner is the infamous queenpin of a criminal empire. From her penthouse in New York City’s ritzy Plaza Hotel, Lydia deals in all the city’s favorite vices—illegal liquor, drugs, women—ruling with an iron fist, a cold heart, and a knack for beating her coarse male counterparts at their own game.

Driving alone at night in a wild rainstorm, Luke Conway strikes something—or someone. He and his wife, Carrie, recently moved back to Clear River to help take care of her ailing father, and after a tragedy at his previous job, this move is their last chance at a new life. Now, standing in the downpour on this Texas road, Luke, an off-duty cop, has a decision to make—and he has to make it fast. No one else is around. No witnesses. And he can’t find a body.