The casting for jack shaftoe is spectacular

Who was your favorite character and why?

Jack Shaftoe and Daniel Waterhouse are impossible to choose between for me. They are both performed wonderfully and their stories completely enthralling.

Which character – as performed by the narrators – was your favorite?

Whoever performs jack shaftoe is completely amazing and has made me cheer with joy and cry with sadness. I actually choked up when jack was talking about his sons.

Did you have an extreme reaction to this book? Did it make you laugh or cry?

Yes, this book has done both and left me clenching my stomach with anticipation.

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Great Ending to the Series

No one thing stands out when it comes to this audiobook because everything is done so well. The story is the perfect finale to the series and it is excellently performed. Although, like other Neal Stephenson tomes, it was a bit slow to get going as he set up the characters and the situations that would drive the story forward, I enjoyed the Baroque Cycle - and this reading of it in particular - from beginning to end.

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Awesome series.

This book is a nice way to finish a great series. characters and the performances of Kevin Pariseau and Simon Prebble were just fantastic.

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The Final Chapter

This is a fitting end to this series. Its a well told story tracing parts of the true Baroque period in the guise of SCI-FI. This series was okay. Some of the books are great, others are a bit slow. Overall, its a fun few of our history told through some interesting characters. Over the course of the books, the fun heros do get somewhat lost in the story. The are very compelling in the first few books and not so compelling in the last.

But I am glad I read the series.

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A fitting conclusion to a LONG slog!

I can't say I necessarily recommend reading the entire Baroque Cycle, given the investment of time and mental energy it will take to get through all the books. However, if you've gotten this far, you definitely need to finish the series. This final book is great. The story finally gets gripping, and most of the wide ranging threads get resolved. I felt genuinely sad at the passing or departure of certain characters, who I have been hearing about for what seems like 100+ hours up to this point. I also love the readers, they bring a genuine humor to what could otherwise be a somewhat dry story.

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What a finisk

This book wraps up a tale that followed its characters around the world. They went from rags to riches to and back to riches or at least contentment. It Chronicles the move from alcamy to science and batter to the use of money. OUTSTANDING

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Last Nibble

After spending about a month with all three volumes that consist of 115 hours, I have accomplished something that I wanted to do for years. I have to thank my friend for reminding me to purchase these books. I'm not a hoarder of books. Just because an audiobook is on sale, I don't get them and save them for later. I don't like having stockpile of books that I might not ever read. I tend to buy them as I go. Having a backlog of reading material is a chore and not a pleasure.

As for the last book in the "Baroque Cycle", I have the up most respect for Neal Stephenson and how well he can tell a story and stay on topic. It is remarkable how focus he was to write almost 2700 pages and publish them within a few years time. Unlike his predecessor George R.R. Martin in "A Song of Ice and Fire", Neal Stephenson completed the "Baroque Cycle" in favor for his audience. I don't like to compare the two authors together, but it seems like Martin is being selfish by not completing his series in a timely fashion. Even his loyal followers, including myself, have their doubts that he will ever finish them.

Coming to the end to "The System of the World" is a bitter sweet. I am relief that it has ended and with the result that I was expecting. I kind of wish that there was a fourth volume because it is that awesome. Besides the "Dark Tower" by Stephen King, "Baroque Cycle" has to be one of my favorites. Neal Stephenson wrote this one for his readers and chose not to extend the tale any further. In that respect, he is a decorative author that enjoys his readers.

I have no regrets at getting to know Jack, Newton, Eliza and Daniel.

In my review of "Quicksilver", I have compared it to starting an eight course meal.

I have come to the last nibble and I'm satisfied.

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Get them all and listen in order. Excellent!

One of the best series I've ever read/heard :)

Wildly interesting, exciting, funny, sad, epic and subtle.

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The Baroque Cycle

This series by Neal Stephenson is far more than a brilliant and entertaining work of literature, it is also an encyclopedic introduction to the history of commerce and the European Enlightenment.

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Imp of the Perverse Embodied in Brilliant Fiction

This series must be contemplated as a unified whole. This review is for the entire BAROQUE CYCLE.

Sorry Neal, I was wrong. For me Neal Stephenson was a bit of an acquired taste. My first Stephenson exposure was with SNOWCRASH, a zany over-the-top Sci-Fi farce with quirky characters, tight plotting and fascinating ideas—try an ancient software virus in the human brain. My next Neal Stephenson encounter was THE DIAMOND AGE and this was for years my last. It was not until revisiting SNOWCRASH now as an audiobook (narrated by the superb Jonathan Davis) that I realized that anyone able to reach such dizzying fictional heights once deserves more than one strike. It was after this that I listened to ANATHEM; strike two. But there was one more title that had received acclaim that I first had to tackle before relegating Stephenson to one-hit-wonder status: CRYPTONOMICON. This was a home run; different from SNOWCRASH in almost every way but still wonderful, and really long. From this I learned three things: (1) Stephenson was not easy to pigeon-hole; and (2) He could handle fictional works in the long form; and (3) If you are not preoccupied with plot advancement, the rabbit trails can be quite scenic. So, once I learned that many of the characters in CRYPTONOMICON had ancestors in THE BAROQUE CYCLE, I determined to tackle the whole lot back-to-back, as if it were one giant novel. QUICKSILVER is the first audio installment of THE BAROQUE CYCLE, which is here divided into seven installments. In print form it is broken into eight books published in three hefty volumes.

I could tell from the comments of other listeners that this huge tome is not for everyone. If you require fast tight plotting, this may not be for you. If you enjoy witty repartee between vagabonds, kings, courtiers and thieves then this may be the mother lode. I liken Neal Stephenson to Gene Wolfe; another writer who can keep my interest just by the brilliance of his prose. It was in the middle of ODALISQUE, book three in the cycle, that I realized I didn’t much care that the plot was just creeping along, and that side trips to follow the numerous cast of characters kept taking me away from the one I liked best. I was enjoying the show and didn’t want it to end. This is truly not seven different novels, but one huge novel tied together by recurring characters and one vast and very satisfying story arc.

This accomplishment by Neal Stevenson is just the thing that the term magnum opus was coined for. Mr. Stevenson demonstrates his ability to manage a vast narrative alternate history and retains his focus over two-thousand six-hundred eighty-eight hardcover pages, through one-hundred fourteen hours of audiobook narration; yet the feel and texture and pacing is consistent throughout the entire work. Amazing. If you decide to tackle this tome you will be rewarded. It may cause you to rethink the whole audiobook medium.

I really enjoyed Stephenson’s insights into the politics of the scientific community, revolving around Isaac Newton. The fusing of Natural Philosophy (science), Alchemy, commodity-based monetary theory, rags-to-riches character transformations, and court intrigue make for a fascinating experience. Listening to this series is like taking a time-travel vacation to the eighteenth century. The shabby, muddy, miasmic grunge of the period’s living conditions sometimes remind me of Monty Python and the Holy Grail or Jabberwocky, with associated punch-lines. This is a very different world from the one we live in but I began to think I might understand it a little better and found that, in some ways, it might not be so bad.

If you are at all interested in free-market economics, and commodity-based monetary theory then one of the long-term story arcs will be of intense interest to you. Stevenson explores the impact of the foundation of the central Bank of England upon the flow of gold. And his deft insertion of an Alchemical component into the mix creates an enjoyable element of mystery. This is the storyline that required one-hundred hours to tell.

This is a Science Fiction work because the alternate-history angle with Alchemy infecting the realm of science will appeal to the SF fan. If you were provided with a plot outline or given some character sketches you may think this an historical novel, and it could be read from that perspective. But Science Fiction readers don’t as a rule read historical novels, but they will read this, therefore, whatever qualities it possesses, justify the SF label.

—PERSISTENT THEMES OF THE BAROQUE CYCLE—
Predestination versus Free-Will is on everyone’s mind
The debate between Protestantism versus Catholicism had a huge political impact
Geocentrism versus Heliocentrism is the only thing everyone can agree upon
Commodity-based Monetary theory makes the world work
Court Intrigue and witty conversations provide joy in every circumstance
Meritocracy rags-to-riches stories abound
People can endure much if they have hope
Vagabond underworld versus Persons of Quality show we have much in common
Alchemy counterpoised with Natural Philosophy revel the nature of science
Encryption and secret writing have long been employed
True love makes life worth living
Courtly liaisons show the shallowness of the ruling class to whom society is entrusted

Simon Prebble does yeoman’s work on this production. To my ear he nailed every single pronunciation of every word in the course of over one-hundred hours of narration—no mean feat. His character voicings are subtle but immediately recognizable. His talent allows him to even give convincing alternate pronunciations of words to the different characters that are appropriate to their individual personalities. The more foppish English characters habitually emphasize different syllables than the lower class characters. Despite the deep quality of his voice Simon Prebble handles both male and female character voices convincingly. His voice has a limited range but I was constantly amazed at how he could make subtle alterations in inflection, diction and pacing to effectively distinguish the various characters in a conversation. Simon Prebble achieves the desirable state of occupying the place in your head usually reserved for your own internal sub-vocalizations when you are reading a print book to yourself. This is a high achievement indeed and makes this a soothing book experience.

Narrated by Simon Prebble (Main text)
Kevin Pariseau (Chapter epigraphs)
Neal Stephenson (Introduction)

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