The Tragedy of Arthur
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Narrated by:
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David Aaron Baker
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By:
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Arthur Phillips
About this listen
Best-selling author Arthur Phillips won critical acclaim for his novels Prague and The Egyptologist, and Publishers Weekly called him a “master manipulator” for his ability to write fiction spun out of imagination and illusion.
In The Tragedy of Arthur, Phillips tells the (mostly) true story of being asked to write the introduction to a lost Shakespeare play entitled The Most Excellent and Tragical Historie of Arthur, King of Britain. But Phillips knows the play - supposedly found in a safety deposit box in America - is a fake.
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Editorial reviews
Part novel/fictionalized memoir, part five-act faux-Shakespearean play, The Tragedy of Arthur is Arthur Phillips’ ambitious foray into the genre-bending novel. It is made all the more impressive by Aaron Baker's versatile and convincing performance.
The novel is divided into two parts. The first part is a soul-searching introduction to a play called The Tragedy of Arthur that the narrator, a fictionalized version of Arthur Phillips, has found and is introducing to the world for the first time as a long-lost William Shakespeare play. As ersatz Phillips unspools his tale of the lifetime of experiences that have led to him possessing a previously unknown Shakespeare play, Aaron Baker, a veteran audiobook performer, enlivens the sad-sack narrator, convincingly voicing his sometimes sympathetic, sometimes contradictory, often self-indulgent observations. The second part of the novel is the play itself, an entire five-act written in the style of the Bard. For a fake Shakespeare play, it’s a rich and entertaining listening experience, and hearing a full cast play performed proves to be a gratifying pay-off after the long introduction that precedes it.
But it is Phillips' introduction that provides the more playful and poignant action. Recognizing that the book rests on the premise that though the play and the story told in the introduction both might be frauds, one can't always dismiss a fraud out of hand, Baker infuses the reading with a voice that sounds at once unquestionably sincere and also like the voice of a confidence man who is working over his mark. Baker's performance reveals a man who feels contrite and embattled, yet also indignant and strangely entitled at times, as when Arthur rationalizes his pursuit of his sister's girlfriend, or abandons his wife and children. Baker dramatizes Arthur's self-delusion in a way that is at once empathetic and winking. Everyone knows a guy like Arthur, and most of us have been him at least once: someone who says he's sorry for his sins in one breath and proceeds to justify those sins in the next. Baker's interpretation - like the best Shakespearian actors’ performances - adds layers to the text that allow for multiple interpretations of the story. Maggie Frank
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Shallow, poorly researched, forced humor
- By S. Yates on 05-11-17
By: Jennifer Wright
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Mark Twain - The Complete Novels
- By: Mark Twain
- Narrated by: Lee Howard
- Length: 58 hrs and 33 mins
- Unabridged
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Here you will find the complete novels of Mark Twain: 1. The Adventures of Tom Sawyer Starts at Chapter 1, 2. The Prince and the Pauper Starts at Chapter 37, 3. The Adventures of Huckleberry Finn Starts at Chapter 70, 4. A Connecticut Yankee in King Arthur's Court Starts at Chapter 113, 5. The American Claimant Starts at Chapter 158, 6. Tom Sawyer Abroad Starts at Chapter 184, 7. Pudd'nhead Wilson Starts at Chapter 197, 8. Tom Sawyer, Detective Starts at Chapter 219, 9. A Horse's Tale Starts at Chapter 230, 10. The Mysterious Stranger Starts at Chapter 245.
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Content; GREAT! Performance.. .not so much😁
- By brian deis on 01-09-20
By: Mark Twain
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The Prince and the Pauper
- By: Mark Twain
- Narrated by: Steve West
- Length: 7 hrs and 25 mins
- Unabridged
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They look alike, but they live in very different worlds. Tom Canty, impoverished and abused by his father, is fascinated with royalty. Edward Tudor, heir to the throne of England, is kind and generous but wants to run free and play in the river - just once. How insubstantial their differences truly are becomes clear when a chance encounter leads to an exchange of clothing - and roles. The pauper finds himself caught up in the pomp and folly of the royal court, and the prince wanders horror-stricken through the lower strata of English society.
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Wonderful author, terrific narrator, splendid book
- By Rahni on 10-01-17
By: Mark Twain
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Reading Like a Writer
- By: Francine Prose
- Narrated by: Nanette Savard
- Length: 8 hrs and 59 mins
- Unabridged
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In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters and discover why their work has endured. Written with passion, humor, and wisdom, Reading Like a Writer will inspire listeners to return to literature with a fresh eye and an eager heart.
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Practical, literate, generous
- By Gare on 04-13-08
By: Francine Prose
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The Autobiography of Henry VIII
- By: Margaret George
- Narrated by: David Case
- Length: 41 hrs and 18 mins
- Unabridged
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Margaret George's novel brings into focus the larger-than-life King Henry VIII, monarch of prodigious appetites for wine, women, and song.
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Perfection!
- By Amy M. Walts on 10-20-07
By: Margaret George
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Plain Tales from the Hills
- By: Rudyard Kipling
- Narrated by: Martin Jarvis
- Length: 4 hrs and 59 mins
- Unabridged
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An intimate, evocative, often funny, and always vital portrait of India at the peak of the British Raj. Written at the age of 22, they immediately show Kipling's natural and prodigious talent. Timeless, they can be listened to forever.
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Gentle irony
- By Simon Bowler on 01-25-06
By: Rudyard Kipling
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Where the Past Begins
- A Writer's Memoir
- By: Amy Tan
- Narrated by: Amy Tan
- Length: 14 hrs and 32 mins
- Unabridged
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Moving from her childhood in Oakland and growing up with her Chinese parents through her success as a novelist, Amy Tan delves into her creative interests in music, the paralysis of beginning a new project, journal writing, and travelling. Where the Past Begins chronicles the making of a writer. With characteristic humor and poignant observation, Tan weaves a nontraditional introspective narrative that is as complex and vibrant as this beloved American novelist's fiction.
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Narration Issues
- By Sara on 12-14-17
By: Amy Tan
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What Is Not Yours Is Not Yours
- Stories
- By: Helen Oyeyemi
- Narrated by: Ann Marie Gideon, Piter Marek, Bahni Turpin
- Length: 7 hrs and 42 mins
- Unabridged
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In "Books and Roses", one special key opens a library, a garden, and clues to at least two lovers' fates. In "Is Your Blood as Red as This?", an unlikely key opens the heart of a student at a puppeteering school. "'Sorry' Doesn't Sweeten Her Tea" involves a "house of locks", where doors can be closed only with a key - with surprising unobservable developments. And in "If a Book Is Locked There's Probably a Good Reason for That Don't You Think", a key keeps a mystical diary locked (for good reason).
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clever
- By jared rogerson on 03-15-18
By: Helen Oyeyemi
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Julius Caesar
- A Fully-Dramatized Audio Production From Folger Theatre
- By: William Shakespeare
- Narrated by: full cast
- Length: 2 hrs and 21 mins
- Original Recording
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The Folger Shakespeare Library, home to the world's largest Shakespeare collection, brings Julius Caesar to life with this new full-length, full-cast dramatic recording of its definitive Folger Edition.
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good play, difficult to distinguish characters
- By Christian R. Unger on 05-17-18
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My Name Is Red
- By: Orhan Pamuk, Erdag Goknar - translator
- Narrated by: John Lee
- Length: 20 hrs and 36 mins
- Unabridged
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At once a fiendishly devious mystery, a beguiling love story, and a brilliant symposium on the power of art, My Name Is Red is a transporting tale set amid the splendor and religious intrigue of 16th-century Istanbul, from one of the most prominent contemporary Turkish writers.
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Complex and interesting
- By Kathleen on 05-13-10
By: Orhan Pamuk, and others
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Things I've Been Silent About
- By: Azar Nafisi
- Narrated by: Naila Azad
- Length: 13 hrs and 27 mins
- Unabridged
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Azar Nafisi, author of the beloved international best seller Reading Lolita in Tehran, now gives us a stunning personal story of growing up in Iran, memories of her life lived in thrall to a powerful and complex mother, against the background of a country's political revolution.
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Family portrait in the frame of history
- By Galina COS on 07-02-16
By: Azar Nafisi
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Manhood for Amateurs
- The Pleasures and Regrets of a Husband, Father, and Son
- By: Michael Chabon
- Narrated by: Michael Chabon
- Length: 8 hrs and 3 mins
- Unabridged
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As a devoted son, as a passionate husband, and above all as a father, Chabon's memories of childhood, of his parents' marriage and divorce, of moments of painful adolescent comedy and giddy encounters with the popular art and literature of his own youth, are like a theme played by the mad quartet of which he now finds himself co-conductor. At once dazzling, hilarious, and moving, Manhood for Amateurs is destined to become a classic.
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Terrible
- By Ken on 10-14-09
By: Michael Chabon
What listeners say about The Tragedy of Arthur
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Debra B
- 04-24-12
3.5 to 4.5 stars
Any additional comments?
I listened to this book over a longer time span than usual. I wasn't always positive what was going on and maybe that time span was why, or maybe print would have been better in this case. Some parts engaged me more than others, thus the wishy-washy title of my review here. But I was glad I stuck with it, even though at times I wanted it to pick up the pace a little. The ending was good - not every book can say that. I will look at other works by this author for when I am feeling cerebral and clever, or at least am in the mood for that kind of company.
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- Bill S.
- 11-11-16
Bad Play, Wonderful Novel
Shakespeare Heads will love this one, but so will the novice. The main character/narrator is at once self-effacing and arrogant. Brilliant and inventive.
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Overall
- Larry Miller
- 05-29-11
Charming, fun, challenging, and unique
A fictional book about a fictional play told by an author with a protagonist of the same name whose father gives him a lost?Shakespeare play that seems to be about him. A book that can be loved on many levels (like a Shakespeare play). and I loved it. Sorry when it ended.
Even the "performance" of the 'found' play at the end challenged by beliefs. Did I find it less Shakespearean because I knew Shakespeare didn't write it or because Arthur Phillips is no Shakespeare?
Is Shakespeare Shakespeare because of what and how he wrote or because we decided (and generations before us decided) that what and how he wrote was worthy of veneration? This is one of the questions that Arthur Philips poses. Read/listen for more.
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6 people found this helpful
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- Doreen
- 03-04-12
Engaging Story!
Would you consider the audio edition of The Tragedy of Arthur to be better than the print version?
I tried to read the print version three times, and couldn't get into it...now that could be me and my schedule. Since I drive a lot for work, the audio book is usually a better choice, so I sprung for it. I was not disappointed. I just started the actual play, but I will say I did love this book.
Sort of convoluted (Arthur the author writes a book as Arthur the protagonist who gets a book from his father Arthur that seems to be a Shakespeare play about King Arthur) but easy to follow nonetheless. You do have to like that kind of book...complex story lines that give you a protagonist that you aren't 100% behind...Arthur isn't the kind of guy you are always rooting for. There will be times when you think
What did you like best about this story?
I liked the characters the best, and the fact that you weren't really sure at any time what the actual truth was.
Which character – as performed by David Aaron Baker – was your favorite?
I loved the character of Arthur (the father)...the voicing of that character really gave him life.
If you were to make a film of this book, what would be the tag line be?
To be...or not to be...that is the question, isn't it?
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3 people found this helpful