After a disastrous planet-wide war, Earth is nothing more than an elite graveyard—but Fletcher Carson is venturing back in search of a vital bounty. Fletcher, a former artist, is joined by a sentient machine, an ancient, powerful robot, and a treasure-seeking beauty. They soon discover that Earth harbors more than the carefully groomed tombstones. In the wild land beyond the cemetery there are dangerous machines, mutant creatures, and even humans who never left their home planet.

After a night out on the town, Parker Graves returns home to life-threatening danger. The science reporter for the local newspaper barely misses a bear trap sitting on his doorstep. Then, the object transforms into what looks like a bowling ball and rolls off into the night all by itself. He begins to obsess over the question—Who put the trap there? And why? The following day, there is strange news floating around at the newspaper office. Someone with limitless funds is buying up hundreds of homes and businesses, only to close them up and tear them down.

The long and prolific career of Clifford D. Simak cemented him as one of the formative voices of the science fiction and fantasy genre. The third writer to be named a Grand Master by the Science Fiction Writers of America, his literary legacy stands alongside those of Robert A. Heinlein and Ray Bradbury. This striking collection of nine tales showcases Simak's ability to take the everyday and turn it into something truly compelling, taking listeners on a long journey in a very short time.

People work; folk play. That is how it has been in this country for as long as Sam can remember. He is happy, and he understands that this is the way it should be. People are bigger than folk. They are stronger. They do not need food or water. They do not need the warmth of a fire. All they need are jobs to do and a blacksmith to fix them when they break. The people work so the folk can drink their moonshine, fish a little, and throw horseshoes. But once Sam starts to wonder why the world is like this, his life will never be the same.

Dilivish, a half elf-half man hybrid, failed in his attempt to rescue a young maiden being ritually sacrificed by the dark sorcerer Jelerak. In his anger at the attempt Jelerak kills the maiden and turns Dilvish's body to stone and banished his soul to Hell.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.