On this day of ill omen, plague makes its entrance. Within weeks, swathes of England will be darkened by death's shadow. While panic and suspicion flood the land, a small band of travelers comes together to outrun the breakdown in law and order. But when one of their number is found hanging from a tree, the chilling discovery confirms that something more sinister than plague is in their midst.

Four books. Four months. Nine Realms. Exiled and hunted, Cerulia, Princess of Weirandale, knows she has one destiny. Her enemies failed to kill her, and no one harboring her is safe. Raised in obscurity, she has no resources, no army, nothing that can help her against her enemies. Except their gods.

It is 997 CE, the end of the Dark Ages. England is facing attacks from the Welsh in the west and the Vikings in the east. Those in power bend justice according to their will, regardless of ordinary people and often in conflict with the king. Without a clear rule of law, chaos reigns. In these turbulent times, three characters find their lives intertwined.

Gods are forbidden in the kingdom of Middren. Formed by human desires and fed by their worship, there are countless gods in the world—but after a great war, the new king outlawed them and now pays “godkillers” to destroy any who try to rise from the shadows. As a child, Kissen saw her family murdered by a fire god. Now, she makes a living killing them and enjoys it. But all this changes when Kissen is tasked with helping a young noble girl with a god problem. The child’s soul is bonded to a tiny god of white lies, and Kissen can’t kill it without ending the girl’s life too.

Most of the time the Moontide Bridge lies deep below the sea, but every 12 years the tides sink and the bridge is revealed, its gates open for trade. The Magi are hell-bent on ruling this new world, and for the last two Moontides they have led armies across the bridge on "crusades of conquest". Now, the third Moontide is almost here, and this time the people of the East are ready for a fight... but it is three seemingly ordinary people that will decide the fate of the world.

It's a story you think you know: the age-old tale of "star-cross'd lovers"; two families at war; a romance, so pure and absolute, fated for a tragic end. It's a story so thoroughly embedded in our culture, and so frequently retold. Yet, nothing captures the spark, the possibility, and the surprise of Shakespeare's work quite like this....

The warden of St Serf's has been found dead in the almshouse garden. He appears to have been killed on the previous night but there are those who are convinced he was present at that morning's service, The elderly residents, the almshouse nurse and Humphrey, her deranged favourite, have all been set against one another by the dead man's scheming - and then there is the discarded mistress and almshouse ghost to consider.

When the peat-cutters came to report the dead man, Gil Cunningham was up in the roof-space of his mother's house, teaching his new young wife swordplay. They believe the corpse to be that of a local missing man. His wife and the widow who runs the local coalmine are sure the body belongs to someone else, but then they find themselves accused of having killed him by witchcraft. And if the corpse is not the missing man, who is it? Gil and Alys try to get to the heart of the matter.

Hunted like an animal by Norman invaders, Bran ap Brychan, heir to the throne of Elfael, has abandoned his father’s kingdom and fled to the greenwood. There, in the primeval forest of the Welsh borders, danger surrounds him - for this woodland is a living, breathing entity with mysterious powers and secrets. Bran must find a way to make it his own if he is to survive and become King Raven. From deep in the forest, Bran, Will Scarlet, and Friar Tuck form a daring plan for deliverance, knowing that failure means death for them all - and the dreams of the oppressed people of Wales.

In medieval England, four children have been murdered, and the townsfolk blame their Jewish neighbors. The doctor chosen to investigate is a woman, Adelia. As she examines the victims and retraces their last steps, she must conceal her true identity in order to avoid accusations of witchcraft. Along the way, she's assisted by Sir Rowley Picot, a man with a personal stake in the investigation. A former Crusader knight, Rowley may be a needed friend - or the fiend for whom they are searching.

Salisbury, 1226. A young pregnant woman is found tangled in reeds in the river Avon, her identity a mystery. Grieving widow Ela Longespée is determined to succeed her husband as sheriff of Salisbury, and quickly takes charge of the investigation. She soon finds herself in the thick of a neighborhood scandal and a struggle to maintain her authority. With multiple suspects, can she identify the true killer?

England in the early 1320s is a restless place. Edward II’s barons are disgruntled by his preference for Hugh Despenser, and in 1321 Roger Mortimer rebels against his king. With Baron Mortimer rides Adam de Guirande, Mortimer’s most loyal man. But when Edward II strikes back, things look uncomfortably dark for Adam who finds himself a prisoner—and abandoned by everyone but his wife.

Margaret of Ashbury wants to write her life story. However, like most women in 14th-century England, she is illiterate. Three clerics contemptuously decline to be Margaret’s scribe, and only the threat of starvation persuades Brother Gregory, a Carthusian friar with a mysterious past, to take on the task. As she narrates her life, we discover a woman of startling resourcefulness.

A sweeping story about obsession, mysticism, art and earthly desire. At the centre of this story is the Cathedral. Its design and construction in the 13th and 14th centuries in the fictional town of Hagenburg unites a vast array of unforgettable characters whose fortunes are inseparable from the shifting political factions and economic interests vying for supremacy. From the bishop to his treasurer, from local merchants to lowly stonecutters, the fate of everyone, both Gentile and Jew, is affected by the slow rise of Hagenburg’s cathedral.

The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm - that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon.

Margaret of Ashbury wants to write her life story. However, like most women in 14th-century England, she is illiterate. Three clerics contemptuously decline to be Margaret’s scribe, and only the threat of starvation persuades Brother Gregory, a Carthusian friar with a mysterious past, to take on the task. As she narrates her life, we discover a woman of startling resourcefulness.

A sweeping story about obsession, mysticism, art and earthly desire. At the centre of this story is the Cathedral. Its design and construction in the 13th and 14th centuries in the fictional town of Hagenburg unites a vast array of unforgettable characters whose fortunes are inseparable from the shifting political factions and economic interests vying for supremacy. From the bishop to his treasurer, from local merchants to lowly stonecutters, the fate of everyone, both Gentile and Jew, is affected by the slow rise of Hagenburg’s cathedral.

The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm - that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon.

Accused of treason and stripped of his knighthood, Crispin Guest has survived on the gritty streets of London by reinventing himself as The Tracker, an investigator for hire who can locate lost objects and uncover secrets. When the merchant Nicholas Walcote hires Guest to investigate his young wife Philippa for adultery, he discovers an underground world of danger and dirty dealings. Philippa is indeed hiding something—but she's not the only one. Walcote himself is rumored to possess a holy relic so powerful that some would even kill for it.

When the peat-cutters came to report the dead man, Gil Cunningham was up in the roof-space of his mother's house, teaching his new young wife swordplay. They believe the corpse to be that of a local missing man. His wife and the widow who runs the local coalmine are sure the body belongs to someone else, but then they find themselves accused of having killed him by witchcraft. And if the corpse is not the missing man, who is it? Gil and Alys try to get to the heart of the matter.

Young Robin Longbow, subapprentice forester in the King's Forest of Nottingham, must contend with the dislike of the Chief Forester, who bullies Robin in memory of his popular father. But Robin does not want to leave Nottingham or lose the title to his father's small tenancy, because he is in love with a young lady named Marian - and keeps remembering that his mother too was gentry and married a common forester. Robin has been granted a rare holiday to go to the Nottingham Fair, where he will spend the day with his friends Much and Marian.

One of Scotland's most dangerous men, Robert MacKenzie is dazzled by the enchanting beauty who rides into the town he is sworn to defend. Though he is wary of the exquisite stranger, Clarice stirs emotions within him that Robert buried deeply years before. And now he must have her at any cost, vowing to gain her trust through the powers of his sensuous seduction. Torn between her need to protect her secrets and her aching desire for the dark, tormented earl of Hepburn, Clarice is pulled into Robert's glamorous world . . . and into his perilous plan for justice and revenge.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

The warden of St Serf's has been found dead in the almshouse garden. He appears to have been killed on the previous night but there are those who are convinced he was present at that morning's service, The elderly residents, the almshouse nurse and Humphrey, her deranged favourite, have all been set against one another by the dead man's scheming - and then there is the discarded mistress and almshouse ghost to consider.

The future of Britain is at stake. In the turbulent times of the Dark Ages, the despotic Uther Pendragon, High King of Celtic Britain, is nearing death, and his kingdom is being torn apart by the squabbling of minor kings. But only one man can bring the Celts together as a nation and restore peace - King Arthur. Artorex (Arthur) doesn't yet seem like the great man he will grow into. We meet him as a shy, subservient twelve-year-old living in the foster home of Lord Ector, who took in Artorex as a babe to protect him from murderous kin.

London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul's is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer and reluctant government informer. In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul's, in a tomb that should have been empty. The man's body has been mutilated, and his thumbs have been tied behind his back.

Truth. Justice. Revenge. Behind these stands The Scotsman's Sword. When Lor Careston's quiet Highland village was attacked and burned, he felt helpless against the raiders who destroyed his home. Seeking revenge, but lacking the fighting skills he needs to execute his mission, he sets out to find the Ludus Caledonia - a mysterious fight guild that turns men into warriors. Lor trains hard, proves himself in the ring, and earns a place with the very clan that decimated his home, having decided to set his plan for revenge in motion from inside the clan.

A young woman survives the unthinkable in this stunning and emotionally satisfying tale of family, love, and resilience, set against the destruction of Jerusalem in 70 CE.

Walter of Gurnie, bastard son of an English peer, is forced to flee from Oxford for his part in the university riots of 1273. Inspired by Friar Bacon, he determines to travel to China. With his friend Tristam, he fights his way to the heart of the fabulous Mongol Empire and returns famous, to find that he must choose between the first love he thought lost and the exotic flower that he found in the East.

Cadfael's return to his Welsh homeland for a visit proves a rather discomfiting homecoming when an honorable nobleman turns up in a patch of forest with an arrow embedded in his chest. There are questions about the arrow, the man's daughter needs Cadfael's help, and a very odd burial takes place.