Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Darcy Drummond was four when she was kidnapped on a crowded beach. A massive police search and media frenzy followed but the girl was never found. Most people gave Darcy up for dead. Or worse.

How well do you really know your own family? The wife: Eve is desperate for her life to be perfect. Living in a beautiful house, with gorgeous views of the countryside, is all she’s ever wanted. And she’ll do whatever it takes to hold onto her dream life. The son: Joe is a model student; he never puts a foot wrong. He knows his mother wouldn’t tolerate it. Until the night of his sixteenth birthday party, when things go horribly wrong and someone in the house is left fighting for their life. As the blue flashing lights of the police and ambulance arrive, all eyes are on the Griffiths family.

Sarah Carpenter is starting over. She’s on the run—leaving behind her unsupportive, narcissistic ex-boyfriend and alcoholic, abusive mother—and headed for a new beginning at Tranquil Falls, a secluded artists’ colony on the grounds of a closed hotel. There, with no cell signal or internet to distract her, she hopes to rediscover her love for pottery and put the broken pieces of her life back together.

Greta Pugh is dead. The small village of Bethesda, Wales, is no stranger to tragedy. Once a thriving, prosperous community, the town has been marred by an ever-deepening class divide. But now, with rich and popular Greta Pugh found murdered in the local quarry, everyone in Bethesda is rattled, and all their secrets are at risk.

After her own mother mysteriously disappears, seventeen-year-old Alicia turns up on her godmother's doorstep and asks if she can stay. Carina can't say no to the godchild she hasn't seen in over a decade. And in a way, Alicia is the daughter she always wanted—she's so smart and driven, and definitely scholarship material. Carina is only too happy to help this brilliant young woman achieve her full potential. But husband Don and children Tegan and Arthur aren't so sure. There's something about Alicia… Is she just too good to be true?

As a struggling artist in New York City, Ira is desperate to get her shot at the big time. When an invitation to a week long art residency on a private island in the Bahamas drops in her inbox, she leaps at the chance. But something is off about Turquoise Bay and its owner, The Curator. When Ira and seven other artists end up locked in an underground bunker, the only way out is to play the Curator's games.

Steppy Corner, voice of true crime podcast series All the Dark Corners, wakes in hospital with no memory of what brought her to Heartsick - the small Colorado town where her estranged family live - no memory of why she was racing up the mountainside to her parents' house late at night . . . or why she didn't make that bend. All she knows is her mother has been brutally murdered and her brother is the prime suspect. As Steppy begins to piece together events in the run-up to the accident, she discovers her brother's connection to another ongoing case, that of a missing girl last seen with him.

Every day, Mary wakes up before dawn to make breakfast from scratch. She tends the garden and feeds the animals. Every night, Mary makes sure she has dinner on the table for when her husband Cal gets home from work. She puts on his favourite lipstick and greets him with a smile. 'I've missed you.' It's not true and he knows it. But he likes to hear it all the same. Their cabin is hidden deep in the woods in the Scottish Highlands, and Mary doesn't remember the last time she saw another living soul. She tries not to think about her life before too much.

At the heart of a trackless swamp, a murdered thief claws his way back from the abyss. Who he was is lost to the grave, but not his need for vengeance. Death has not claimed him; instead it's unlocked a darker destiny. This isn't a heroic tale; it's the antithesis. This is a dark fantasy where evil is as much a place as a person. In Tenebroum, our villainous protagonist, the Lich, strives for a godhood fueled by the souls of its enemies, and the world trembles, ignorant of its impending doom.

Filled with eerie surprises and dark delights, Night and Day takes us from the dusty shelves of an uncanny library filled with fictional characters to a bunker deep beneath the earth where scientists seek revenge on old Nazis; from an English marsh haunted by a mother and her son to a country house where a grieving widower finds comfort from a most unlikely source. Concluding with the author’s account of how an obscure horror film brought him closer to his lost father, and how nostalgia can help to keep us sane, this is a collection that will move, entertain, and keep you listening.

If Lark and Mikki didn’t have each other, they’d have nothing in this miserable town. So the best friends stick together, working night shift at the highway travel stop, going nowhere fast. Until a stranger drops in, heading for Florida, and Mikki impulsively leaves with him, never to be seen again. Eight years later, Lark is finally getting her life back together for the sake of her young daughter and Mikki’s lovably prickly grandma, who can no longer care for herself. People have almost stopped blaming Lark for Mikki’s disappearance, and she’s engaged to the nicest guy on highway patrol.

Rita Burch is a rising star. The founder of a huge clothing brand, she is on the brink of financial nirvana. Her company is set to go public with an astronomical valuation when her body is found broken and unconscious, a victim of an apparent accident. Comatose, and fighting for her life, determined to wake, she learns she can leave her body.

There's not much that scares Annie Graham. Not even the horrors she has witnessed during her years on the police force. When she agrees to look after her brother's farmhouse, she finds herself drawn to the crumbling old mansion in the woods nearby. But an innocent exploration of the empty ruin and the discovery of the diary of former resident Alice leaves her more than a little spooked. She knows it holds the secrets to a dark past, and she has to find out more.

Disgraced former detective Mike Humber gets off a train in the bleak autumn countryside, his mind haunted by a dark past. A new job awaits. Huntington House needs a live-in security guard to prevent access during an inheritance dispute. This is exactly what Mike needs: a new start in a new place and a chance to turn things around. It all seems perfect, especially when he meets Tessa. But Huntington House holds dark secrets. Bumps in the night. Flickering lights. Music playing from somewhere.

Behind tinted windows a few yards from mourning family and friends, Jessica and Jude Day witness their parents’ funeral - and their own. Stripped of the only life they’ve ever known, the Days say goodbye to San Francisco forever. Six months and two new identities later, the 30-year-old misfits with elite self-defense skills and penchants for alcohol, sex, and trouble arrive like an earthquake to Peaceful Woods, a retirement community in Omaha, Nebraska, that thrives on rules and gossip. Welcome home, Jackson and Jillian Knight.