It is the last night before Watson’s second wedding. Holmes tells Watson of his utter vanquishment by an adversary he never met in a tale set in 1880s Germany and featuring Goethe, Beethoven, Karl Benz, and Bertha Benz. By the end of this story, the listener would have found out about Holmes’ role in the invention of the motor car, powered flight, and the mobile phone, as well as his involvement in the discovery of a 10th symphony of Beethoven.

After the excitement of her recent adventures in Paris, Mrs Hudson goes to stay with her married daughter Eleanor in Bilbourne, a little village in Kent, the Garden of England. It is September, and the hop-harvest is in full swing at the nearby plantation belonging to Thomas Brakefield. But if Mrs Hudson was hoping for some peace and quiet away from the city, she is to be disappointed, soon caught up in dark passions that culminate in a brutal murder. At great risk to herself, Mrs Hudson goes in pursuit of the perpetrator.

This blend of fact and fiction sheds light on a virtually unexplored dimension of the Great Detective’s exploits. It is a perspective Sherlock Holmes — who elevated “true, cold reason … above all things” — would probably not appreciate. But for all its warmth and irrationality, there is just as much truth in the heart.

Why does Irene Adler, mistress of newspaper tycoon, Robert Munroe, lock herself into a cupboard several times a day? The antipodean magnate wants to know. And why is former Prime Minister, Charles Sedgefield, causing delays to the publication of a report on a recent Middle East war? As a representative of the British government, Mycroft wants to know.

What's behind a series of mysterious deaths among the favourite concubines of Sultan of Turkey, Abdul Hamid II? Suspecting a plot against himself, the Sultan has called on Sherlock Holmes to investigate. However, as a man, the detective is clearly unable to penetrate the exotic enclosed world of the harem, so he reluctantly enlists the help of his landlady, Mrs Hudson. Together with Dr Watson, they travel across Europe by Orient Express to Constantinople, on the way encountering Holmes's old enemy, Baron Mauterpuis.

Fourteen stories, all in classic style, introduce Holmes to new clients with strange and quirky problems. Clues to a fortune are hidden in a ludicrous painting, a modern mummy walks, and a novel tourist attraction holds the key to why an unattractive lady is suddenly pursued by an amorous admirer.

Lestrade panted, getting to his feet as the gang of Cheathams fell back. “Right now I can think of worse things than rescue by an amateur detective.” “My dear Lestrade, we're simply ensuring the fight is fair.” Sherlock Holmes somehow dissuaded the truth of that by the way his lips were coiling up at the edges (without letting go of the pipe in his teeth). Perhaps it was because he was clearly in disguise as a seedy deckhand in Dutchman's sailing clothes.

""Mr. Sherlock Holmes? I am, or was, Lady Juliet Armstrong, Baroness Crestwell. Having been murdered, I am deceased, and require your assistance." Thus begins the strangest partnership in the long career of Sherlock Holmes! Brash and bold, silly and sassy, Lady Armstrong will not let a simple thing like death stop her from seeking the help of the Great Detective to solve the mystery of her untimely demise.

London, 1920: Boston-bred Enoch Hale, working as a reporter for the Central News Syndicate, arrives on the scene shortly after a music-hall escape artist is found hanging from the ceiling in his dressing room. What at first appears to be a suicide turns out to be murder...the first of several using the same modus operandi. What's the connecting factor among all the victims? Or isn't there one? That's what the dogged journalist Hale aims to find out.

Holmes is consulted by Mr Devine on an unusual matter. Mr Devine has apprehended two malefactors in a well-watered garden in the Middle East and is unsure what is an appropriate form of retribution to impose. Holmes, Watson, and Mr Devine discuss the problem at length before arriving at a solution which satisfies all of them. Orlando Pearson himself then pens an essay setting out a radical theory about Sherlock Holmes and this theory is given further substance in an extraordinary fragment of Dr Watson’s writing found in the Public Record Office long after Watson’s death.

How can the insurance companies keep on producing record profits when the economic theories of Professor Alfred Marshall and his protégé John Maynard Keynes suggest that this should be impossible when their prices can be easily compared? The Chancellor of the Exchequer would like an answer and commissions Sherlock Holmes to find out.

Mary Watson was 27 years old when she met Watson, and she had always been a beacon to those in need, as her husband put it. Slowly, in her concern for others, she found herself battling abuse, injustice, and horrors. She fought with the tools she had, the examples before her: the unwavering integrity and courage of John Watson, the deductive prowess of Sherlock Holmes.

A client forsworn, a threatened town, and a Goliath of unimaginable proportions. Sherlock Holmes has survived a three-year vendetta against him by Moriarty’s remaining henchmen. Wounded and bleeding, with Mycroft’s help, he clandestinely boards an Atlantic steamship. At the close of his great hiatus, Holmes finds sanctuary at Vassar Women’s College. This radical challenge entangles him in the web of a nefarious mystery. Its unraveling involves New York’s most revolutionary residents: Elizabeth Cady Stanton and Susan B. Anthony.

Mycroft gives Holmes an urgent commission to find documents hidden by Oberstein, although this commission arises out of a diplomatic deal over which Holmes has the gravest misgivings. In a coup de maitre, Holmes finds the documents at the very last point in the time given to him by Mycroft, but Mycroft is totally distracted when he delivers them. Holmes instigates investigations of his own and uncovers a shocking scandal. But will he be able to pursue his investigation to its natural conclusion, or will realpolitik intervene?

For Sherlock Holmes, Irene Adler was always the woman, but at the end of A Scandal in Bohemia, Dr. Watson had pronounced her dead and gone. However, reports of her death were greatly exaggerated. Holmes and Miss Adler had fallen in love at first sight, and she promptly moved in with Holmes and Watson at 221B Baker Street. In an effort to protect the delicate sensibilities of the British reading public, Watson explained her presence by referring to her as Mrs. Hudson, the housekeeper, even as Holmes and Adler combined forces to become a formidable detecting duo.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.