Ma Taffy may be blind, but she sees everything. So when her great-nephew Kaia comes home from school in tears, what she senses sends a deep fear running through her. While they wait for his mama to come home from work, Ma Taffy recalls the story of the flying preacherman and a great thing that did not happen. A poor suburban sprawl in the Jamaican heartland, Augustown is a place where many things that should happen don't, and plenty of things that shouldn't happen do.

In this prize-winning poetry collection, we watch as the cartographer, used to assuming control over a place by mapping it, is gradually compelled to recognise a wholly different understanding of place as he tries to map his way to the rastaman’s eternal city of Zion. As the book unfolds the cartographer learns that every place name comes freighted with history, and not every place that can be named can be found.

Adamine Bustamante is born in Jamaica, inside one of the island’s last leper colonies. When she goes to a Revivalist Church, she discovers her gift of warning. But no one has bothered to warn Adamine that when she migrates to England her prophecies of hurricanes and earthquakes will no longer be respected. People will think she is crazy and lock her away in a mental hospital.

In the 1970s, Topper and Sanya flee to Miami as political violence consumes their native Kingston. But America, as the couple and their two children learn, is far from the promised land. Excluded from society as Black immigrants, the family pushes on first through Hurricane Andrew and later the 2008 recession, living in a house so cursed that the pet fish launches itself out of its own tank rather than stay. But even as things fall apart, the family remains motivated, often to its own detriment, by what their younger son, Trelawny, calls “the exquisite, racking compulsion to survive.”

The master of the Providence plantation in Barbados gathers his slaves and announces the king has decreed an end to slavery. As of the following day, the Emancipation Act of 1834 will come into effect. The cries of joy fall silent when he announces that they are no longer his slaves; they are now his apprentices. No one can leave. They must work for him for another six years. Freedom is just another name for the life they have always lived. So Rachel runs.

Trinidad in the 1940s, nearing the end of American occupation and British colonialism. On a hill overlooking Bell Village sits the Changoor farm, where Dalton and Marlee Changoor live in luxury unrecognizable to those who reside in the farm’s shadow. Down below is the Barrack, a ramshackle building of wood and tin, divided into rooms occupied by whole families. Among these families are the Saroops—Hans, Shweta, and their son, Krishna, all three born of the barracks.

It’s fair to say that Maddie’s life in London is far from rewarding. With a mother who spends most of her time in Ghana (yet still somehow manages to be overbearing), Maddie is the primary caretaker for her father, who suffers from advanced stage Parkinson’s. At work, her boss is a nightmare and Maddie is tired of always being the only Black person in every meeting.

Throughout her childhood, Safiya Sinclair’s father, a volatile reggae musician and a militant adherent to a strict sect of Rastafari, was obsessed with the ever-present threat of the corrupting evils of the Western world outside their home, and worried that womanhood would make Safiya and her sisters morally weak and impure. For him, a woman’s highest virtue was her obedience.

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.

In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out.

The great scholar, W. E. B. Du Bois, once wrote about the problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s problem on her shoulders.

Farah Jasmine Griffin’s beloved father died when she was nine, bequeathing her an unparalleled inheritance in closets full of remarkable books and other records of Black genius. In Read Until You Understand - a line from a note he wrote to her - she shares a lifetime of discoveries: the ideas that framed the US Constitution and that inspired Malcolm X’s fervent speeches, the soulful music of Marvin Gaye and Stevie Wonder, the daring literature of Phillis Wheatley and Toni Morrison, the artistry of Romare Bearden, and many others.

Queenie Jenkins is a 25-year-old Jamaican British woman living in London, straddling two cultures and slotting neatly into neither. She works at a national newspaper, where she’s constantly forced to compare herself to her white middle-class peers. After a messy breakup from her White long-term boyfriend, Queenie seeks comfort in all the wrong places...including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth.

On a Spring afternoon in London, Sam hops the stairs of his flat two at a time. There’s £1,300 missing from his and his wife, Efe’s, shared bank account and his calls are going straight to voicemail. When he finally reaches someone, he learns Efe is nearly 5,000 miles away as their toddler looks around and asks, “Where’s Mummy?”

Barbados, 1962. Lost soul Iapetus roams the island, scared and alone, driven mad after witnessing his father’s death at the hands of his mother and his older brother, Cronus. Just before Iapetus is lost forever, he has a son, but the baby is not enough to save him from himself—or his family’s secrets. Seventeen years later, Iapetus’s son, the stoic Atlas, lives in a loveless house, under the care of his uncle, Cronus, and in the shadow of his charismatic cousin Z.

Aged eight, Dina Nayeri fled Iran along with her mother and brother and lived in the crumbling shell of an Italian hotel-turned-refugee camp. Eventually, she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton University. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers in recent years, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement.

Here is the exciting culmination of Ali Smith's celebrated Seasonal Quartet, a series of stand-alone novels, separate but interconnected (as the seasons are), wide-ranging in timescale and light-footed through histories.

Haunted by an unmet promise, the Swart family loses touch after the death of their matriarch. Adrift, the lives of the three siblings move separately through the uncharted waters of South Africa; Anton, the golden boy who bitterly resents his life’s unfulfilled potential; Astrid, whose beauty is her power; and the youngest, Amor, whose life is shaped by a nebulous feeling of guilt.

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.

The Earth had buckled, and, in that movement, all that was not in its place fell upon the Earth’s children, upon the blameless as well as the guilty, without discrimination. At the end of a long sweltering day, as markets and businesses begin to close for the evening, an earthquake of 7.0 magnitude shakes the capital of Haiti, Port-au-Prince. Award-winning author Myriam J. A. Chancy masterfully charts the inner lives of the characters affected by the disaster

In this lyrical, unsentimental, and compelling memoir, the son of a Black African father and a White American mother searches for a workable meaning to his life as a Black American. It begins in New York, where Barack Obama learns that his father - a figure he knows more as a myth than as a man - has been killed in a car accident. This sudden death inspires an emotional odyssey - first to a small town in Kansas, from which he retraces the migration of his mother’s family to Hawaii, and then to Kenya, where he meets the African side of his family.

A Suitable Boy is Vikram Seth's epic love story set in India. Funny and tragic, with engaging, brilliantly observed characters, it is as close as you can get to Dickens for the twentieth century. The story unfolds through four middle class families: the Mehras, Kappoors, Khans, and Chatterjis. Lata Mehra, a university student, is under pressure from her mother to get married. But not to just anyone she happens to fall in love with.

Who Killed My Father rips into France’s long neglect of the working class and its overt contempt for the poor, accusing the complacent French - at the minimum - of negligent homicide. The author goes to visit the ugly gray town of his childhood to see his dying father, barely 50 years old, who can hardly walk or breathe: “You belong to the category of humans whom politics consigns to an early death.” It’s as simple as that.

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy, and the color hit of Pop Art, Autumn is a witty excavation of the present by the past. The novel is a stripped-branches take on popular culture and a meditation, in a world growing ever more bordered and exclusive, on what richness and worth are, what harvest means.

In 1979, Neda Toloui-Semnani’s parents left the United States for Iran to join the revolution. But the promise of those early heady days in Tehran was warped by the rise of the Islamic Republic. With the new regime came international isolation, cultural devastation, and profound personal loss for Neda. Her father was arrested and her mother was forced to make a desperate escape, pregnant and with Neda in tow.

The Lost begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust - an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939 and tantalized by fragmentary tales of a terrible betrayal, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relatives' fates.

Opening in Calcutta in the 1960s, Ghosh’s radiant second novel follows two families - one English, one Bengali - as their lives intertwine in tragic and comic ways. The narrator, Indian-born and English educated, traces events back and forth in time, through years of Bengali partition and violence, observing the ways in which political events invade private lives.

It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.

Cynthia Piantedosi lives a quiet, unassuming life with her elderly father just outside of Boston. When she loses her beloved grandmother as a child, her faith takes a turn for the devout, and she begins experiencing what she describes as "spells" - moments of such intense prayer that she loses herself. Uninterested in boys and a social life, she develops a deep friendship with the parish priest, whose ideas are often seen as too provocative by his congregation but who encourages her to explore her spells.

When the most famous toddler in America, Charles Lindbergh, Jr., is kidnapped from his family home in 1932, the case makes international headlines. Already celebrated for his flight across the Atlantic, his father, Charles, Sr., is the country’s golden boy, with his wealthy, lovely wife, Anne Morrow Lindbergh, by his side. But there’s someone else in their household—Betty Gow, a formerly obscure young woman, now known around the world by another name: the Lindbergh Nanny. Betty must find the truth in order to clear her own name—and to find justice for the child she loves.