One of the great Jacobean playwrights and a contemporary of William Shakespeare, John Webster is best known for his classic revenge tragedies based on real events in Renaissance Italy, The Duchess of Malfi and The White Devil. Both are included here, along with two insightful programmes putting the plays in their historical context and probing the life of their mysterious author - a shadowy character about whom very little is known.

One of the most prolific playwrights of the Jacobean era, Thomas Middleton achieved great success with his cynically satirical comedies and bloodthirsty tragedies. Considered the only true rival to Shakespeare, Middleton is widely believed to have collaborated with the Bard on several plays, including Timon of Athens. This dazzling collection comprises dramatisations of his most famous works, including his two masterpieces, The Changeling and Women Beware Women.

Ovid's sensuous and witty poetry brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation - often as a result of love or lust - where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of Ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy.

C. S. Lewis offers a magisterial take on the literature and poetry of one of the most consequential periods in world history, providing deep insight into some of the greatest writers of the age, including Edmund Spenser, William Shakespeare, William Tyndale, John Knox, Dr. Johnson, Richard Hooker, Hugh Latimer, Christopher Marlowe, John Donne, and Thomas Cranmer.

Raunchy, risqué and rebellious, early Restoration comedies were a breath of fresh air for 17th century theatregoers. With Charles II restored to the throne in 1660, Oliver Cromwell's ban on stage performances was rescinded, and for the first time, women were invited to tread the boards as actresses. Playwrights developed a new style of social comedy, packed with amorous escapades, bawdy humour, wicked wit and sexual innuendo. This scintillating anthology showcases six leading lights of early Restoration drama.

A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn't tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant.

Christopher Marlowe was most celebrated writer of his generation, surpassing even William Shakespeare during his lifetime. A playwright, poet, hellraiser, rebel and spy, he lived fast and died young, stabbed to death in a Deptford lodging house aged only 29. This definitive collection comprises all six of his groundbreaking plays.

England's 'Glorious Revolution' of 1688 and the reign of new monarchs William and Mary signified a turning point for Restoration comedy with laws being passed to restrict playwrights' freedoms. The latter years are marked by a shift towards more moral storylines, mixing humour with social and political issues, alongside the lighthearted 'comedy of manners'. The works in this collection bring together these complementary styles, full of humour while also focusing on hard hitting themes.

The sensitive and poetic Richard II is undoubtedly the rightful king of England, but he is unscrupulous and weak. When his cousin Henry Bolingbroke returns from banishment and mounts a challenge to his authority, Richard's right to the throne proves of little help to him. Richard is forced to abdicate, but as his power is stripped away, he gains dignity and self-awareness, and he meets his death heroically.

Shakespeare's most sophisticated comedy is a riotous tale of hopelessly unrequited passions and mistaken identity. Duke Orsino is in love with the noblewoman Olivia. She, however, has fallen for his servant Cesario, who is actually Viola, a woman disguised as a man, who loves Orsino: Confusion is rife. Meanwhile, Olivia's arrogant steward Malvolio is cruelly tricked by her uncle Sir Toby Belch, his friend Sir Andrew Aguecheek, and the maidservant Maria into believing his mistress loves him.